|
Shiraga Castle
was a Japanese abstract painter and the first-generation member of the postwar artists collective Gutai Art Association (Gutai). As a Gutai member, he was a prolific, inventive, and pioneering experimentalist who tackled a range of media: in addition to painting, he worked in performance art, three-dimensional object making, conceptual art, and installations, many of which are preserved only in documentary photos and films. Shiraga is best known for his abstract paintings, or the so-called “foot painting”, which he created by spreading oil paint initially on paper and later on canvas with his feet. Through this original method he had invented in 1954, he made a critical engagement with the tradition of painting, the result of which resonated with European and American gestural abstraction of the 1950s, such as Informel and Abstract Expressionism. In the 1960s and 1970s, he reintroduced tools such as boards and spatulas for spreading the paint. His experiments outside paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amagasaki
270px, Amagasaki Castle 270px, Aerial view of Amagasaki city center 270px, Amagasaki Station is an industrial city located in Hyōgo Prefecture, Japan. , the city had an estimated population of 455,555 in 223,812 households, and a population density of 9000 persons per km². The total area of the city is . Geography Amagasaki is located in far southeastern Hyōgo Prefecture, next to Osaka. It has the fourth largest population in Hyōgo Prefecture after Kobe, Himeji, and Nishinomiya. Residential areas account for most of the rest of the coastal areas, industrial areas along the Meishin Expressway and JR West Fukuchiyama Line, commercial areas around Hanshin Amagasaki Station and JR Amagasaki Station, and its population density is the highest among municipalities in Hyogo Prefecture. Ground subsidence caused by the pumping up of groundwater by factories has reduced one-third of the city's area to sea level, causing flooding damage due to storm surges. Neighboring municipalit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tendai
, also known as the Tendai Dharma Flower School (天台法華宗, ''Tendai hokke shū,'' sometimes just ''Hokkeshū''), is a Mahāyāna Buddhist tradition with significant esoteric elements that was officially established in Japan in 806 by the Japanese monk Saichō. The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794–1185). It gradually eclipsed the powerful Hossō school and competed with the rival Shingon school to become the most influential sect at the Imperial court. By the Kamakura period (1185–1333), Tendai had become one of the dominant forms of Japanese Buddhism, with numerous temples and vast landholdings. During the Kamakura period, various monks left Tendai to found new Buddhist schools such as Jōdo-shū, Jōdo Shinshū, Nichiren-shū and Sōtō Zen. The destruction of the head temple of Enryaku-ji by Oda Nobunaga in 1571, as well as the geographic shift of the capital away from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Restany
Pierre Restany (22 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme In 1960 Pierre Restany created the idea and coined the term Nouveau Réalisme with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists. Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later join ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Martial Arts
Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (''budō'', ''bujutsu'', and ''bugei'') are used interchangeably with the English phrase Japanese martial arts. The usage of the term ''budō'' (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms ''bujutsu'' (武術) and ''bugei'' (武芸) have different meanings from ''budō'', at least historically speaking. ''Bujutsu'' refers specifically to the practical application of martial tactics and techniques in actual combat. ''Bugei'' refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. History Each child who grew up in a samurai family was expected to be a warrior when he gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy () is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instruments. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". In East Asia and the Islamic world, where written forms allow for greater flexibility, calligraphy is regarded as a significant art form, and the form it takes may be affected by the meaning of the text or the individual words. Modern Western calligraphy ranges from functional inscriptions and designs to fine-art pieces where the legibility of letters varies. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Western calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink Wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà) is a type of Chinese ink brush painting which uses Wash (visual arts), washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more Realism (arts), realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct Mimesis, imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the Muromachi period, 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contempo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanji
are logographic Chinese characters, adapted from Chinese family of scripts, Chinese script, used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived Syllabary, syllabic scripts of and . The characters have Japanese pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After the Meiji Restoration, Japan made its own efforts to simplify the characters, now known as , by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the general public. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characters that exist. There are nearly 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmine
Carmine ()also called cochineal (when it is extracted from the Cochineal, cochineal insect), cochineal extract, crimson Lake pigment, lake, or carmine lake is a pigment of a bright-red color obtained from the aluminium coordination complex, complex derived from carminic acid. Specific code names for the pigment include natural red 4, Colour Index International, C.I. 75470, or E number, E120. ''Carmine'' is also a general term for a particularly carmine (color), deep-red color. Etymology The English word "carmine" is derived from the French word ''carmin'' (12th century), from Medieval Latin ''carminium'', from Persian language, Persian ''qirmiz'' ("crimson") and from Armenian language, Armenian կարմիր/carmir ("red"), which both derive from Middle Persian ''carmir'' ("red, crimson"). The Persian term ''carmir'' is likely cognate with Sanskrit ''krimiga'' ("insect-produced"), from ''krmi'' ("worm, insect"). The Persian word for "worm, insect" is ''kirm'', and in Iran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acala
or Achala (, "The Immovable", ), also known as (, "Immovable Lord") or (, "Noble Immovable Lord"), is a Fierce deities, wrathful deity and ''dharmapala'' (protector of the Dharma) prominent in Vajrayana, Vajrayana Buddhism and East Asian Buddhism., Jp. rel. dict., pp. 242–246 Originally a minor deity described as a messenger or acolyte of the Buddhahood, buddha Vairocana, Acala later rose to prominence as an object of veneration in his own right as a remover of obstacles and destroyer of evil, eventually becoming seen as the wrathful manifestation of either Vairocana, the buddha Akshobhya, Akṣobhya, or the bodhisattva Manjushri, Mañjuśrī. In later texts, he is also called (, "Violent Wrathful One", ) or (, "Violent One of Great Wrath", ), the names by which he is more commonly known in countries like Nepal and Tibet. In East Asian Buddhism, East Asian Chinese Esoteric Buddhism, esoteric Buddhism, Acala is classed among the Wisdom Kings () and is preeminent among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
