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Sekidera Komachi
{{nihongo, ''Sekidera Komachi'', 関寺小町, Komachi at Sekidera is a famous Noh play of the third category (plays about women) by Zeami Motokiyo. Its central character is a real life figure, the great 9th-century poet Ono no Komachi, who was also famed for her beauty. The play depicts Komachi at the end of her life, when her beauty has faded and she is living in great poverty. On the evening of the seventh day of the seventh month, during the Festival of Stars, the Abbot of Sekidera visits her in her hut, taking two priests and a child, so that they can hear her talk about poetry. During the course of their conversation, the abbot realizes her identity and is astonished and delighted. He invites her to come with them to the festival, but she declines. The child dances part of a ''gagaku'' dance for her, the ''Manzairaku''. Inspired, she starts to dance herself, and continues to do so until dawn. In the dawn light she ponders the transience of life, and her irrational shame a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami Motokiyo
, also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a close relationship with him. Although some think that due to the prevalence of exploration of male love in Noh plays, that the two may have had an intimate relationship, it has never truly been proven whether it was or not. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōmi Province
was a Provinces of Japan, province of Japan, which today comprises Shiga Prefecture. It was one of the provinces that made up the Tōsandō Circuit (subnational entity), circuit. Its nickname is . Under the ''Engishiki'' classification system, Ōmi was ranked as one of the 13 "great countries" (大国) in terms of importance, and one of the "near countries" (近国) in terms of distance from the imperial capital Kyoto. Ōmi bordered on Wakasa Province, Wakasa and Echizen Provinces to the north, Mino Province, Mino and Ise Provinces to the east, Iga Province, Iga and Yamato Provinces to the south, and Yamashiro Province, Yamashiro and Tanba Provinces to the west. Lake Biwa, Japan's largest lake, is located at the center of the province. History The area of Ōmi has been settled since at least the Yayoi period, and the traces of several large settlements have been found. During the Kofun period, the area appears to have been dominated by several powerful immigrant clans, most no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the '' waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ono No Komachi
was a Japanese waka poet, one of the '' Rokkasen''—the six best waka poets of the early Heian period. She was renowned for her unusual beauty, and ''Komachi'' is today a synonym for feminine beauty in Japan. She also counts among the Thirty-six Poetry Immortals. Life Almost nothing of Komachi's life is known for certain, save for the names of various men with whom she engaged in romantic affairs and whose poetry exchanges with her are preserved in the ''Kokin Wakashū''. She was probably born between 820 and 830, and she was most active in composing poetry around the middle of the ninth century. Extensive study has gone into trying to ascertain her place of birth, her family and so on, but without conclusive results. The Edo-period scholar Arai Hakuseki advanced the theory that there was more than one woman named Komachi and that the legends about her referred to different people. This theory was later expanded to conjecture that there were four "Komachis"., citing It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanabata
, also known as the , is a Japanese festival originating from the Chinese Qixi Festival. It celebrates the meeting of the deities Orihime and Hikoboshi (represented by the stars Vega and Altair respectively). According to legend, the Milky Way separates these lovers, and they are allowed to meet only once a year on the seventh day of the seventh lunar month of the lunisolar calendar. The date of Tanabata varies by region of the country, but the first festivities begin on 7 July of the Gregorian calendar. The celebration is held at various days between July and August. History The festival was introduced to Japan by the Empress Kōken in 755. It originated from , an alternative name for Qixi which is celebrated in China and also was adopted in the Kyoto Imperial Palace from the Heian period. The festival gained widespread popularity amongst the general public by the early Edo period, when it became mixed with various Obon or Bon traditions (because Bon was held on 15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbot
Abbot is an ecclesiastical title given to the head of an independent monastery for men in various Western Christian traditions. The name is derived from ''abba'', the Aramaic form of the Hebrew ''ab'', and means "father". The female equivalent is abbess. Origins The title had its origin in the monasteries of Egypt and Syria, spread through the eastern Mediterranean, and soon became accepted generally in all languages as the designation of the head of a monastery. The word is derived from the Aramaic ' meaning "father" or ', meaning "my father" (it still has this meaning in contemporary Arabic: أب, Hebrew: אבא and Aramaic: ܐܒܐ) In the Septuagint, it was written as "abbas". At first it was employed as a respectful title for any monk, but it was soon restricted by canon law to certain priestly superiors. At times it was applied to various priests, e.g. at the court of the Frankish monarchy the ' ("of the palace"') and ' ("of the camp") were chaplains to the Merovingian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794–1185) around the 10th century.History of gagaku Nihon gagakukai Today, it is performed by the Board of Ceremonies in the . Gagaku consists of three primary repertoires: #Native [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Plays
is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is Japan's oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the ''iemoto'' system. Although the terms Noh and ''nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Plays
Buddhism, also known as Buddhadharma and Dharmavinaya, is an Indian religion and philosophical tradition based on teachings attributed to the Buddha, a wandering teacher who lived in the 6th or 5th century BCE. It is the world's fourth-largest religion, with about 500 million followers, known as Buddhists, who comprise four percent of the global population. It arose in the eastern Gangetic plain as a movement in the 5th century BCE, and gradually spread throughout much of Asia. Buddhism has subsequently played a major role in Asian culture and spirituality, eventually spreading to the West in the 20th century. According to tradition, the Buddha instructed his followers in a path of development which leads to awakening and full liberation from '' dukkha'' (). He regarded this path as a Middle Way between extremes such as asceticism or sensual indulgence. Teaching that ''dukkha'' arises alongside attachment or clinging, the Buddha advised meditation practices and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
