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Shikigami
(also read as ) is the term for a being from Japanese folklore. According to the Shinto scholar Inoue Nobutaka, it is thought to be some sort of , represented by a small ghost. The belief of ''shikigami'' originates from ''Onmyōdō''. According to the tradition of ''Onmyōdō'', ''shikigami'' is a symbol of ''onmyōji''s power because ''onmyōji'' can freely use ''shikigami'' with magical powers. It has been associated with "curses" since the 1000s of the Heian period, and was often depicted as a bird or a child in Japanese literature and ''Emakimono''. Description ''Shikigami'' are conjured beings, made alive through a complex conjuring ceremony. Their power is connected to the spiritual force of their master, where if the invoker is well introduced and has much experience, their ''shiki'' can possess animals and even people and manipulate them, but if the invoker is careless, their ''shikigami'' may get out of control in time, gaining its own will and consciousness and can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Megumi Fushiguro
is a fictional character of the manga series ''Jujutsu Kaisen'' created by Gege Akutami. He is a first-year student at Tokyo Jujutsu High, an academy to become a Jujutsu Sorcerer and develop Cursed Techniques to fight against Cursed Spirits, beings manifested from Cursed Energy due to negative emotions flowing from humans. He is a descendant to the Zenin family, one of the ultimate clans dominating the world of sorcery. Early in ''Jujutsu Kaisen'', he is instructed by teacher Satoru Gojo to locate one of Sukuna's fingers, objects belonging to the most powerful Cursed Spirit of all time which leads to him partnering with and befriending Yuji Itadori, a fellow first-year Jujutsu Sorcerer. In the ''Jujutsu Kaisen'' anime adaptation, he is voiced by Yuma Uchida in Japanese and Robbie Daymond in English. Praise for the character was focused on his dynamic with Yuji and the animation of his fight scenes in the anime. Concept and creation According to Akutami, Megumi was designed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Familiar
In European folklore of the medieval and early modern periods, familiars (strictly familiar spirits, as "familiar" also meant just "close friend" or companion, and may be seen in the scientific name for dog, ''Canis familiaris'') were believed to be supernatural entities, interdimensional beings, or spiritual guardians that would protect or assist witches and cunning folk in their practice of magic, divination, and spiritual insight. According to records of the time, those alleging to have had contact with familiar spirits reported that they could manifest as numerous forms, usually as an animal, but sometimes as a human or humanoid figure, and were described as "clearly defined, three-dimensional... forms, vivid with colour and animated with movement and sound", as opposed to descriptions of ghosts with their "smoky, undefined form . When they served witches, they were often thought to be malevolent, but when working for cunning folk, they were often considered benevolent (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Zuijin
In Shinto, - are ''Kami'' warrior-guardian figures, ''Kami'' that guard over shrine gates are considered to be ''Kado-Mori-no-Kami'' or ''Kadomori-no-Kami'', the gods who watch over the gates. They're often depicted as holding bows and arrows or wearing three silver rings. It appears on glass-like materials. The name was originally applied to the bodyguards of the Emperor of Japan. Statues of ''Zuijin'' are now often placed flanking ''shrine'' gates, similar to the '' Niō'' and '' Gozu and Mezu''. The ''Zuijin'' are also associated with Dosojin, protector of crossroads and other boundary areas. History Zuijin (also called as zuishin) was a government official in Konoefu (近衛府, the Headquarters of the Inner Palace Guards) during and after the Heian period; zuijin followed nobles to guard them when they went out. Yadaijin Yadaijin is one of the two deity statues in Zuijin (Imperial guards during the Heian period) costumes that are placed at the both sides of Zuijin-m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Voodoo Doll
A voodoo doll is an effigy that is typically used for the insertion of pins. Such practices are found in various forms in the magic (paranormal), magical traditions of many cultures around the world. Despite its name, the voodoo doll is not prominent in the African diaspora religions of Haitian Vodou nor Louisiana Voodoo. Members of the High Priesthood of Louisiana Voodoo have denounced the use of voodoo dolls as irrelevant to the religion. Depictions in culture 20th-century link with Voodoo The association of the voodoo doll and the religion of Voodoo was established through the presentation of the latter in Western popular culture during the first half of the 20th century as part of the broader negative depictions of Black and Afro-Caribbean religious practices in the United States. In John Houston Craige's 1933 book ''Black Bagdad: The Arabian Nights Adventures of a Marine Captain in Haiti'', a Haitian prisoner is described sticking pins into an effigy to induce illness. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Ushabti
The ushabti (also called shabti or shawabti, with a number of variant spellings) was a funerary figurine used in ancient Egyptian funerary practices. The Egyptological term is derived from , which replaced earlier , perhaps the nisba of "''Persea'' tree". Ushabtis were placed in tombs among the grave goods and were intended to act as servants or minions for the deceased, should they be called upon to do manual labor in the afterlife. The figurines frequently carried a hoe on their shoulder and a basket on their backs, implying they were intended to farm for the deceased. They were usually written on by the use of hieroglyphs typically found on the legs. They carried inscriptions asserting their readiness to answer the gods' summons to work. The practice of using ushabtis originated in the Old Kingdom of Egypt ( to 2100 BC), with the use of life-sized reserve heads made from limestone, which were buried with the mummy. Most ushabtis were of minor size, and many produced in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Onmyōdō
is a technique that uses knowledge of astronomy and calendars to divine good fortune in terms of date, time, direction and general personal affairs, originating from the philosophy of the yin-yang and the five elements. The philosophy of yin and yang and '' wuxing'' was introduced to Japan at the beginning of the 6th century, and, influenced by Taoism, Buddhism, and Confucianism, evolved into the earliest system of around the late 7th century. In 701, the Taiho Code established the departments and posts of who practiced in the Imperial Court, and was institutionalized. From around the 9th century during the Heian period, interacted with Shinto and in Japan, and developed into a system unique to Japan. Abe no Seimei, who was active during the Heian period, is the most famous ( practitioner) in Japanese history and has appeared in various Japanese literature in later years. was under the control of the imperial government, and later its courtiers, the Tsuchimikado family, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Onmyōji
was one of the official positions belonging to the of the Ministry of the Center under the ritsuryō system in ancient Japan, and was assigned as a technical officer in charge of divination and geomorphology based on the theory of the yin-and-yang five phases. In the Middle Ages and early modern period, the term was used to refer to those who performed prayers and divination in the private sector, and some of them were regarded as a kind of clergy. History Introduction of the yin-and-yang five phases philosophy and the establishment of the Bureau of Onmyō Based on the ancient Chinese concept of yin and yang and five phases, which began in the Xia and Shang dynasties and was almost completed in the Zhou dynasty, that all phenomena are based on the combination of yin-and-yang five phases of wood, fire, earth, metal, and water, onmyōji is a uniquely Japanese profession that is responsible for astrology, calendar, I Ching, water clock, etc., which are closely related to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Paper Doll
Paper dolls are figures cut out of paper or thin card, with separate clothes, also made of paper, that are usually held onto the dolls by paper folding tabs. They may be a figure of a person, animal or inanimate object. Paper dolls have been used for advertising, appeared in magazines and newspapers, and covered a variety of subjects and time periods. Over the years, they have been used to reinforce cultural beliefs regarding the appearance of ideal women. Some flat plastic figures are similar to paper dolls, like Colorforms figures and Flatsy dolls, but these are imitations and not considered characteristic of the paper doll art form. History Paper dolls have been around as long as there has been paper, perhaps hundreds or even thousands of years by some estimates. Faces or other objects were applied to the paper and they were used during religious rituals and ceremonies in the Asian cultures many centuries ago. The Japanese used paper for origami, the art of paper folding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Hōko (doll)
A is a kind of soft-bodied doll given to young women of age and especially to pregnant women in Japan to protect both mother and unborn child. Traditionally, ''hōko'' dolls were made of silk and human hair, and stuffed with cotton. The dolls could be made for both boys and girls. Boys' dolls would be given up and "consecrated" at a shrine when boys came of age at 15 years old, while girls would give up their dolls at marriage. The dolls were given to children either at birth, or on special days shortly after birth. Pregnant woman would be given new ones, so as to protect her and her unborn child together, for the duration of the pregnancy. History ''Hōko'' can be traced back to "talismanic figures" from early Japanese history, and are likely related to the concept of using paper dolls (''hina''), as "stand-ins for people." The use of in spiritual practice as stand-ins to take on the brunt of a person's sins or misfortune also played a role in the creation of ''hōko'' dolls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Japanese Folklore
Japanese folklore encompasses the informally learned folk traditions of Japan and the Japanese people as expressed in its oral traditions, Tradition, customs, and material culture. In Japanese, the term is used to describe folklore. The Folklore studies, academic study of folklore is known as . Folklorists also employ the term or to refer to the objects and arts they study. Folk religion Men dressed as namahage, wearing ogre-like masks and traditional straw capes (''mino (straw cape), mino'') make rounds of homes, in an annual ritual of the Oga Peninsula area of the Northeast region. These ogre-men masquerade as kami looking to instill fear in the children who are lazily idling around the fire. This is a particularly colorful example of folk practice still kept alive. A parallel custom is the secretive ritual of the Yaeyama Islands, Okinawa Prefecture, Okinawa which does not allow itself to be photographed. Many, though increasingly fewer households maintain a kamidana or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Totem
A totem (from or ''doodem'') is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage (anthropology), lineage, or tribe, such as in the Anishinaabe clan system. While the word ''totem'' itself is an anglicisation of the Ojibwe term (and both the word and beliefs associated with it are part of the Ojibwe language and Ojibwe, culture), belief in Tutelary deity, tutelary spirits and deities is not limited to the Ojibwe people. Similar concepts, under differing names and with variations in beliefs and practices, may be found in a number of cultures worldwide. The term has also been adopted, and at times redefined, by anthropologists and philosophers of different cultures. Contemporary Neoshamanism, neoshamanic, New Age, and mythopoetic men's movements not otherwise involved in the practice of a traditional, tribal religion have been known to use "totem" terminology for the personal identification with a tutelary sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Spirit Animal (other)
''Spirit Animal'' is the third studio album by Zombi. It was released in 2009 on Relapse Records. Alongside the synthesizer sounds of the group's previous recordings, Zombi utilizes electric guitar An electric guitar is a guitar that requires external electric Guitar amplifier, sound amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickup (music technology), pickups ... instrumentation for the first time on this album. Track listing Production *Mixed, engineered, and mastered by Steve Moore *All songs written by Zombi Musicians *Steve Moore – bass, synthesizers, keyboards, guitars *A.E. Paterra – drums, percussion, synthesizers References {{Authority control 2009 albums Zombi (band) albums Relapse Records albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |