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Siegfried Borris
Siegfried Borris (born Siegfried Jakob Boris Zuckermann; 4 November 1906 – 23 August 1987) was a German composer, musicologist and music educator. He became a lecturer at the Musikhochschule Berlin in 1929, but his career was interrupted during the Nazi regime. He was appointed professor in 1945 and became an influential pedagogue, composer of music for young players, and active in music organisations. He was president of national associations, of Deutscher Tonkünstlerverband from 1963 to 1972, and of Deutscher Musikrat from 1971 to 1976. Life Siegfried Jakob Boris Zuckermann was born in Berlin on 4 November 1906, the son of the economist Salomo Zuckermann and his wife Martha, a teacher. His father was Jewish and had converted to Christianity when he married in 1905. He initially studied national economics at the Humboldt University of Berlin as his father wished, but also studied music at the same time. In 1927, he was accepted in Paul Hindemith's composition class. Fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humboldt University Of Berlin
The Humboldt University of Berlin (german: link=no, Humboldt-Universität zu Berlin, abbreviated HU Berlin) is a public university, public research university in the central borough of Mitte in Berlin, Germany. The university was established by Frederick William III of Prussia, Frederick William III on the initiative of Wilhelm von Humboldt, Johann Gottlieb Fichte and Friedrich Daniel Ernst Schleiermacher as the University of Berlin () in 1809, and opened in 1810, making it the oldest of Berlin's four universities. From 1828 until its closure in 1945, it was named Friedrich Wilhelm University (german: link=no, Friedrich-Wilhelms-Universität). During the Cold War, the university found itself in East Berlin and was ''de facto'' split in two when the Free University of Berlin opened in West Berlin. The university received its current name in honour of Alexander von Humboldt, Alexander and Wilhelm von Humboldt in 1949. The university is divided into nine faculties including its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Musik
Neue Musik (English ''new music'', French ''nouvelle musique'') is the collective term for a wealth of different currents in composed Western art music from around 1910 to the present. Its focus is on compositions of 20th century music. It is characterised in particular by – sometimes radical – expansions of tonal, harmonic, melodic and rhythmic means and forms. It is characterised by the search for new sounds, new forms or new combinations of old styles, which is partly a continuation of existing traditions, partly a deliberate break with tradition and appears either as ''progress'' or as ''renewal'' (neo- or post-styles). Roughly speaking, Neue Musik can be divided into the period from around 1910 to the Second World War – often referred to as "modernism" – and the reorientation after the Second World War, which is perceived as "radical" – usually apostrophised as ''avant-garde'' – up to the present. The latter period is sometimes subdivided into the 1950s, 1960s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the '' Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German National Library
The German National Library (DNB; german: Deutsche Nationalbibliothek) is the central archival library and national bibliographic centre for the Federal Republic of Germany. It is one of the largest libraries in the world. Its task is to collect, permanently archive, comprehensively document and record bibliographically all German and German-language publications since 1913, foreign publications about Germany, translations of German works, and the works of German-speaking emigrants published abroad between 1933 and 1945, and to make them available to the public. The DNB is also responsible for the and several special collections like the (German Exile Archive), and the (German Museum of Books and Writing). The German National Library maintains co-operative external relations on a national and international level. For example, it is the leading partner in developing and maintaining bibliographic rules and standards in Germany and plays a significant role in the development o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Arts, Berlin
The Academy of Arts (german: Akademie der Künste) is a state arts institution in Berlin, Germany. The task of the Academy is to promote art, as well as to advise and support the states of Germany. The Academy's predecessor organization was founded in 1696 by Elector Frederick III of Brandenburg as the Brandenburg Academy of Arts, an academic institution in which members could meet and discuss and share ideas. The current Academy was founded on 1 October 1993 as the re-unification of formerly separate East and West Berlin academies. Membership The Academy is an incorporated body of the public right under the laws of the Federal Republic of Germany. New members are nominated by secret ballot of the general assembly, and appointed by the president with membership never to exceed 500. The academy‘s recent presidents include: * Adolf Muschg – (2003–2006) * Klaus Staeck – (2006–2015) * Jeanine Meerapfel – (2015– ) History Beginning in the 1690s, the Prussian A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolin Orchestra
A mandolin orchestra is an orchestra consisting primarily of instruments from the mandolin family of instruments, such as the mandolin, mandola, mandocello and mandobass or mandolone. Some mandolin orchestras use guitars and double-basses instead of, or as well as, the lower mandolin-family instruments. Orchestra composition A mandolin orchestra is an ensemble of plucked string instruments similar in structure to the string sections of a symphony orchestra. There are first and second mandolin sections (analogous to first and second violins); a mandola section (analogous to the viola section); mandocelli (analogous to the violoncelli), classical guitars, and a bass section originally of mando-basses but nowadays more likely to be acoustic bass guitar or double bass. The classical guitar section is very important and many orchestras are more accurately described as mandolin and guitar orchestras. Many orchestras also include a percussion section. Most mandolin orchestras are c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute Concerto
A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day. Some major composers have contributed to the flute concerto repertoire, with the best known works including those by Mozart and Vivaldi. Traditionally a three- movement work, the modern-day flute concerto has occasionally been structured in four or more movements. In some flute concertos, especially from the Baroque and modern eras, the flute is accompanied by a chamber ensemble rather than an orchestra. Selected repertoire Baroque Michel Blavet *Concerto in A minor Jean-Marie Leclair *Concerto in C major, Op. 7, No. 3 (also for violin or oboe solo) Giovanni Battista Pergolesi *Flute Concerto in G major Johann Joachim Quantz (1697–1773) – author of over 300 concertos for the flute. *Concerto in G major *Concerto in C minor Georg Philipp Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord Concerto
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see ''piano concerto''). For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and (in some cases) pipe organ. The Baroque harpsichord concerto The harpsichord was a common instrument in the 1730s, but never as popular as string or wind instruments in the concerto role in the orchestra, probably due to its relative lack of volume in an orchestral setting. In this context, harpsichords were more usually employed as a continuo instrument, playing a harmonised bass part in nearly all orchestral music, the player often also directing the orchestra. Bach's Brandenburg Concerto No.5 in D major, BWV 1050, may be the first work in which the harpsichord appears as a concerto soloist. In this piece, its usua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertimento
''Divertimento'' (; from the Italian '' divertire'' "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the '' divertimento'' is most often lighthearted (as a result of being played at social functions) and it is generally composed for a small ensemble. The term is used to describe a wide variety of secular (non-religious) instrumental works for soloist or chamber ensemble. It is usually a kind of music entertainment, although it could also be applied to a more serious genre. After 1780, the term generally designated works that were informal or light. Genre As a separate genre, it appears to have no specific form, although most of the ''divertimenti'' of the second half of the 18th century go either back to a dance suite approach (derived from the 'ballet' type of theatrical ''divertimento''), or take the form of other chamber music genres of their century (as a continuation of the merely instrumental theatrical ''divertimento''). There are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), '' Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
