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Shanshui Poetry
''Shanshui'' poetry or ''Shanshui shi'' (; lit. "mountains and rivers poetry") refers to the movement in poetry, influenced by the ''shan shui'' (landscape) painting style, which became known as ''Shanshui poetry'', or "landscape poetry". Sometimes, the poems were designed to be viewed with a particular work of art, others were intended to be "textual art" that evoked an image inside a reader's mind. It is one of the more important Classical Chinese poetry genres. Developing in the third and fourth centuries in China, Shanshui poetry contributed to the process of forming a unique aesthetic outlook. Development Although landscape images were present in the ''Shijing'' and the ''Chuci'', the unique development in Shanshui poetry was that the main focus became on the natural landscape, rather than the use of nature as a backdrop for the human presence. The Six Dynasties poet and government official Xie Lingyun has been dubbed not only Duke of Kangle but also the father of Shan-shui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guo Xi - Early Spring (large)
"Guo", written in Chinese language, Chinese: wikt:郭, 郭, is one of the most common Chinese surnames and means "the wall that surrounds a city" in Chinese. It can also be transliterated as Cok, Gou, Quo, Quach, Quek, Que, Keh, Kuo, Kwo, Kuoch, Kok, Koc, Kwee, Kwek, Kwik, Kwok, Kuok, Kuek, Gock, Koay, or Ker. The Korean equivalent is spelled Kwak (Korean surname), Kwak; the Vietnamese equivalent is Quach (Vietnamese surname), Quách. The different ways of spelling this surname indicate the origin of the family. For example, the Cantonese "Kwok" originated in Hong Kong and the surrounding area. In the Philippines, the spelling is "Que", "Ke", "Quepe", and "Kepa". In 2019, Guo was the 16th most common surname in mainland China. Origins There are eight legendary origins of the Guo surname, which include a Persian (Hui people, Hui) origin, a Korean origin, and a Mongolian origin, as a result of sinicization. However, the majority of people bearing the surname Guo are descended f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meng Haoran
Meng Haoran (; 689/691–740) was a Chinese poet and a major literary figure of the Tang dynasty. He was somewhat an older contemporary of Wang Wei, Li Bai and Du Fu. Despite his brief pursuit of an official career, Meng Haoran spent most of his life in and around his hometown Xiangyang of the Hubei Province living like a hermit, while creating poems inspired by its landscapes and milieu. Meng Haoran was a major influence on both contemporary and subsequent poets of the Tang dynasty due to his excellency in Shanshui poetry and his composed, independent spirit. Meng was prominently featured in the Qing dynasty (and subsequently frequently republished) poetry anthology Three Hundred Tang Poems, having the fifth largest number of poems selected for a total of fifteen, exceeded only by Du Fu, Li Bai, Wang Wei, and Li Shangyin. These poems of Meng Haoran were made available in English translations by Witter Bynner and Kiang Kanghu with the publication of ''The Jade Mountain'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wai-lim Yip
Wai-lim Yip (; Jyutping: Jip6 Wai4-lim4, pinyin: ''Yè Wéilián''; born June 20, 1937), is a Taiwanese poet, translator, critic, editor, and professor of Chinese and comparative literature at UC San Diego. He received his PhD in comparative literature from Princeton University. He is also a visiting teacher at China's Peking University and Tsinghua University. Life Yip was born in Guangdong province. At the age of 12, he moved to Hong Kong, where he started writing poetry and was active on the poetry scene. He graduated from National Taiwan University (BA, 1959) and went on to National Taiwan Normal University (MA, 1961), where he did a thesis on T.S. Eliot and translated " The Waste Land." In 1963 he went to the United States to attend the Iowa Writers' Workshop at the University of Iowa, whose director, Paul Engle, went to Taipei to negotiate permission for Yip's wife Tzu-mei and their daughter to leave Taiwan; he received an MFA in 1964. He then did graduate work at Prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wenzhou
Wenzhou; Chinese postal romanization, historically known as Wenchow is a prefecture-level city in China's Zhejiang province. Wenzhou is located at the extreme southeast of Zhejiang, bordering Lishui, Zhejiang, Lishui to the west, Taizhou, Zhejiang, Taizhou to the north, and the province of Fujian to the south. The area consists of mostly mountainous terrain, as well as hundreds of islands off the East China Sea coast, which is nearly in length. At the time of the 2010 Chinese census, 3,039,500 people lived in Wenzhou's urban area. The greater Wenzhou prefecture, which also includes three Satellite city, satellite cities and six counties, had a population totalling 9,122,100, of which 31.16% are Hukou system, residents originally from outside of Wenzhou. During the 19th century, the progenitor city of modern Wenzhou was known as Yungkia ( zh, c=永嘉, ''Yǒngjiā''), a prosperous Treaty port#Chinese treaty ports, foreign treaty port that remains well-preserved today. Being sit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wangchuan Ji
The ''Wangchuan ji'' () is a collection of Tang poetry written by the two poets Wang Wei (Tang dynasty), Wang Wei and Pei Di, also known by other names, such as the ''Wheel River Collection'' or ''Wang River Collection'' Note that the "Wang" in Wang Wei and the "Wang" in Wang River are different words from each other and written with different characters. Wang Wei had acquired a retirement location away from the busy capitol city, in what is now Lantian County, in China. The verses are based on a series of twenty scenes, inspired in part by the sights available at Wang Wei's retirement estate and in part by imaginary allusion: each one forms the topic for a pair of one five-character quatrains, one by each of the poetic pair. Besides the long-term interest in these verses in China, this anthology has created much interest around the world, including numerous translations, especially Wang's version of what has been translated as "Deer Park", among other versions of the title. Severa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topographical Poetry
Topographical poetry or loco-descriptive poetry is a genre of poetry that describes, and often praises, a landscape or place. John Denham's 1642 poem "Cooper's Hill" established the genre, which peaked in popularity in 18th-century England. Examples of topographical verse date, however, to the late classical period, and can be found throughout the medieval era and during the Renaissance. Though the earliest examples come mostly from continental Europe, the topographical poetry in the tradition originating with Denham concerns itself with the classics, and many of the various types of topographical verse, such as river, ruin, or hilltop poems were established by the early 17th century. Alexander Pope's "Windsor Forest" (1713) and John Dyer's " Grongar Hill" (1726/7) are two other often mentioned examples. In following centuries, Matthew Arnold's "The Scholar Gipsy" (1853) praised the Oxfordshire countryside, and W. H. Auden's " In Praise of Limestone" (1948) used a limestone landscap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shan Shui
''Shan shui'' (; pronounced ) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of ''shan shui'' paintings. History ''Shan shui'' painting first began to develop in the 5th century, in the Liu Song dynasty.''Textual Evidence for the Secular Arts of China in the Period from Liu Sung through Sui'' (1967) by Alexander Soper It was later characterized by a group of landscape painters such as Zhang Zeduan, most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains. Mountains had long been seen as sacred places in China, which were viewed as the homes of immortals and thus, close to the heavens. Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fields And Gardens Poetry
Fields and Gardens poetry (), in Chinese poetry, is a poetic movement which sparked centuries of poetic enthusiasm, generally considered to effectively date from the Six Dynasties era. Both the Chinese Landscape poetry and the Fields and Gardens poetry share a common theme of nature foremost with human beings and human thought seemingly not in main focus; however, in the case of the Fields and Gardens genre the nature that was focused upon was more domestic—the nature found in gardens, in backyards, and in the cultivated countryside. Sometimes, the poems were designed to be viewed with a particular work of art, others were intended to be "textual art" that invoked an image inside a reader's mind. Fields and Gardens poetry is one of many Classical Chinese poetry genres. One of the main practitioners of the Fields and Gardens poetry genre was Tao Yuanming (also known as Tao Qian (365–427), among other names or versions of names). Tao Yuanming has been regarded as the first grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Wei (Tang Dynasty)
Wang Wei (Traditional Chinese: 王維; Simplified Chinese: 王维, pinyin: ''Wáng Wéi'', 699–761) was a Chinese musician, painter, poet, and politician of the middle Tang dynasty. He is regarded as one of the most distinguished men of arts and letters of his era. About 400 of his poems survived and 29 of them are included in the 18th-century anthology '' Three Hundred Tang Poems''. A large portion of his finest poems drew inspirations from the local landscape. Wang Wei is renowned for his dual talents as a nature poet and landscape painter. His poems were originally compiled and edited into a collection by his next-youngest brother, Wang Jin, at imperial command. Of his paintings, no authenticated specimens survive, although there were evidence of his work through influences on later paintings and descriptive accounts. His musical talents were highly regarded; however, no compositions or music notes have been preserved. He had a successful career as an imperial court offi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchid Pavilion Gathering
The Orchid Pavilion Gathering of 353 CE, also known as the Lanting Gathering, was a cultural and poetic event during the Jin dynasty (266–420) of the Six Dynasties era, in China. This event itself has a certain inherent and poetic interest in regard to the development of landscape poetry and the philosophical ideas of Zhuangzi. The gathering at the Orchid Pavilion is also famous for the artistry of the calligraphy of Wang Xizhi, who was both one of the participants as well as the author and calligrapher of the '' Lantingji Xu'' (''Preface to the Poems Composed at the Orchid Pavilion''). Sun Chuo also wrote a preface, which is somewhat less famous. The Orchid Pavilion Gathering of 42 literati included Xie An and Sun ChuoYip, 137 and Wang Pin-Chih at the Orchid Pavilion (''Lanting'') on Mount Kuaiji just south of Kuaiji (present-day Shaoxing in Zhejiang), during the Spring Purification Festival, on the third day of the third month, to compose poems and drink huangjiu. The gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language, and a part of the Chinese literature. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry generally falls into one of two primary types, Classical Chinese poetry and Modern Chinese poetry. Poetry is consistently held in high regard in China, often incorporating expressive folklore, folk influences filtered through the minds of Chinese literati. Poetry provides a format and a forum for both public and private expressions of deep emotion, offering an audience of peers, readers, and scholars insight into the inner life of Chinese writers across more than two millennia. Chinese poetry often reflects the influence of China's various religious traditions. Classical Chinese poetry includes, perhaps first and foremost ''Shi (poetry), shi'' (詩/诗), and also other major types such as ''Cí (poet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
