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Shakuntala Patra-lekhan
''Shakuntala Patra-lekhan'' is an 1876 painting by Raja Ravi Varma. The work depicts Shakuntala laying on grass, writing a letter to her lover Dushyanta. The work had won praise for Ravi Varma when it was presented at the Madras Fine Arts Exhibition of 1876. Later acquired by the Richard Temple-Nugent-Brydges-Chandos-Grenville, 3rd Duke of Buckingham and Chandos, Duke of Buckingham, the painting was subsequently used in the English translation of Kalidasa's Shakuntala (play), Shakuntalam. See also *''There Comes Papa'' *''Nair Lady Adorning Her Hair (Varma), Nair Lady Adnoring Her Hair'' References 1876 paintings Paintings by Raja Ravi Varma Works based on Shakuntala (play) Paintings of deer {{1870s-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma
Raja Ravi Varma () (29 April 1848 – 2 October 1906) was an Indian painter and artist. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography. Especially, he was notable for making affordable Lithography, lithographs of his paintings available to the public, which greatly enhanced his reach and influence as a painter and public figure. His lithographs increased the involvement of common people with fine arts and defined artistic tastes among the common people. Furthermore, his religious depictions of Hindu deities and works from Indian epic poetry and Puranas have received profound acclaim. He was part of the royal family of erstwhile Parappanad, Malappuram district. Raja Ravi Varma was closely related to the royal family of Travancore of present-day Kerala state in India. Later in his life, two of his granddaughters were adopted into the royal family. Personal life Raja Ravi Varma was born M. R. Ry. Rav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Temple-Nugent-Brydges-Chandos-Grenville, 3rd Duke Of Buckingham And Chandos
Richard Plantagenet Campbell Temple-Nugent-Brydges-Chandos-Grenville, 3rd Duke of Buckingham and Chandos, (10 September 1823 – 26 March 1889), styled Earl Temple until 1839 and Marquess of Chandos from 1839 to 1861, was a British soldier, politician and administrator of the 19th century. He was a close friend and subordinate of Benjamin Disraeli and served as the secretary of state for the colonies from 1867 to 1868 and governor of Madras from 1875 to 1880. Buckingham was the only son of Richard Temple-Grenville, 2nd Duke of Buckingham and Chandos, and was educated at Eton and Christ Church, Oxford. He joined the British Army, eventually rising to become a colonel. Buckingham entered politics, as Lord Chandos, in 1846 when he was elected unopposed from Buckinghamshire as a candidate of the Conservative Party. Buckingham served as a member of Parliament from 1846 to 1857, when he resigned. He contested a re-election in 1859, but lost. Buckingham served in various politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala (play)
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaūrava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There Comes Papa
''There Comes Papa'' is an 1893 painting by the Indian artist Raja Ravi Varma. The painting focuses on Varma's daughter (Mahaprabha Thampuratty) and grandson (Marthanda Varma), looking towards the left at an approaching father. Evoking both Indian and European style, the painting has been noted by critics for its symbolism regarding of the Nair matrilineal practices. Background The Nair people of Kerala followed a matrilineal system of inheritance based on a large joint family called the Tharavad. The system allowed men and women to enter and leave relationships with very little difficulty. During Sambandam event, men would visit the woman's household and present her with clothes and gifts, and after obtaining the consent of both the family and the woman herself, the men could enter into a relationship with the woman. The mid-nineteenth century to the early twentieth century saw the disintegration of this system. Due to shifting morals and new laws, the once matrilineal an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nair Lady Adorning Her Hair (Varma)
''Nair lady Adorning Her Hair'' is an 1873 painting by Raja Ravi Varma. The painting depicts a domestic scene in which a Nair woman adorning her hair with a garland of flowers in front of a mirror. The painting was notable for being the first major award-winning work that Ravi Varma had completed. Receiving praise at the international and national level, the painting had brought the young Ravi Varma into the attention of the global artistic community, as well as leading him on to later become one of the most well known modern Indian painters. Background Raja Ravi Varma was born on 1848 in Kerala, India. Ravi Varma was primarily known for incorporating Hindu themes and ideals with European styles. Varma was one of the first Indian artists to make use of oil painting and lithographic methods. Ravi Varma was first exposed to European methods of painting when he watched a Dutch painter when he arrived to do some paintings for the palace. Through trial and error, Ravi Varma had l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1876 Paintings
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Paintings By Raja Ravi Varma
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Works Based On Shakuntala (play)
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