Seis Cuerdas
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Seis Cuerdas
The seis is a type of Puerto Rican Jíbaro dance music closely associated with the décima. It originated in the latter half of the 17th century in the southern part of Spain. The seis is influenced by Spanish, African, and Taino cultures. The Arabian aspects come from Spain, where the Muslims or the Moors had ruled for over 700 years. Like other Jíbaro music, the seis is associated with Christmas, folkloric festivals, concursos de trovadores (poetry-singing contests), and other large celebrations. The word means ''six'', which may have come from the custom of having six couples perform the dance, though many more couples eventually became quite common. Men and women form separate lines down the hall or in an open place of beaten earth, one group facing the other. The lines would approach and cross each other and at prescribed intervals the dancers would tap out the rhythm with their feet. Instruments The seis was made for a solo voice and accompanying instruments. The melodies ...
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Puerto Rican Music
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself. Traditional, folk, and popular music Early music The music culture in Puerto Rico during the 16th, 17th, and 18th centuries is poorly documented. Certainly, it include ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and p ...
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Décima
A décima is a ten-line stanza of poetry. The most popular form is called décima espinela after Vicente Espinel (1550–1624), a Spanish writer, poet, and musician from the Spanish Golden Age who used it extensively throughout his compositions. The décima deals with a wide range of subject matters, including themes that are philosophical, religious, lyrical, and political. Humorous décimas would typically satirize an individual's weakness or foolish act. A decimero would frequently challenge the target of the satire or his/her defender to respond in kind with a décima, thereby setting up a duel that tests the originality and wit of contending composers. Styles Latin America and Spain The ''décima'' in all Latin America and in Spain is a style of poetry that is octosyllabic and has 10 lines to the stanza. The espinela rhyming scheme (ABBAACCDDC) is the de facto scheme in use. It is spoken, sung and written throughout Latin America with variations in different countries. It is ...
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Spain
Spain, or the Kingdom of Spain, is a country in Southern Europe, Southern and Western Europe with territories in North Africa. Featuring the Punta de Tarifa, southernmost point of continental Europe, it is the largest country in Southern Europe and the fourth-most populous European Union member state. Spanning across the majority of the Iberian Peninsula, its territory also includes the Canary Islands, in the Eastern Atlantic Ocean, the Balearic Islands, in the Western Mediterranean Sea, and the Autonomous communities of Spain#Autonomous cities, autonomous cities of Ceuta and Melilla, in mainland Africa. Peninsular Spain is bordered to the north by France, Andorra, and the Bay of Biscay; to the east and south by the Mediterranean Sea and Gibraltar; and to the west by Portugal and the Atlantic Ocean. Spain's capital and List of largest cities in Spain, largest city is Madrid, and other major List of metropolitan areas in Spain, urban areas include Barcelona, Valencia, Seville, ...
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Cuatro (instrument)
The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings. Cuatro means ''four'' in Spanish; the instrument's 15th century predecessors were the Spanish vihuela and the Portuguese cavaquinho, the latter having four strings like the cuatro. Modern cuatros come in a variety of sizes and shapes, and number of strings. Cuatros can either have single-strings, like a guitar, or double- or triple-coursed strings like a mandolin, and vary in size from a large mandolin or small guitar, to the size of a full-size guitar. Depending on their particular stringing, cuatros are part of the guitar or mandolin subfamilies ...
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Guitar
The guitar is a stringed musical instrument that is usually fretted (with Fretless guitar, some exceptions) and typically has six or Twelve-string guitar, twelve strings. It is usually held flat against the player's body and played by strumming or Plucked string instrument, plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either Acoustics, acoustically, by means of a resonant hollow chamber on the guitar, or Amplified music, amplified by an electronic Pickup (music technology), pickup and an guitar amplifier, amplifier. The guitar is classified as a chordophone, meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood, with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteen ...
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Bongo Drum
Bongos ( Spanish: ''bongó'') are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. These older, larger bongos are known ...
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Güiro
The güiro () is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Cuban, Puerto Rican, and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Cabo Verdean ferrinho, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of ...
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Fajardo, Puerto Rico
Fajardo () is a town and a municipality part of the San Juan-Caguas-Fajardo Combined Statistical Area in Puerto Rico. Fajardo is the hub of much of the recreational boating in Puerto Rico and a popular launching port to Culebra, Vieques, and the U.S. and British Virgin Islands. It is also home to the largest marina in the Caribbean, called Puerto del Rey. The town contains various hotels and inns. Offshore, near Fajardo, a few islets can be found. These are Icacos, Isla Palomino, Palominito, and Diablo, among other uninhabited coral islands and barrier reefs. History Fajardo was founded in 1760, 1773 or 1774 (depending on the authority) as Santiago de Fajardo. It was one of the locations used by the American troops to invade Puerto Rico. On August 1, 1898 the USS Puritan under the command of Captain Frederic W. Rodgers, sailed the coastline near the city of Fajardo when he spotted the Faro de Las Cabezas de San Juan (Cape San Juan lighthouse), which was supposed to be ...
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Florencio Morales Ramos
Florencio ("Flor") Morales Ramos (September 5, 1915 – February 23, 1989), better known as Ramito, was a Puerto Rican trovador, and composer who was a native of Caguas, Puerto Rico. Fans of the genre consider him the king of Jíbaro music. Known as "El Cantor de la Montaña" (The Singer from the Mountain), Morales Ramos had two brothers, Luis (''"Luisito"'') and Juan María (''"Moralito"''), who also attained major recognition as jíbaro singers. Early years Ramito was born on September 5, 1915, in the Bairoa barrio of Caguas, Puerto Rico (very close to where Bairoa Gym, headquarters for many Puerto Rican prizefighters and boxing champions, stands nowadays); ''"Cagüitas"'' (Little Caguas) was a boyhood nickname of his, used by his closest friends. He left school in fourth grade ("but an old-time fourth grade at that!", he mentioned whenever asked) to assist his parents, who were parenting twelve other children (including six of their own), and whose economic situation ...
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Cachi Cachi Music
Cachi Cachi music, also spelled Kachi Kachi, Kachi-Kachi and Katchi-Katchi, is a term that was coined to refer to music played by Puerto Ricans in Hawaii, after they migrated to Hawaii in 1901. It is a "variation of dance music found in Hawaii" which is, at times, played very fast. The "influence on Hawai'i endures to this day in the musical form known as ''cachi cachi'' played on the quarto icand derivative of the Puerto Rican jibaro style." ''Jibaro'' means farmer in Spanish. The Puerto Ricans in Hawaii "worked hard and played hard" and lightened the load for other plantation workers with their music. In Hawaii, the Puerto Ricans played their music with six-string guitar, güiro, and the Puerto Rican cuatro. Maracas and "palitos" sticks could be heard in the music around the 1930s. More modern versions of the music may include the accordion and electric and percussion instruments such as conga drums. Etymology Cachi cachi music is what the people in Hawaii, who heard the ...
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