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Shakuntala
Shakuntala () is a heroine in ancient Indian literature, best known for her portrayal in the ancient Sanskrit play '' Abhijnanashakuntalam'' (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century AD. Her story, however, originates in the Hindu epic, the ''Mahabharata'' (c. 400 BC - 400 AD), where she appears in the ''Adi Parva'' ("The Book of Beginnings"). In both narratives, Shakuntala is the daughter of the sage Vishwamitra and the celestial nymph Menaka. Abandoned at birth, she is raised by the sage Kanva in a forest hermitage. She later falls in love with King Dushyanta and becomes the mother of Bharata, a celebrated emperor of India. In the ''Mahabharata'', Shakuntala and Dushyanta secretly get married through the gandharva tradition (love marriage) and consummate their marriage in her forest hermitage. When she later approaches him with their son Bharata, he hesitates to acknowledge them. Shakuntala rebukes him forcefully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakuntala Leaving For His Husband King Dushmanta&
Shakuntala () is a heroine in ancient Indian literature, best known for her portrayal in the ancient Sanskrit play ''Abhijnanashakuntalam'' (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century AD. Her story, however, originates in the Hindu epic, the ''Mahabharata'' (c. 400 BC - 400 AD), where she appears in the ''Adi Parva'' ("The Book of Beginnings"). In both narratives, Shakuntala is the daughter of the sage Vishwamitra and the celestial nymph Menaka. Abandoned at birth, she is raised by the sage Kanva in a forest hermitage. She later falls in love with King Dushyanta and becomes the mother of Bharata (Mahabharata), Bharata, a celebrated emperor of India. In the ''Mahabharata'', Shakuntala and Dushyanta secretly get married through the gandharva marriage, gandharva tradition (love marriage) and consummate their marriage in her forest hermitage. When she later approaches him with their son Bharata, he hesitates to acknowledge them. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dushyanta
Dushyanta (, ) is a king of the Chandravamsha (Lunar) dynasty featured in Hindu literature. He is the husband of Shakuntala and the father of Bharata. He appears in the Mahabharata and in Kalidasa's play, Abhijnanashakuntalam (). Legend According to the ''Mahabharata'', Dushyanta is the son of Ilin and Rathantī, also rendered Ilina and Rathantara, respectively. According to primogeniture, Dushyanta succeeds his father as the king of Hastinapura, because he is the eldest among his siblings Sura, Bhima, Pravashu, and Vasu. Mahabharata The Mahabharata narrates that Dushyanta once set out on a hunt and arrived at a forest, where he entered the hermitage of sage Kanva near the Malini River. There, he met Shakuntala, Kanva’s foster daughter, who welcomed him in her father’s absence. Enchanted by her beauty, Dushyanta inquired about her lineage, and she recounted her birth from Vishvamitra and Menaka. He fell in love with her and, following Gandharva marriage, wedded her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala (play)
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaūrava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata (Mahabharata)
Bharata () is a legendary emperor featured in Hindu literature. He is a member of the Chandravamsha dynasty, and becomes the Chakravarti (Chakra possessing emperor). He is regarded to be the ancestor of the Pandavas, the Kauravas, Brihadratha and Jarasandha. The legend of Bharata is featured in the Adi Parva of the Mahabharata, where he is mentioned as the son of Dushyanta and Shakuntala. The story of his parents and his birth is related in Kalidasa's famous play, '' Abhijñānashākuntala''. He is a descendant of rajarshi Vishvamitra. According to popular tradition, Bhārata, one of the traditional names of the Indian subcontinent, is named after Bharata. Many depictions call him as Digvijaya Chakravartin Samrāj Sarvadamana Bharata (; ). Legend Mahabharata The Mahabharata states that King Dushyanta was once hunting in the forests, when he arrived at the ashrama of Sage Kanva. In the sage's absence, his adoptive daughter, Shakuntala welcomed Dushyanta, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma
Raja Ravi Varma () (29 April 1848 – 2 October 1906) was an Indian painter and artist. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography. Especially, he was notable for making affordable Lithography, lithographs of his paintings available to the public, which greatly enhanced his reach and influence as a painter and public figure. His lithographs increased the involvement of common people with fine arts and defined artistic tastes among the common people. Furthermore, his religious depictions of Hindu deities and works from Indian epic poetry and Puranas have received profound acclaim. He was part of the royal family of erstwhile Parappanad, Malappuram district. Raja Ravi Varma was closely related to the royal family of Travancore of present-day Kerala state in India. Later in his life, two of his granddaughters were adopted into the royal family. Personal life Raja Ravi Varma was born M. R. Ry. Rav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala (painting)
''Shakuntala'' or ''Shakuntala looking for Dushyanta'' is an 1898 epic painting by Indian painter Raja Ravi Varma. Ravi Varma depicts Shakuntala, an important character of Mahabharata The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kuru ..., pretending to remove a thorn from her foot, while actually looking for her husband/lover, Dushyantha, while her friends tease her and call her bluff. Tapati Guha-Thakurta, an art historian, wrote; References 1898 paintings Religious paintings Works based on the Mahabharata Paintings based on literature Works based on Shakuntala (play) Paintings by Raja Ravi Varma {{1890s-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his '' Kumārasambhavam'', the display of his love for Ujjain in '' Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva Marriage
A Gandharva marriage (Sanskrit: गान्धर्व विवाह, ''gāndharva vivāha'', IPA: ənd̪ʱərvə vɪvaːhə is one of the eight classical types of Hindu marriage. This ancient tradition from the Indian subcontinent was based on consensual acceptance between two people, with no rituals, witnesses or family participation. The marriage of Dushyanta and Shakuntala is a historically celebrated example of this class of marriage. Etymology In Hinduism and Buddhism, '' Gandharvas'' are male nature spirits and the masculine counterparts of the Apsaras. They are passionate lovers of women and arouse erotic and romantic passion in women. History The Smritis of Hinduism recognize eight types of marriage, one of them being Gandharva marriage. The other seven are: ''Brahma'', ''Daiva'', ''Arya'', ''Prajapatya'', ''Asura'', ''Raksasa'' and ''Paisacha''.The Illustrated Encyclopedia of Hinduism: A-M, James G. Lochtefeld (2001), , Page 427Hindu Saṁskāras: Socio-relig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menaka
Menaka ( ) is a prominent figure in Hindu mythology, celebrated as one of the most beautiful apsaras (celestial nymphs) in the court of Indra, the king of the gods. She is frequently sent by the gods to disturb the penance of sages whose growing powers threatened the celestial order. Menaka is best known for her role in the seduction of the sage Vishvamitra, a story found in various Hindu scriptures and dramatized in Kalidasa's classical Sanskrit play '' Shakuntala''. In this episode, the gods, fearing Vishvamitra's ascetic strength, send Menaka to tempt him. Renowned for her beauty and charm, she succeeds in captivating him and becomes the mother of Shakuntala, a central figure in Indian literary tradition. Mythology and literary accounts ''Mahabharata'' Menaka is prominently attested in the ancient Hindu epic ''Mahabharata'' (c. 400 BC - 400 AD) as an apsara (celestial nymphs) of extraordinary beauty. The ''Adi Parva (1.74.68)'' of the ''Mahabharata'' describes Menaka as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishwamitra
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra (3.62.10). The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāśa and Śutudrī rivers (mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
