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Shawn Roy
Shawn Roy is an American operatic bass-baritone and academic. Since 1998, he has served as the head of the opera program at the University of Louisiana at Lafayette. Life and career Roy was born and raised in Louisiana. He is a graduate of the University of Southwestern Louisiana (Bachelor of Music Education) and the University of Cincinnati – College-Conservatory of Music (Master of Music in vocal performance and Artist Diploma in Opera). In 1987 Roy portrayed the title role in the first professional production of Dominick Argento's ''Christopher Sly'' with the Center for Contemporary Opera in Manhattan. In 1991, he portrayed Don Bartolo in ''The Marriage of Figaro'' with the Virginia Opera, and Don Pippo in Mozart's ''L'oca del Cairo'' for his debut with the New York City Opera. With the NYCO he toured North America in 1991-1992, performing the role of the Sacristan in ''Tosca'' in 57 cities. In 1992, he returned to the Virginia Opera to perform the title role in Donizetti's ' ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ...
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Utah Opera
The Utah Opera is an American opera company that has been merged with Utah Symphony since July 2002, with a combined audience of more than 150,000 annually. History In 1978, the Utah Opera company presented its first production of Puccini's ''La bohème''. The founding General Director was tenor Glade Peterson. After Peterson's death in 1990, Anne Ewers was appointed General Director in 1991, with a tenure marked by the casting of younger artists. In 1996–97, the company increased their number of annual productions from three to four. The expanding popularity of the company's performances inspired the growth from a three-production season, to a four-production season beginning in 1996–97. In 2002, the company merged with the Utah Symphony, and Ewers was named as president and CEO. Utah Opera's current artistic director is Christopher McBeth. Education In the fall of 1977, Glade Peterson began education and outreach programs. By the 1980–81 season, the Opera in the School ...
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Connecticut Opera
Connecticut Opera was a professional, non-profit, opera company based in Hartford, Connecticut, and a member of OPERA America. The company presented three fully staged opera productions during an annual season. It was founded in 1942 under the directorship of Frank Pandolfi and was the sixth oldest professional opera company in the United States. Pandolfi served as general manager of the company for 32 years and brought most of the major international opera stars of that time to Hartford. The first opera produced was ''Carmen'' which opened in the Bushnell Theatre on April 14, 1942, and starred mezzo-soprano Winifred Heidt in the title role. Connecticut Opera went on to feature opera stars such as Plácido Domingo, Beverly Sills, Risë Stevens, and Mary Dunleavy. After Pandolfi left the company, Connecticut Opera shifted direction, moving away from the star system towards hiring young and talented rising artists. The company also became interested in cutting-edge theatrical set ...
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Cleveland Opera
Cleveland Opera Cleveland Opera was incorporated by David Bamberger, Carola Bamberger, and John D. Heavenrich in March 1976 and presented its first season in October and November of that year with sold-out productions of Puccini's ''Madama Butterfly'' and Rossini's '' The Barber of Seville''. By 1984, it had become the resident opera company at Playhouse Square, with performances at the State Theater. The company played an integral part in the revitalization of Cleveland's historic Cleveland Theater District and was a leader in the movement to make theaters accessible to the physically challenged. There was considerable overlap between the orchestra personnel of the Cleveland Opera, Cleveland Ballet, and the Ohio Chamber Orchestra, to the advantage of all three organizations. The company was managed from March 1976 to April 2004 by David Bamberger as General Director and Carola Bamberger as Associate Director. In that period, it presented 122 full productions of 74 works by 43 ...
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Cincinnati Opera
Cincinnati Opera is an American opera company based in Cincinnati, Ohio and the second oldest opera company in the United States (after the New York Metropolitan Opera). Beginning with its first season in 1920, Cincinnati Opera has produced operas in the summer months of June and July with the Cincinnati Symphony Orchestra providing orchestral accompaniment. History The company, originally named Cincinnati Opera Association, gave its first performance, Flotow's '' Martha'', on Sunday, June 27, 1920. During its early years, the company was under the direction of Ralph Lyford, an American composer and conductor whose single opera ''Castle Agrazant would receive its world premiere at Cincinnati Music Hall on April 29, 1926, following Lyford's departure from Cincinnati Opera in 1925. From 1956-1990 the company ran a singing competition known as the American Opera Auditions. For most of its first fifty years, Cincinnati Opera's performances were held at the Cincinnati Zoo Pav ...
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Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's origina ...
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Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera '' Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as '' Káťa Kabanová'' and '' The Cunning Little Vixen'', the Sinfonietta, th ...
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Sarasota Opera
Sarasota Opera is a professional opera company in Sarasota, Florida, USA, which was founded as the Asolo Opera Guild and, until 1974, presented a visiting company's productions. Between 1974 and 1979, it set about mounting its own productions in the same venue until, in 1979, it acquired the Edwards Theatre, which became the Sarasota Opera House in 1984. The house underwent a further renovation in 2008, creating a 1,119-seat venue. In addition to two or three operas in the popular repertoire, each season typically includes an opera as part of the long-running "Verdi Cycle", the company's planned presentations of every Verdi opera, and one in the "Masterworks Revival" series. Company history Initially bringing the Turnau Opera of Woodstock, New York to perform chamber-sized operas at the historic Asolo Theater on the grounds of the John and Mable Ringling Museum of Art, the guild then began mounting its own productions, also at the Asolo, in 1974, but when it acquired the Edwar ...
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Opera Omaha
Opera Omaha is a major regional opera company in Omaha, Nebraska. Founded in 1958, the professional company is widely known for the International Fall Festival events it held in the 1980s and 1990s, which garnered international attention and served as the U.S. and world premieres for a number of notable works. One of these performances, the 1990 U.S. premiere of the 1841 work Maria Padilla, was among the primary debuts for noted soprano Renee Fleming. "I’ve been calling all my singer friends and saying, 'You’ve got to sing for this company.'" Fleming said at the time. It has "a lot of vision." In 2007, the Toronto Star said "Opera Omaha has grown into one of the continent's most enterprising regional opera companies." After attending the 1992 Fall Festival, Denver Post critic Jeff Bradley wrote that "this quiet prairie city on the Missouri River is becoming one of the most exciting operatic meccas in the country." The Fort Worth (Texas) Star-Telegram in 1992 said Omaha had bec ...
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Tucson Citizen
The ''Tucson Citizen'' was a daily newspaper in Tucson, Arizona. It was founded by Richard C. McCormick with John Wasson as publisher and editor on October 15, 1870, as the ''Arizona Citizen''. When it ceased printing on May 16, 2009, the daily circulation was approximately 17,000, down from a high of 60,000 in the 1960s. The ''Citizen'' published as Tucson's afternoon paper, six days per week (except Sunday, when only the ''Arizona Daily Star'' (Tucson's morning paper during the week) was published as part of the two papers' joint operating agreement). The ''Tucson Citizen'' was the oldest continuously published newspaper in Arizona at the time it ceased publication. History Founder Richard C. McCormick had originally been the owner of the '' Arizonan''. However, when the editor of the ''Arizonan'' refused to support McCormick's re-election as congressional delegate for the territory of Arizona, McCormick took the press and started the ''Arizona Citizen'' with Wasson. During t ...
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Tulsa World
The ''Tulsa World'' is the daily newspaper for the city of Tulsa, Oklahoma, and primary newspaper for the northeastern and eastern portions of Oklahoma. Tulsa World Media Company is part of Lee Enterprises. The new owners announced in January 2020 that a corporate purchase was made of BH Media Group, a Berkshire Hathaway company controlled by Warren Buffett. The printed edition is the second-most circulated newspaper in the state, after '' The Oklahoman''. It was founded in 1905 and locally owned by the Lorton family for almost 100 years until February 2013, when it was sold to BH Media Group. In the early 1900s, the ''World'' fought an editorial battle in favor of building a reservoir on Spavinaw Creek, in addition to opposing the Ku Klux Klan in the 1920s. The paper was jointly operated with the '' Tulsa Tribune'' from 1941 to 1992. History Republican activist James F. McCoy and Kansas journalist J.R. Brady published the first edition of the ''Tulsa World'' on September 14, 1 ...
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Arizona Opera
Arizona Opera is an opera company which operates in both Phoenix and Tucson, Arizona. History Arizona Opera was established in 1971 as the Tucson Opera Company, under founding general director James P. Sullivan, and presented its first production, of Rossini's '' The Barber of Seville'', in 1972. By 1976 the company had expanded to include performances in both Tucson and Phoenix. Arizona Opera is now permanently headquartered in Phoenix. The company has a subscriber base of approximately 10,000 drawn from the two metropolitan areas, and an annual expenditure of $5.8 million, according to the company's 2011 IRS Form 990. According to the Form 990 filed by the company in 2017, revenues for the 2016 tax year were $7,704,444 and expenses were $6,211,715. The appointment of Glynn Ross as general director in 1983 initiated a period of growth during which the company expanded its season from three to five productions. In 1996 and 1998 the company gained notice by staging Wagner's ...
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