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Seu (artist)
Seu (), also known as Pandit Seu, was a Pahari artist who specialized in ''musawir''.Goswamy, B. N. "On Two Portraits of Pahari Artists." ''Artibus Asiae'', vol. 34, no. 2/3, 1972, pp. 225–31. ''JSTOR'', https://doi.org/10.2307/3249649. Accessed 20 Oct. 2024. He was attached to the court of Raja Dilip Singh of Guler State (reigned ca.1695–1741). Biography Seu was the son of Hasnu, grandson of Bharathu, and great-grandson of Data. Seu was a native of Guler. Seu must have left the hills and travelled to the plains, where he came into contact with Mughal artists of the late-Mughal style. Seu was alive when Aurangzeb was disassembling the Mughal ateliers, which led to these artists to leave Delhi for other states, such as Guler. Seu would establish an atelier (workshop) in Guler, which for 150 years produced talented artists. Familial atelier He was the patriarch of the Seu-Manaku-Nainsukh family, which would produced famous artists such as Manaku, Nainsukh, Fattu, Khush ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pahari Painting
Pahari painting () is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations. The central theme of Pahari painting is depiction of eternal love of the Hindu deities Radha and Krishna. A distinct lyricism, spontaneous rhythm, softness, minute intricate details of composition, and intense perception and portrayal of human emotions and physical features distinguish the Pahari miniatures from the other miniature schools like Deccan, Mughal and Rajasthani-Rajput. Origin and area The Pahari school developed and flourished during the 17th and 19th centuries, stretching from Jammu to Garhwal, in the sub- Himalayan India, through Himachal Pradesh. Each cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guler State
Guler was a minor kingdom in the Lower Himalayas. Its capital was the town of Haripur Guler, in modern-day Himachal Pradesh. The kingdom was founded in 1415 by Raja Hari Chand, a scion of the ancient royal family of Kangra. The etymology of the word Guler can be traced to the word Gwalior, meaning the abode of cowherds. One of the foremost schools of Pahari miniatures is named after this small principality. Guler State is famous as the birthplace of Kangra painting when in the first half of the 18th century, a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh ( 1695–1741) of Guler. The rise of Guler Paintings or Guler style started what is known as the early phase of Kangra art. History Early history According to legends, the Guler State was founded at an uncertain date between 1405 and 1450 by Raja Hari Chand. Hari Chand fell into a dry well while hunting. Since no one could find him, the Hari Chand was p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandit
A pandit (; ; also spelled pundit, pronounced ; abbreviated Pt. or Pdt.) is an individual with specialised knowledge or a teacher of any field of knowledge in Hinduism, particularly the Vedic scriptures, dharma, or Hindu philosophy; in colonial-era literature, the term generally refers to lawyers specialized in Hindu law. Whereas, today the title is used for experts in other subjects, such as music. Pandit entered English as the loanword pundit, referring to a person who offers opinion in an authoritative manner on a particular subject area (typically politics, the social sciences, technology or sport), usually through the mass media. Ustad is the equivalent title for a Muslim man in the musical sense. The equivalent titles for a Hindu woman are Vidushi, Pandita, or Panditain; however, these titles are not currently in widespread use. In Sanskrit, pandit generally refers to any "wise, educated or learned man" with specialized knowledge. The term is derived from ' () which means ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nainsukh
Nainsukh (; 1710 – 1778) was an Indian painter. He was the younger son of the painter Pandit Seu and, like his older brother Manaku of Guler, was an important practitioner of Pahari painting, and has been called "one of the most original and brilliant of Indian painters". Around 1740 he left the family workshop in Guler and moved to Jasrota, where he painted most of his works for the local Rajput ruler Mian Zorowar Singh and his son Balwant Singh until the latter's death in 1763. This is the best known and documented phase of his career. Through his adaptation of elements of Mughal painting, he was a central force in the development of Pahari painting in the middle of the eighteenth century, bringing Mughal elements into what had been a school mainly concerned with Hindu religious subjects. In his final phase at Basholi, from about 1765 until his death in 1778, Nainsukh returned to religious subject matter, but retaining his stylistic innovations. By the end of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting Of Raja Dalip Singh Of Guler State Performing Puja, Attributed To Seu, Ca
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurangzeb
Alamgir I (Muhi al-Din Muhammad; 3 November 1618 – 3 March 1707), commonly known by the title Aurangzeb, also called Aurangzeb the Conqueror, was the sixth Mughal emperors, Mughal emperor, reigning from 1658 until his death in 1707, becoming the second longest-ruling emperor of Hindustan (48 years and 7 months). Under his reign, the Mughal Empire reached its greatest extent, with territory spanning nearly the entirety of the Indian subcontinent. Aurangzeb and the Mughals belonged to a branch of the Timurid dynasty. He held administrative and military posts under his father Shah Jahan () and gained recognition as an accomplished military commander. Aurangzeb served as the viceroy of the Viceroy of the Deccan, Deccan in 1636–1637 and the governor of Gujarat under Mughal Empire, Gujarat in 1645–1647. He jointly administered the provinces of Subah of Multan, Multan and Sind State, Sindh in 1648–1652 and continued expeditions into the neighboring Safavid Iran, Safavid ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manaku Of Guler
Manaku of Guler or Manaku (c. 1700–1760) was an Indian painter from the Guler State, in modern-day Himachal Pradesh. After his death he was mostly forgotten and overshadowed by his much-celebrated younger brother Nainsukh. But today he is recognised as an exponent of Pahari style of painting, much like his brother. The rediscovery of Manaku has been a result of research efforts by art historians like B. N. Goswamy. Like Nainsukh, Manaku almost never signed his works, and only four extant works carry his signature. Gallery File:Ravana shows Sita the Counterfeit Head of Rama.jpg, ''Ravana shows Sita the counterfeit head of Rama'', c. 1725, Opaque watercolor and gold on paper, Museum of Fine Arts, Boston File:Jayadeva bow to Radha-krishna.jpg, ''Poet Jayadeva worshipping Radha and Krishna'' based on Jayadeva's ''Gita Govinda'', c. 1730, Watercolour on paper, National Museum, New Delhi File:Golden cosmic egg Hiranyagarbha by Manaku.jpg, ''Hiranyagarbha (Golden Cosmic Egg)'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Painting
Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), originating from the territory of the Mughal Empire in the Indian subcontinent. It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in the subcontinent, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hill States Of India
The Hill States of India were princely states lying in the northern border regions of the British Raj, British Indian Empire. The historic terms ''Punjab Hills'' and ''Pahari Hills'' were used to describe the foothills of the Western Himalayan-range prior to the independence of India in 1947. History Punjab Hills Prior to the late 1940s, the region that is now classified as Jammu division, Jammu and Himachal Pradesh was termed the "Punjab Hills". The Punjab Hills are around 483 kilometres (300 miles) long and 161 kilometres (100 miles) wide. It consisted of a range of foot-hills, known as the Sivalik Hills, Shivalik Range, meeting the Punjab Plains. The hills of the region are stony and rough. The term "Punjab Hills" is now only generally used in the present-era to describe painting styles produced in the courtly settings of Mankot, Guler, Kangra, Kulu, Mandi and Basohli states. The Punjab Hills are not to be confused with the Punjab Plains (i.e. the Punjab proper, being t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama
Rama (; , , ) is a major deity in Hinduism. He is worshipped as the seventh and one of the most popular avatars of Vishnu. In Rama-centric Hindu traditions, he is considered the Supreme Being. Also considered as the ideal man (''maryāda'' ''puruṣottama''), Rama is the male protagonist of the Hindu epic '' Ramayana''. His birth is celebrated every year on Rama Navami, which falls on the ninth day of the bright half ( Shukla Paksha) of the lunar cycle of Chaitra (March–April), the first month in the Hindu calendar. According to the ''Ramayana'', Rama was born to Dasaratha and his first wife Kausalya in Ayodhya, the capital of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Born in a royal family, Rama's life is described in the Hindu texts as one challenged by unexpected changes, such as an exile into impoverished and difficult circumstances, and challenges of ethical questions and moral dilemmas. The most not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sita
Sita (; ), also known as Siya, Jānaki and Maithili, is a Hindu goddess and the female protagonist of the Hindu epic ''Ramayana''. Sita is the consort of Rama, the avatar of god Vishnu, and is regarded as an avatar of goddess Lakshmi. She is the chief goddess of the Ramanandi Sampradaya and is the goddess of beauty and devotion. Sita's birthday is celebrated every year on the occasion of Sita Navami. Described as the daughter of Bhūmi (the earth), Sita is brought up as the adopted daughter of King Janaka of Videha. Sita, in her youth, chooses Rama, the prince of Ayodhya (Ramayana), Ayodhya as her husband in a swayamvara. After the Sita Swayamvara, swayamvara, she accompanies her husband to his kingdom but later chooses to accompany him along with her brother-in-law Lakshmana, in his exile. While in exile, the trio settles in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka. She is imprisoned in the garden of Ashoka Vatika, in Lanka, until she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
