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Siel DK70
The Siel DK70 is a synthesizer produced in 1986 by Siel. Description The DK70 is the cut-down little brother of the Siel DK80. It is often compared to the Korg Korg Poly-800, Poly-800, to which it is conceptually similar, but while is had a similar appearance and used a very similar digital interface (even "sharing" the extended envelope parameters of break-point and slope) it is no clone. It operates like an Analog synthesizer, analog synth, but its envelope generators and LFOs are all digital and its oscillators use a digitally-controlled divide-down organ chip. The DK-70 has eight "oscillators", but all the voices are mixed together through a single "monophonic" analog lowpass filter which was shared for all voices. Similar "paraphonic" arrangements were used in instruments like the ARP Omni. While the DK70 offers similar features and settings to the Korg Poly 800, it appeared several years later, has a different chipset and sound and offers additional features like two LFO ...
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Siel
Societa Industrie Elettroniche (SIEL) was an Italian company that made electronic organs and synthesizers in the 1980s. Timeline of major products * 1979 - Siel Orchestra, Orchestra (Divide down oscillator network for full poly. Brass/string/key/organ. ARP Instruments, Inc., ARP relabelled it the "ARP Quartet, Quartet" in the US as they were folding.) * 1980 - Mono (A fairly nice sounding simple 1 DCO, 1 VCF monosynth) * 1981 - Cruise (Combination of “Mono“ and “Orchestra“ in one Synthesizer * 1982 - OR400 / Orchestra 2 (Improvement of Orchestra above. More parameter sliders. This was also marketed by Sequential Circuits as the Prelude.) * 1984 - Opera 6 (2 DCO divide down from HFO ssm2031 chips, with all analog signal/EG) * 1984 - DK600 (Opera 6 with different artwork. The last EPROM supports MIDI channels/Omni off) * 1984 - Expander (opera 6/DK600 in a table top module. Only dco B tune, Volume, master tune.) * 1985 - DK80 (splittable/layerable dual 6 voice synt ...
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Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ...
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ROM Cartridge
A ROM cartridge, usually referred to in context simply as a cartridge, cart, cassette, or card, is a replaceable part designed to be connected to a consumer electronics device such as a home computer, video game console or, to a lesser extent, electronic musical instruments. Read-Only Memory, ROM cartridges allow users to rapidly load and access programs and data alongside a floppy drive in a home computer; in a video game console, the cartridges are standalone. At the time around their release, ROM cartridges provided security against Software copyunauthorised copying of software. However, the manufacturing of ROM cartridges was more expensive than floppy disks, and the storage capacity was smaller. ROM cartridges and slots were also used for various hardware accessories and enhancements. The widespread usage of the ROM cartridge in video gaming applications has led it to be often colloquially called a game cartridge. History ROM cartridges were popularized by early home ...
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Patch (synthesizer)
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964 ...
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Octave
In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' (), ''8va bassa'' (, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing this mark above or below the staff. ...
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SH-101
The Roland SH-101 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1986. Though it did not achieve significant commercial success, it later became a staple of electronic music in the 1990s, particularly house music. Sound and features The SH-101 is monophonic, meaning it can only play one note at a time. It has a single oscillator (the Curtis CEM3340) and a sub-oscillator, a low-pass filter, a mixer allowing users to blend different waveforms plus a noise generator, and an arpeggiator and sequencer. An ADSR envelope generator controls the filter and VCA, and the filter, VCA, pitch and pulse width can be controlled with an LFO. Users can attach an optional handgrip with modulation controls and shoulder strap to play the SH-101 as a keytar, and it could also be powered via battery. According to MusicRadar, the SH-101 has "snappy and razor-sharp" bass, "squelchy and expressive" leads, and a "piercing yet smooth" filter. Release The SH-101 laun ...
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Keytar
A keytar (a portmanteau of ''keyboard'' and ''guitar'') is a keyboard instrument similar to a synthesizer or MIDI controller that is supported by a strap around the neck and shoulders, similar to the way a guitar is held. Overview Though the term "keytar" has been used since the introduction of the instrument, it was not used by a major manufacturer until 2012, when the Alesis company referred to the "Vortex", the company's first product of this type, as a "USB/MIDI Keytar Controller”. Keytars allow players a greater range of movement onstage, compared to conventional keyboards, which are placed on stationary stands or which are part of heavy, floor-mounted structures. The instrument has a musical keyboard for triggering musical notes and sounds. Various controls are placed on the instrument's "neck", including those for Pitch (music), pitch bends, vibrato, portamento, and sustain. Keytars may either contain their own synthesizer engines, or be MIDI controllers. In either c ...
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Analog Synthesizer
An analog synthesizer () is a synthesizer that uses Analogue electronics, analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum tube, vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog synthesizer, Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using ...
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Korg Poly-800
The Korg Poly-800 is an 8-voice analog synthesizer released by Korg in 1983. Its initial list price of $795 made it the first fully programmable polyphonic synthesizer that sold for less than $1,000. It was designed for portability, featuring battery power and a lightweight design that allowed the user to play with it strapped around their neck. It utilized digitally controlled oscillators (DCOs), and was a paraphonic synth with a single filter shared between its eight voices. Sounds and features Each DCO offers sawtooth and square waveforms, which are mixed together with a white noise generator before being sent to a voltage-controlled filter (VCF). The Poly-800 features 2 polyphony modes: Whole mode offers 8-voice polyphony with one DCO per voice, while Double mode places the DCOs in pairs for a richer sound, albeit at the expense of reducing polyphony to four voices. The VCF is shared across all voices, which means the Poly-800 is technically a paraphonic synth, instead ...
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Korg
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instrument An electronic musical instrument or electrophone is a musical instrument that produces sound using electronics, electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is ...s, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History KORG was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanie ...
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MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ...
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Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which Harmonic_series_(music)#Partial.2C_harmonic.2C_fundamental.2C_inharmonicity.2C_and_overtone, overtones of an audio signal are attenuated by a audio filter, filter to alter the timbre of the sound. Overview Subtractive synthesis relies on source sounds that have overtones, such as Sine wave, non-sinusoidal waveforms like Square wave (waveform), square and triangle wave, triangle waves, or white noise, white and pink noise. These overtones are then Modulation, modulated to alter the source sound. This modulation can happen in a wide variety of ways, such as Voltage-controlled filter, voltage-controlled or low-pass filter, low-pass filters. The technology developed in experimental electronic studios which were primarily focused on telecommunications and military applications. Early examples include Bell Labs' Voder (1937–8). Composers began applying the concept of subtractive synthesis beyond the recording studio in conc ...
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