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Sharabha Upanishad
The ''Sharabha Upanishad'' (, IAST: Sharabha Upaniṣad) is a minor Upanishads of the Atharva Veda. In a Telugu language anthology of 108 Upanishads of the Muktika in the modern era, narrated by Rama to Hanuman, it is listed at serial number 50. It is one of the 14 Shaiva Upanishads. The Upanishad eulogizes Shiva as the lord of the world who incarnates as Sharabha – a human-lion-bird version. The text is also called as the "Pippaladadharmasastra," as an exposition of the knowledge by Brahma to sage Pippalada. Its title is also spelled as Sarabha Upanishad or Sharabhopanishad. Contents The Upanishad, after an initial prayer offering to Indra, Garuda, and Brihaspati seeking prosperity and peace to all, extols Shiva or Maheshvara, in the first two verses as the original God, the creator of Brahma, Vishnu, and other divinities, as the being who governs the world, as the chief architect of the Vedas that was conveyed to Brahma, who destroyed the universe at the great flood, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Brahmic family, Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the 19th century from suggestions by Sir Charles Trevelyan, 1st Baronet, Charles Trevelyan, William Jones (philologist), William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva International Congress of Orientalists, Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahesvara
Shiva (; , ), also known as Mahadeva (; , , ɐɦaːd̪eːʋɐh and Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient yogi who lives an ascetic life on Kailasa as well as a householder with his wife Parvati and his two children, Ganesha and Kartikeya. In his fierce aspects, he is often depicted slay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samudra Manthan
The Samudra Manthana () is a major episode in Hinduism that is elaborated in the Vishnu Purana, a major text of Hinduism. The Samudra Manthana explains the origin of the elixir of eternal life, amrita. Nomenclature *Sāgara manthana (सागरमन्थन) – ''Sāgara'' is another word for '' Samudra'', both meaning a sea or large water body. *Kshirasāgara manthana (क्षीरसागरमन्थन) – ''Kshirasāgara'' means the ocean of milk or milky ocean. ''Kshirasāgara'' = ''Kshira'' (milk) + ''Sāgara'' (ocean or sea). *Amrita Manthana (अमृतमन्थन) – ''Amrita'' means the elixir. “''Churning for the Elixir”'' Legend Indra, the King of Svarga, was riding on his divine elephant when he came across the sage Durvasa, who offered him a special garland given to him by an apsara. The deity accepted the garland and placed it on the trunk (sometime the tusks or the head of the elephant in some scriptures) of Airavata (his mount) as a tes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kshira Sagara
In Hindu cosmology, the ''Kshira Sagara'' (, ; ; ; Telugu: Pala Samudram) or Ocean of Milk is the fifth from the centre of the seven oceans. It surrounds the continent known as Krauncha. According to Hindu scriptures, the Deva (Hinduism), devas and asuras worked together for a millennium to churn this ocean in order to acquire amrita, the nectar of immortality. The episode is mentioned in the Samudra manthan, ''Samudra Manthana'' chapter of the Puranas, a body of ancient Hindu legends. The Kshira Sagara is described as the place where the deity Vishnu reclines over his serpent-mount Shesha, accompanied by his consort, Lakshmi. Etymology The "Ocean of Milk" is the English translation of the Sanskrit terms ', ' or ', from ''Kshira, kṣīra'' "milk" and ', ' "water, ocean" or ' "ocean." The term varies across Indic languages, referred to as ''Khir Shaagor'' in Bengali language, Bengali, ''Tiruppāṟkaṭal'' in Tamil language, Tamil, and ''Pāla Samudram'' in Telugu language, Telu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amrita
''Amrita'' (, IAST: ''amṛta''), ''Amrit'' or ''Amata'' in Pali language, Pali, (also called ''Sudha'', ''Amiy'', ''Ami'') is a Sanskrit word that means "immortality". It is a central concept within Indian religions and is often referred to in ancient Indian texts as an Elixir of life, elixir. Its first occurrence is in the Rigveda, where it is considered one of several synonyms for ''soma (drink), soma'', the drink of the Deva (Hinduism), devas. Amrita plays a significant role in the Samudra manthan, Samudra Manthana, and is the cause of the conflict between devas and asuras competing for amrita to obtain immortality. Amrita has varying significance in different Indian religions. The word ''Amrit'' is also a common first name for Sikhs and Hindus, while its feminine form is ''Amritā''. Amrita is cognate to and shares many similarities with ambrosia; both originated from a common Proto-Indo-European mythology, Proto-Indo-European source."Ambrosia" in ''Chambers's Encyclopædi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halahala
Halāhala (Sanskrit हलाहल) or Kālakūṭa (Sanskrit कालकूट, ) is the name of a poison in Hindu mythology. It was created from the Ocean of Milk when the devas and the asuras churned it (see Samudra Manthana) in order to obtain amrita, the nectar of immortality. Fourteen different ''ratnas'' ( treasures) were recovered from this episode, which were distributed between the two clans. But before the amrita could be formed, Halāhala was produced, which started injuring both sides. As no one could bear the lethal fumes emitted by the poison, both the devas and the asuras began to collapse due to asphyxiation. They ran for help to Brahma who advised them to seek assistance from Shiva. Both parties went to Mount Kailash, and prayed to Shiva for help. Shiva chose to consume the entire poison and thus drank it. His wife, the goddess Parvati Parvati (, , IPA: /Sanskrit phonology, pɑɾʋət̪iː/), also known as Uma (, , IPA: Sanskrit phonology, /ʊmɑ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kāla (time)
Kala (, ) is a Sanskrit term that means 'time' or 'death'. As time personified, destroying all things, Kala is a god of death, and often used as one of the epithets of Yama. In Shaivism, Kala is known as the fiery avatar of Shiva, Kala Bhairava or Kalagni Rudra; and in Vaishnavism Kala is also associated with Narasimha and Pralaya. As applied to gods and goddesses, ' is not always distinguishable from ', meaning 'black'. Etymology Monier-Williams's widely used Sanskrit-English dictionary lists two distinct words with the form ': * ' 1 means "black, of a dark colour, dark-blue ..." and has a feminine form ending in ' – ' – as mentioned in 4–1, 42. * ' 2 means "a fixed or right point of time, a space of time, time ... destiny, fate ... death" and has a feminine form (found at the end of compounds) ending in ', as mentioned in the ' '. As a traditional Hindu unit of time, one ''kālá'' corresponds to 144 seconds. According to Monier-Williams, ' 2 is from the verba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deva (Hinduism)
''Deva'' (, ) means 'shiny', 'exalted', 'heavenly being', 'divine being', 'anything of excellence', and is also one of the Sanskrit terms used to indicate a deity in Hinduism.Monier Monier-Williams, A Sanskrit-English Dictionary” Etymologically and Philologically Arranged to cognate Indo-European Languages, Motilal Banarsidass, page 492 ''Deva'' is a masculine term; the feminine equivalent is ''Devi (Hinduism), Devi''. The word is a cognate with Latin ''deus'' ('god') and Greek Zeus. In the earliest Vedic literature, all supernatural beings are called ''Devas''George Williams (2008), A Handbook of Hindu Mythology, Oxford University Press, , pages 90, 112 and ''Asuras''. The concepts and legends evolved in Indian literature#In archaic Indian languages, ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as ''Deva-Asuras''. In post-Vedic Hindu texts, such as the Puranas and the Itihasas of Hinduism, the ''Devas'' represent the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avatar
Avatar (, ; ) is a concept within Hinduism that in Sanskrit literally means . It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being. The word ''avatar'' does not appear in the Vedic literature; however, it appears in developed forms in post-Vedic literature, and as a noun particularly in the Puranic literature after the 6th century CE. Despite that, the concept of an avatar is compatible with the content of the Vedic literature like the Upanishads as it is symbolic imagery of the Saguna Brahman concept in the philosophy of Hinduism. The ''Rigveda'' describes Indra as endowed with a mysterious power of assuming any form at will. The ''Bhagavad Gita'' expounds the doctrine of Avatara but with terms other than ''avatar''. Theologically, the term is most often associated with the Hindu god Vishnu, though the idea has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puranas
Puranas (Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on "Puranas", , page 915) are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), "An Overview of the Jaina Puranas" in ''Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts,'' (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Mahadevi, Devi. The Puranic genre of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaturbhuja
Chaturbhuja () is a concept in Hindu iconography in which a deity is depicted with four arms. Several Hindu deities are often portrayed with four arms in their iconography, featured in Hindu literature. The iconography of four arms is regarded to symbolise divinity and power, as well as dominion over the four quarters of the universe. Chaturbhuja is also primarily employed as an epithet for the preserver deity, Vishnu. Description The earliest Vaishnava images, according to scholar Gavin Flood, are of a standing two or four-armed figure bearing a combination of the attributes of a conch, a wheel, and a mace in their iconography. This multiplicity convention, in which deities bore numerous limbs and heads in their imagery, was established in the Mathura region, before becoming a custom in later Hindu iconography. According to author Nanditha Krishna, the chaturbhuja representation of Hindu deities in their icons is regarded to depict their unlimited potential. It exhibit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narasimha
Narasimha (, , or , ), is the fourth avatara of the Hindu god Vishnu in the Satya Yuga. He incarnated as a part-lion, part-man and killed Hiranyakashipu, ended religious persecution and calamity on earth, and restored dharma. Narasimha has three eyes, and is the God of Destruction in Vaishnavism; He who destroys the entire universe through (Pralaya). Hence, He is known as Kāla, Kala (time), Mahakala (great-time), or Parakala (beyond time) in His names. There exists a matha (monastery) dedicated to Him by the name of Parakala Matha at Mysore, Mysuru in the Sri Vaishnavism, Sri Vaishnava tradition. There is also Ahobila mutt another srivaishnava matha that primarily worships Narasimha. The most famous kshetra for Narasimha is Ahobilam with the Lakshmi Narasimha and Nava Narasimha. Ahobilam is considered foremost Narasimha temple, easily being number 1 Narasimha shrine in the world. Narasimha is the God of Yoga, as Yoga-Narasimha. Narasimha has a human torso and lower body, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
