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Semi-opera
The terms "semi-opera", "dramatic[k] opera" and "English opera" were all applied to Restoration literature#Theatre, Restoration entertainments that combined spoken plays with masque-like episodes employing singing and dancing characters. They usually included Stage machinery, machines in the manner of the restoration spectacular. The first examples were the Shakespeare adaptations produced by Thomas Betterton with music by Matthew Locke (composer), Matthew Locke. After Locke's death, a second flowering produced the semi-operas of Henry Purcell, notably ''King Arthur (opera), King Arthur'' and ''The Fairy-Queen''. Semi-opera received a deathblow when the Lord Chamberlain separately licensed plays without music and the new Italian opera. Semi-operas were performed with singing, speaking and dancing roles. When music was written, it was usually for moments in the play immediately following either love scenes or those concerning the supernatural. It has been observedCurtis Price and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fairy-Queen
''The Fairy-Queen'' (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's comedy ''A Midsummer Night's Dream''. First performed in 1692, ''The Fairy-Queen'' was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century. Purcell did not set any of Shakespeare's text to music; instead he composed music for short Masque, masques in every act but the first. The play itself was also slightly modernised in keeping with seventeenth-century dramatic conventions, but in the main the spoken text is as Shakespeare wrote it. The masques are related to the play metaphorically, rather than literally. Many critics have stated that they bear no relationship to the play. Recent scholarship has shown that the opera, which ends with a masque featuring Hymen, the God of Marriage, was compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dioclesian
''Dioclesian'' (''The Prophetess: or, The History of Dioclesian'') is an English tragicomic semi-opera in five acts by Henry Purcell to a libretto by Thomas Betterton based on the play '' The Prophetess'', by John Fletcher and Philip Massinger, which in turn was based very loosely on the life of the Emperor Diocletian. It was premiered in late May 1690 at the Queen's Theatre, Dorset Garden. The play was first produced in 1622. Choreography for the various dances was provided by Josias Priest, who worked with Purcell on several other semi-operas. Betterton reworked the play extensively, making room for a great deal of Purcell's music, notably in the 'monster' scene at the end of Act II and the final Masque about the victory of Love, which remained popular until well into the eighteenth century. The premier production had a Prologue written by John Dryden that was suppressed after only one performance; it was far too critical of King William's military campaign in Ireland. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Arthur (opera)
''King Arthur, or The British Worthy'' (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. ''King Arthur'' is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular ''Your hay it is mow'd'', drunk. Secondary characters sing to them, usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albion And Albanius
''Albion and Albanius'' is an opera, closely resembling a French ''tragédie en musique'', by Louis Grabu with an English libretto by John Dryden. The words were written by Dryden in 1680. It was initially intended as a prologue to his opera ''King Arthur'', which he explicitly states in the prologue to that opera. "But some intervening accidents having hitherto deferred the performance of the main design, I proposed to the actors to turn the intended prologue into an entertainment by itself, as you now see it, by adding two acts more to what I had already written." (Dryden's "Preface") Performance history The music was written in 1685. After the period of court mourning for the late King and many other delays, the sumptuous production (costing the company over £4000 to mount) had its premiere on Sunday, 3 June, that same year at Dorset Garden Theatre, London. This was "a very unlucky day", observed Downes in '' Roscius Anglicanus'', "being the day the Duke of Monmouth landed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psyche (Locke)
''Psyche'' is a semi-opera in five acts with music by Matthew Locke (composer), Matthew Locke to a libretto by Thomas Shadwell with dances (now lost) by Giovanni Battista Draghi (composer), Giovanni Battista Draghi. It was first performed at Dorset Garden Theatre, London on 27 February 1675 by the Duke's Company with choreography the French dancing-master Saint-André. Stage machinery was by Thomas Betterton and the scenery by Stephenson. The work is loosely based on Molière, Molière's 1671 ''tragédie-ballet'' ''Psyché (play), Psyché'' with incidental music by Jean-Baptiste Lully, Lully (which Lully would develop into an opera three years after Locke). Composition, performance and publication According to Peter Holman, ''Psyche'' was "the first semi-opera written from scratch." It has over a dozen musical episodes and requires a large orchestra. Holman believes Locke composed it in response to the visit to Britain of a French opera company under the direction of Robert Cambert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Restoration Literature
Restoration literature is the English literature written during the historical period commonly referred to as the English Restoration (1660–1688), which corresponds to the last years of Stuart reign in England, Scotland, Wales, and Ireland. In general, the term is used to denote roughly homogeneous styles of literature that centre on a celebration of or reaction to the restored court of Charles II. It is a literature that includes extremes, for it encompasses both ''Paradise Lost'' and the Earl of Rochester's '' Sodom'', the high-spirited sexual comedy of '' The Country Wife'' and the moral wisdom of '' The Pilgrim's Progress''. It saw Locke's '' Treatises of Government'', the founding of the Royal Society, the experiments and holy meditations of Robert Boyle, the hysterical attacks on theatres from Jeremy Collier, and the pioneering of literary criticism from John Dryden and John Dennis. The period witnessed news becoming a commodity, the essay developing into a periodica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dryden
John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate of the United Kingdom, Poet Laureate. He is seen as dominating the literary life of Restoration (England), Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romantic era, Romantic writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints Church, Aldwincle, All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Baronet, Sir Erasmus Dryden, 1st BaroneSir Erasmus Dryden, 1st Baronet, t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fletcher (playwright)
John Fletcher (December 1579 – August 1625) was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others. Although his reputation has subsequently declined, he remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Grabu
Louis Grabu, Grabut, Grabue, or Grebus (fl. 1665 – 1690, died after 1693) was a Catalan-born, French-trained composer and violinist who was mainly active in England. While he was probably born in Catalonia – he was later referred to as 'Lodovicus Grabeu of Shalon in Catalunnia'Peter Holman, Grove Music Online – details of his early life are lacking. Sometime in his youth he moved to Paris, where he was most likely trained by Lully. At the time of the Restoration he went to England, where French music, especially opera, was much in vogue. Charles II of England appointed him as a composer for his own private music in 1665, and with the death of Nicholas Lanier in 1666 he became the second person to hold the title Master of the King's Musick. He adapted Robert Cambert's opera ''Ariadne'' for a London performance in 1674, and wrote music for John Dryden's ''Albion and Albanius ''Albion and Albanius'' is an opera, closely resembling a French ''tragédie en musique'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eccles (composer)
John Eccles (1668 – 12 January 1735) was an English composer. Born in London, eldest son of professional musician Solomon Eccles and brother of fellow composer Henry Eccles, John Eccles was appointed to the King's Private Music in 1694, and in 1700 became Master of the King's Musick. In the latter year he finished second in a competition to write music for William Congreve's masque '' The Judgement of Paris'' (the winner was John Weldon). Eccles was very active as a composer for the theatre, and from the 1690s wrote a large amount of incidental music including music for Congreve's ''Love for Love'', John Dryden's ''The Spanish Friar'' and William Shakespeare's ''Macbeth''. Jointly with Henry Purcell he wrote incidental music for Thomas d'Urfey's ''Don Quixote''. He became a composer to Drury Lane theatre in 1693 and when some of the actors broke off to form their own company at Lincoln's Inn Fields in 1695, he composed music for them as well including for John Dennis's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Banister (composer)
John Banister (1630 – 3 October 1679) was an English musical composer and violinist. Early life Banister was the son of one of the waits (municipal musicians) of the parish of St. Giles-in-the-Fields, and that profession he at first followed. His father was his first instructor, and he arrived at such proficiency on the violin that Charles II became interested in him and sent him for further education to France. On his return, Charles appointed him to the post of leader of his own band, vacated by the death of Thomas Baltzar in 1663. Court life About 1666–1667 he is said to have been dismissed by the king for an impertinent remark concerning the appointment of French musicians to the royal band. This seems to be referred to in '' Pepys's Diary,'' dated 20 February 1666 – 1667, although Banister's name occurs in a list of the King's Chapel in 1668. Concerts On 30 December 1672, he inaugurated a series of concerts at his own house, which are remarkable as being the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathaniel Staggins
Nathaniel is an English variant of the biblical Hebrew name Nathanael. It can be a given or surname. People with the name Nathaniel Given name * Nathaniel Archibald (1952–2018), American basketball player * Nate Archibald (born 1948), American basketball player * Nathaniel Ayers (born 1951), American musician who is the subject of the 2009 film '' The Soloist'' * Nathaniel Bacon (1647–1676), Virginia colonist who instigated Bacon's Rebellion * Nathaniel P. Banks (1816–1894), American politician and American Civil War General * Nat Bates (born 1931), two-term mayor of Richmond, California * Nathaniel Bowditch (1773–1838), American mathematician, father of modern maritime navigation * Nathaniel Buzolic (born 1983), Australian actor * Nathaniel Chalobah (born 1994), English footballer * Nathaniel Clayton (1833–1895), British politician * Nat King Cole (1919–1965), American singer and musician * Nathaniel Clyne (born 1991), English footballer * Nathaniel W. Depee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
