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Shades Of Color
In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. A tone is produced either by mixing a color with gray, or by both tinting and shading. Mixing a color with any neutral color (black, gray, and white) reduces the chroma, or colorfulness, while the perceived hue can be affected slightly (see Abney effect and Bezold-Brücke shift). In the graphic arts, especially printmaking and drawing, "tone" has a different meaning, referring to areas of continuous color, produced by various means, as opposed to the linear marks made by an engraved or drawn line. In common language, the term ''shade'' can be generalized to encompass any varieties of a particular color, whether technically they are shades, tints, tones, or slightly different hues. Meanwhile, the term ''tint'' can be generalized to refer to any lighter or darker variation of a color (e.g. " tinted windows"). When mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engravings, a form of relief printing and stone engravings, such as petroglyphs, are not covered in this article. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lightness
Lightness is a visual perception of the luminance (L) of an object. It is often judged relative to a similarly lit object. In colorimetry and color appearance models, lightness is a prediction of how an illuminated color will appear to a standard observer. While luminance is a linear measurement of light, lightness is a linear prediction of the human perception of that light. This distinction is meaningful because human vision's lightness perception is non-linear relative to light. Doubling the quantity of light does not result in a doubling in perceived lightness, only a modest increase. The symbol for perceptual lightness is usually either J as used in CIECAM02 or L^* as used in CIELAB and CIELUV. L^* ("Lstar") is not to be confused with L as used for luminance. In some color ordering systems such as Munsell color system, Munsell, Lightness is referenced as value. Chiaroscuro and tenebrism both take advantage of dramatic contrasts of value to heighten drama in art. Artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Image Gradient
An image gradient is a directional change in the intensity or color in an image. The gradient of the image is one of the fundamental building blocks in image processing. For example, the Canny edge detector uses image gradient for edge detection. In graphics software for digital image editing, the term gradient or color gradient is also used for a gradual blend of color which can be considered as an even wiktionary:gradation, gradation from low to high values, and seen from black to white in the images to the right. Another name for this is ''color progression''. Mathematically, the gradient of a two-variable function (here the image intensity function) at each image point is a 2D vector (geometric), vector with the components given by the derivatives in the horizontal and vertical directions. At each image point, the gradient vector points in the direction of largest possible intensity increase, and the length of the gradient vector corresponds to the rate of change in that direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earth Tone
Earth tone is a term used to describe a palette of colors that are similar to natural materials and landscapes. These colors are inspired by the earth's natural hues, including browns, greens, grays, and other warm and muted shades. The term earth tone first became popular in the 1970s during the environmental movement, as people sought to reconnect with nature and embrace more natural and organic lifestyles. People often connect earth tones with warmth, comfort, and steadiness, which is why they are commonly used in interior design, fashion, and graphic design. They are also versatile, making them suitable for a wide range of applications, from rustic and traditional to modern and minimalist. Some of the most common earth tones include white, brown, tan, beige, taupe, khaki, green, olive, moss, and rust. These colors are often used together in a variety of combinations to create a connected and natural-looking palette. In interior design, earth tones can be used to create a ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrast (vision)
Contrast is the difference in luminance or color that makes an object (or its representation in an image or display) visible against a background of different luminance or color. The human visual system is more sensitive to contrast than to absolute luminance; thus, we can perceive the world similarly despite significant changes in illumination throughout the day or across different locations. The maximum contrast of an image is termed the contrast ratio or dynamic range. In images where the contrast ratio approaches the maximum possible for the medium, there is a ''conservation of contrast''. In such cases, increasing contrast in certain parts of the image will necessarily result in a decrease in contrast elsewhere. Brightening an image increases contrast in darker areas but decreases it in brighter areas; conversely, darkening the image will have the opposite effect. Bleach bypass reduces contrast in the darkest and brightest parts of an image while enhancing luminance contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shading
Shading refers to the depiction of depth perception in 3D models (within the field of 3D computer graphics) or illustrations (in visual art) by varying the level of darkness. Shading tries to approximate local behavior of light on the object's surface and is not to be confused with techniques of adding shadows, such as shadow mapping or shadow volumes, which fall under global behavior of light. In drawing Shading is used traditionally in drawing for depicting a range of darkness by applying media more densely or with a darker shade for darker areas, and less densely or with a lighter shade for lighter areas. Light patterns, such as objects having light and shaded areas, help when creating the illusion of depth on paper. There are various techniques of shading, including cross hatching, where perpendicular lines of varying closeness are drawn in a grid pattern to shade an area. The closer the lines are together, the darker the area appears. Likewise, the farther apart the lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Green
Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 nm. In subtractive color systems, used in painting and color printing, it is created by a combination of yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. By far the largest contributor to green in nature is chlorophyll, the chemical by which plants photosynthesize and convert sunlight into chemical energy. Many creatures have adapted to their green environments by taking on a green hue themselves as camouflage. Several minerals have a green color, including the emerald, which is colored green by its chromium content. During post-classical and early modern Europe, green was the color commonly associated with wealth, merchants, bankers, and the gentry, whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose (color)
Rose is the color halfway between red, magenta and white on the HSL and HSV, HSV color wheel, also known as the :File:RGB color wheel.svg, RGB color wheel, on which it is at hue angle of 330 degrees. Rose, or vivid pink is one of the tertiary colors on the HSV (RGB) color wheel. The complementary colors, complementary color of rose is spring green. Sometimes rose is quoted instead as the Web color, web-safe color FF00CC, which is closer to magenta than to red, corresponding to a hue angle near 320 degrees, or the web-safe color FF0077, which is closer to red than magenta, corresponding to a hue angle of about 340 degrees. Shades of rose Etymology of rose The first recorded use of ''rose'' as a color name in English was in 1382.Maerz and Paul ''A Dictionary of Color'' New York:1930 McGraw-Hill Page 203 The etymology of the color name rose is the same as that of the name of the rose flower. The name originates from Latin ''rosa'', borrowed through Oscan language, Oscan fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faber Birren
Faber Birren (11 September 1900 – 30 December 1988) was an American writer and consultant on color and color theory. Life Faber Birren was born in Chicago, Illinois on 11 September 1900, the son of Joseph P. Birren, a landscape painter, and Crescentia (Lang) Birren, a pianist. He attended the Art Institute of Chicago while in high school and the University of Chicago for two years where he studied color theory. He began publishing articles on color in 1924; his first book, ''Color in Vision'' was published in 1928. In 1934 he established his own company and worked as an industrial color consultant, advising clients on the psychological effects of color on safety, employee morale, productivity and sales. His recommendations included changing wall and interior colors to reduce visual fatigue, and using bright colors on machinery to reduce accidents. DuPont, Monsanto, and General Electric General Electric Company (GE) was an American Multinational corporation, multinati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complementary Colors
Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose chroma) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. Complementary colors may also be called "opposite colors". Which pairs of colors are considered complementary depends on the color model that one uses: * Modern color theory uses either the RGB additive color model or the CMY subtractive color model, and in these, the complementary pairs are red–cyan, green–magenta (one of the purples), and blue–yellow. * In the traditional RYB color model, the complementary color pairs are red–green, yellow– purple, and blue– orange. * Opponent process theory suggests that the most contrasting color pairs are red–green and blue–yellow. * The black–white color pair is common to all the above theories. These contradictions stem in part from the fact that traditional color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
