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Sforza Castle Pinacoteca
The Pinacoteca del Castello Sforzesco ("Sforza Caste Art Gallery") is an art gallery in the museum complex of the Sforza Castle in Milan, Italy. History Inaugurated in 1878, the gallery displays over 230 artworks, which include masterpieces by Titian, Andrea Mantegna, Canaletto, Antonello da Messina, Pisanello, Vincenzo Foppa, Giovanni Bellini, Correggio, Bernardino Luini, Lorenzo Lotto, Tintoretto and others. The complete collection of the museum, enriched in the last two centuries by donations of illustrious citizens and collectors, now has more than 1,500 artworks. The first rooms of the Pinacoteca are dedicated to religious paintings of the 15th and 16th centuries, with artworks by Vincenzo Foppa, Bergognone, Bramantino, Carlo Crivelli, Bernardino Luini and other Lombard and Italian Renaissance painters. This part of the museum includes the ''Trivulzio Madonna'' by Andrea Mantegna, dating from 1497. (Another ''Trivulzio Madonna'' by Filippo Lippi is also in the museum.) T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sforza Castle
The Sforza Castle ( ; ) is a medieval fortification located in Milan, northern Italy. It was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city's museums and art collections. History The original construction was ordered by Galeazzo II Visconti, a local nobleman, in 1358 – 1370; this castle was known as the ''Castello di Porta Giova'' (or ''Porta Zubia''), from the name of a gate in walls located nearby. It was built in the same area of the ancient Roman fortification of ''Castrum Portae Jovis'', which served as '' castra pretoria'' when the city was the capital of the Roman Empire. It was enlarged by Galeazzo's successors, Gian Galeazzo, Giovanni Maria and Filippo Maria Visconti, until it became a square-plan castle wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Crivelli
Carlo Crivelli ( – ) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. Early life Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. The details of Crivelli's career are still sparse: He is said to have studied under Jacobello del Fiore, who was painting as late as 1436; at that time Crivelli was probably only a boy. He also studied at the school of Vivarini in Venice, then left Venice for Padua, where he is believed to have worked in the workshop of Francesco Squarcione and then, after being sentenced in 1457 to a six-month prison term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums Established In 1878
A museum is an institution dedicated to displaying or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host a much wider range of objects than a library, and they usually focus on a specific theme, such as the arts, science, natural history or local history. Public museums that host exhibitions and interactive demonstrations are often tourist attractions, and many draw large numbers of visitors from outside of their host country, with the most visited museums in the world attracting millions of visitors annually. Since the establishment of the earliest known museum in ancient times, museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. Etymology The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1878 Establishments In Italy
Events January * January 5 – Russo-Turkish War: Battle of Shipka Pass IV – Russian and Bulgarian forces defeat the Ottoman Empire. * January 9 – Umberto I becomes King of Italy. * January 17 – Russo-Turkish War: Battle of Philippopolis – Russian troops defeat the Ottoman Empire. * January 23 – Benjamin Disraeli orders the British fleet to the Dardanelles. * January 24 – Russian revolutionary Vera Zasulich shoots at Fyodor Trepov, Governor of Saint Petersburg. * January 28 – In the United States: ** The world's First Telephone Exchange begins commercial operation in New Haven, Connecticut. ** ''The Yale News'' becomes the first daily college newspaper in the U.S. * January 31 – Turkey agrees to an armistice at Adrianople. February * February 2 – Greece declares war on the Ottoman Empire. * February 7 – Pope Pius IX dies, after a 31½ year pontificate (the longest definitely confirmed). * February 8 – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In Milan
Art is a diverse range of culture, cultural activity centered around works of art, ''works'' utilizing Creativity, creative or imagination, imaginative talents, which are expected to evoke a worthwhile experience, generally through an expression of emotional power, conceptual ideas, technical proficiency, or beauty. There is no generally agreed definition of what constitutes ''art'', and its interpretation has varied greatly throughout history and across cultures. In the Western world, Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of "the arts". Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Touring Club Italiano
The Touring Club Italiano (TCI) (Italian Touring Club or Touring Club of Italy) is the major Italian national tourist organization. History The Touring Club Ciclistico Italiano (TCCI) was founded on 8 November 1894 by a group of bicyclists to promote the values of cycling and travel. Among the founding members was , who became president in 1919; at his death in 1926, he was succeeded by Giovanni Bognetti. It published its first maps in 1897. By 1899, it had 16,000 members. With the new century, it promoted tourism in all its forms—including auto tourism—and the appreciation of the natural and urban environments. Under fascism, starting in 1937, it was forced to Italianize its name to the Consociazione Turistica Italiana. Through the years, it has produced a wide variety of maps, guidebooks, and more specialized studies, and is known for its high standard of cartography. Its detailed road maps of Italy are published at 1:200,000, one per region. Publishing activity Its mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolognini Madonna
The ''Bolognini Madonna'' is an oil-on-panel painting (later transferred to canvas) executed ca. 1514–1519 by the Italian Renaissance painter Antonio da Correggio. History It is dated to around 1514–1519, sometime between his ''Madonna and Child with St Francis'' (1514–1515) and his lost '' Albinea Madonna'' (1517–1519). http://www.correggioarthome.it/SchedaOpera.jsp?idDocumentoArchivio=2487 It has been attributed to Correggio since the late 19th century. In 1865, the painting was left by Gian Giacomo Attendolo Bolognini (for whom the painting is now named) to the Pinacoteca del Castello Sforzesco in Milan, where it now hangs. AA.VV., ''La Pinacoteca del Castello Sforzesco a Milano'', Skira, Milano 2005. It is compositionally related to the artist's '' Madonna and Child with the Infant John the Baptist''. Description and style In the painting, a room with a pilaster decorated by candelabras in low relief opens onto a distant river landscape, far behi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentation Over The Dead Christ (Bramantino)
''Lamentation over the Dead Christ'' is an oil painting on canvas of by the Italian Renaissance painter and architect Bramantino, painted for the church of San Barnaba in Milan. The work was acquired by the Werner family in 1985 and now in the Pinacoteca del Castello Sforzesco in the same city. AA.VV., ''La Pinacoteca del Castello Sforzesco a Milano'', Skira, Milano 2005. A (possibly autograph) copy is now in a private collection. The painting shows the influence of Roman artists such as Mantegna which Bramantino had picked up during his stay in Rome, especially in its use of perspective. As in his '' Palazzo della Ragione Madonna'' and the '' Madonna and Child with Eight Saints'', he also uses several light sources, showing the influence of the recent ''Last Supper'' by Leonardo da Vinci. References Paintings by Bramantino Paintings in the Castello Sforzesco 1515 paintings Bramantino Bartolomeo Suardi ( – ) was an Italian painter and architect, mainly active in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child (Bellini, Milan, 1460–1465)
''Madonna and Child'' is a c. 1460–1465 tempera painting on panel by the Italian Renaissance artist Giovanni Bellini, signed on the ''trompe-l'œil'' parapet (IOANNS B LLI SF.). It dates from his early phase, when he was still strongly influenced by his father Jacopo and by Andrea Mantegna. The Christ Child holds a fruit, symbolising Original Sin and foreshadowing his Passion. Some art historians feel the haloes and drapery are too archaic for the work to be by Bellini, but the signature's authenticity was confirmed by a 1999 restoration. It formed part of prince Luigi Alberico Trivulzio's collection, which was originally assigned to Turin in 1935. However, this was disputed by Milan and the work now hangs in Milan in the Pinacoteca del Castello Sforzesco The Pinacoteca del Castello Sforzesco ("Sforza Caste Art Gallery") is an art gallery in the museum complex of the Sforza Castle in Milan, Italy. History Inaugurated in 1878, the gallery displays over 230 artworks, which inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Man With A Book
''Portrait of a Man with a Book'' is an oil on canvas painting by Correggio, dated to around 1522. It was bequeathed to the Pinacoteca del Castello Sforzesco in Milan (where it now hangs) in 1945 by Lydia Caprara Morando Attendolo Bolognini. It is sometimes instead attributed to Parmigianino but majority opinion is that it dates to Correggio's first mature period, which is supported by the fact that it was painted directly on top of the sketch, an informal technique suggesting it was made for a close friend of the artist. It shows a man in a black coat and black cap three-quarter-length against a wooded background, reading from a tiny book held in his right hand, argued by Roberto Longhi to be a book of hours''Edizione delle opere complete'', Roberto Longhi. Author, Roberto Longhi. Publisher, Sansoni, 1985 and by others such as Muzzi to be a ''Petrarchino'' (ie a miniature edition of Petrarch's ''Il Canzoniere ''Il Canzoniere'' (; ), also known as the ''Rime Sparse'' (), but o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Sforza
The House of Sforza () was a ruling family of Renaissance Italy, based in Milan. Sforza rule began with the family's acquisition of the Duchy of Milan following the extinction of the Visconti family in the mid-15th century and ended with the death of the last member of the family's main branch, Francesco II Sforza, in 1535. History The first son of Muzio Attendolo Sforza, Francesco I Sforza, married Bianca Maria (1425–1468) in 1441. She was the daughter and only heir of the last Duke of Milan, Filippo Maria Visconti. He thus acquired the title of Duke of Milan (1450–1466), ruled Milan for 16 years, and made the Sforzas the heirs of the house of Visconti. The family also held the seigniory of Pesaro, starting with Muzio Attendolo's second son, Alessandro (1409–1473). The Sforza held Pesaro until 1512, after the death of Costanzo II Sforza. Muzio's third son, Bosio (1411–1476), founded the branch of Santa Fiora, who held the title of count of Cotignola; the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Bellotto
Bernardo Bellotto (c. 1721/2 or 30 January 172117 November 1780), was an Italians, Italian urban Landscape art, landscape Painting, painter or ''vedutista'', and printmaker in etching famous for his Veduta, ''vedute'' of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal, known as Canaletto, and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting. Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of ''vedute'', may have used the camera obscura in order to achieve super ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
