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Self-Portrait With Julie (Maternal Tenderness)
''Self-Portrait with Julie (Maternal Tenderness)'' is a 1787 painting by Élisabeth Vigée Le Brun depicting the artist tenderly embracing her daughter. It is now in the collection of the Louvre. Created just before the French Revolution, it embodies Enlightenment ideals of maternal affection and departs from conventional aristocratic portraiture through its natural warmth, minimal background, and intimate pose. It is widely praised for its emotional sincerity and has since been recognized for influencing Romantic-era portraiture. The painting underscores Vigée Le Brun’s prominence as a leading female artist, blending neoclassical technique with heartfelt sentiment in a way that broke new ground for her time. Background The work is a self-portrait and portrays the artist embracing her daughter, Jeanne Julie Louise Le Brun. The tender hug is a reflection of the sentimental themes and emotion prevalent in late 18th-century art. Exhibited at the Salon of 1787, the painting gain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Élisabeth Vigée Le Brun
Élisabeth Louise Vigée Le Brun (; ; 16 April 1755 – 30 March 1842), also known as Louise Élisabeth Vigée Le Brun or simply as Madame Le Brun, was a French painter who mostly specialized in portrait painting, in the late 18th and early 19th centuries. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassicism, Neoclassical style. Her subject matter and color palette can be classified as Rococo, but her style is aligned with the emergence of Neoclassicism. Vigée Le Brun created a name for herself in Ancien Régime society by serving as the portrait painter to Marie Antoinette. She enjoyed the patronage of European aristocrats, actors, and writers, and was elected to art academies in ten cities. Some famous contemporary artists, such as Joshua Reynolds, viewed her as one of the greatest portraitists of her time, comparing her with the Dutch Golden Age painting, old Dutch masters. Vigée Le Brun created 660 portraits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arrondissement (district or ward) and home to some of the most Western canon, canonical works of Art of Europe, Western art, including the ''Mona Lisa,'' ''Venus de Milo,'' and ''Winged Victory''. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II of France, Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I of France, Francis I converted it into the primary residence of the French kings. The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his househ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon Of 1787
The Salon of 1787 was an art exhibition held at the Louvre in Paris between 25 August and 23 September 1787. It was the final Salon to take place under the Ancien Régime before the outbreak of the French Revolution two years later. Organised by the Académie Royale it featured submissions from leading painters and sculptors. One of the most notable paintings on display was '' The Death of Socrates'' by Jacques-Louis David. A neoclassical history painting it depicts the Trial of Socrates, Execution of the philosopher Socrates in Ancient Athens. A work featuring the same subject by David's rival Jean-François Pierre Peyron was also shown. Hubert Robert presented a series of four paintings known as the ''Principal Monuments of France'', which featured the ruins of Roman architecture in Provence. In portraiture thirty two artists displayed around a hundred works. Élisabeth Vigée Le Brun produced several notable paintings including a Self-Portrait with Julie (Maternal Tendernes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Antoinette
Marie Antoinette (; ; Maria Antonia Josefa Johanna; 2 November 1755 – 16 October 1793) was the last List of French royal consorts, queen of France before the French Revolution and the establishment of the French First Republic. She was the wife of Louis XVI. Born Archduchess Maria Antonia of Austria, she was the penultimate child and youngest daughter of Empress Maria Theresa and Francis I, Holy Roman Emperor, Emperor Francis I. She married Louis Auguste, Dauphin of France, in May 1770 at age 14, becoming the Dauphine of France. On 10 May 1774, her husband ascended the throne as Louis XVI, and she became queen. As queen, Marie Antoinette became increasingly a target of criticism by opponents of the domestic and foreign policies of Louis XVI and those opposed to the monarchy in general. The French accused her of being profligate, promiscuous, having illegitimate children, and harboring sympathies for France's perceived enemies, including her native Habsburg monarchy, Austria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Antoinette And Her Children
''Marie Antoinette and Her Children'', also known as ''Marie Antoinette of Lorraine-Habsburg, Queen of France, and Her Children'' is an oil painting by the French artist Élisabeth Vigée Le Brun, painted in 1787, and currently displayed at the Palace of Versailles. Its dimensions are . History In July 1785, Marie Antoinette's reputation was tarnished by the Affair of the Diamond Necklace. Despite her lack of personal involvement in the affair, public opinion turned against her. In an effort to improve public perception of the queen, later that year, Élisabeth Vigée Le Brun was commissioned by Louis XVI to paint an official portrait depicting Marie Antoinette sympathetically. The focus was to be on Marie Antoinette as a queen and, more importantly, a mother; as such, the painting shows her surrounded by her children and wearing little jewellery. To further engage the public's sympathy, Vigée Le Brun left an empty cradle in the place of the queen's youngest child, Sophie-H� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; ; 28 June 1712 – 2 July 1778) was a Republic of Geneva, Genevan philosopher (''philosophes, philosophe''), writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'', which argues that private property is the source of inequality, and ''The Social Contract'', which outlines the basis for a legitimate political order, are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published ''Confessions (Rousseau), Confessions'' (completed in 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portrait In A Straw Hat By Elisabeth-Louise Vigée-Lebrun
Self-portraits are Portrait painting, portraits artists make of themselves. Although self-portraits have been made since the earliest times, the practice of self-portraiture only gaining momentum in the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goncourt Brothers
The Goncourt brothers (, , ) were Edmond de Goncourt (1822–1896) and Jules de Goncourt (1830–1870), both French naturalism writers who, as collaborative sibling authors, were inseparable in life. Background Edmond and Jules were born to minor aristocrats Marc-Pierre Huot de Goncourt and his second wife Annette-Cécile de Goncourt (née Guérin). Marc-Pierre was a retired cavalry officer and squadron leader in the Grande Armée of Napoléon I. The brothers' great-grandfather, Antoine Huot de Goncourt, purchased the '' seigneurie'' of the village of Goncourt in the Meuse Valley in 1786, and their grandfather Huot sat as a deputy in the National Assembly of 1789. The brothers' uncle, Pierre Antoine Victor Huot de Goncourt, was a deputy for the Vosges in the National Assembly between 1848 and 1851. In 1860, the brothers applied to the Keeper of the Seals for the exclusive use of the noble title "de Goncourt", but their claim was refused. They are buried together (in the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Levey
Sir Michael Vincent Levey, LVO, FBA, FRSL (8 June 1927 – 28 December 2008) was a British art historian and was the director of the National Gallery from 1973 to 1986. Biography Levey was born in Wimbledon, London, and grew up in Leigh-on-Sea, Essex. He attended The Oratory School, a Catholic boarding school near Reading. He was called up for National Service in 1945 and served it largely in Egypt. After demobilisation in 1948, Levey went to Exeter College, Oxford, to read English; he graduated with first class honours after only two years' study. In 1951, Levey joined the National Gallery as assistant to the Keeper, Sir Martin Davies. He combined administrative duties with scholarly work, producing his first catalogue, on the Gallery's 18th-century Italian paintings, in 1956. In the 1960s, affordable art books with colour reproductions for the general reader began to appear, and Levey was commissioned to write an overview of Western painting for Thames & Hudson's ''World ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Peinture Et De Sculpture
The Académie royale de peinture et de sculpture (; ) was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. According to the 17th century ''Mémoires'' about the founding of the ''Académie royale'', a few "superior men" who were "real artists", suffered and felt humiliated under the guild system. In view of increasing pressure by the Parisian guilds for painters and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
