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Seefeel
Seefeel is a British electronic and post-rock band formed in the early 1990s by Mark Clifford (guitar, programming), Daren Seymour (bass), Justin Fletcher (drums, programming), and Sarah Peacock (vocals, guitar). Their work became known for fusing guitar-based shoegaze with the production techniques of ambient techno and electronica. Initially forming as a more conventional rock band, Seefeel soon embraced electronic production and gained recognition for their 1993 debut EP '' More Like Space'' and first album '' Quique'' (1993), both on the British independent label Too Pure. The band subsequently released music on electronic labels Warp Records and Rephlex, and then went on an extended hiatus in 1997, with members pursuing the side-projects Scala and Disjecta. Following the reissue of ''Quique'' in 2007, Clifford and Peacock relaunched Seefeel and were joined by Shigeru Ishihara ( DJ Scotch Egg) on bass, and former Boredoms drummer Iida Kazuhisa (E-Da). In 2010 they rel ...
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Quique (album)
''Quique'' is the debut album by British music group Seefeel. It was released through Too Pure in October 1993. A predominantly instrumental record which utilises elements of both rock music, rock and electronic music, it blends styles including techno, dream pop, ambient music, ambient, and dub music, dub. Guitarist Mark Clifford worked continually on tracks while other members either completed them or provided component ideas. The album was met with positive reviews from critics, and reached No. 12 in the UK Independent Singles and Albums Charts, UK Independent Albums Chart. It was followed by the EP ''Starethrough'' on Warp (record label), Warp in 1994. ''Quique'' was re-released in 2007 in a deluxe format that included unreleased, re-mixed tracks and other music that was only released on compilations. The album continued to receive praise on its re-issue. Background and production Mark Clifford formed Seefeel in 1992 after posting advertisements for potential group members. ...
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Mark Clifford
Mark Clifford is a British musician and producer known primarily for his involvement with his band Seefeel. He has been involved in a number of solo and collaborative projects which have resulted in a wide range of material released on many different labels including Warp Records, Rephlex Records, Bella Union, Editions Mego and his own Polyfusia label. Seefeel Seefeel was formed in 1992: Clifford advertising in local classifieds for members. In its earliest incarnation Sarah Peacock, Justin Fletcher and Mark Van Hoen represented guitar/vocals, drums and bass respectively, with Daren Seymour supplanting Van Hoen as the bassist early on. Too Pure signed Seefeel and published their first EPs and LP in 1993. Seefeel decamped to Warp Records in 1994 where they remain signed to this day, having released two LPs and three EPs with them thus far. 1996 also saw the release of a mini album, (CH-VOX) on Rephlex Records. Around 1999 Seefeel went on an indefinite hiatus only to reconvene i ...
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More Like Space
''More Like Space'' is an EP by Seefeel. It was released in 1993 by Too Pure Records. The EP was later included on the compilation album ''Polyfusia'' which was released in 1994 by Astralwerks. Production The tracks on ''More Like Space'' were recorded around the same time as the material for Seefeel's album '' Quique''. Mark Clifford stated that the tracks on ''More Like Space'' were simpler while the tracks on ''Quique'' were more involved and took longer to create. The track "Blue Easy Sleep" was described as "essentially instrumental" "Time to Find Me (Come Inside)" features Sarah Peacock's on vocals while "Come Alive" features vocals from Mark Clifford. Release ''More Like Space'' was released on compact disc by Too Pure Records in 1993. This EP was later combined with the ''Pure, Impure'' EP and released by Astralwerks as the compilation album ''Polyfusia'' on July 22, 1994. Reception Jack Rabid described the title track as having "production hat isspacious and near-pe ...
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Scala (band)
Scala was an electronic rock band from London, UK formed in 1996 by members of the band Seefeel. They released two singles, three albums, and two EPs over the following two years. History The disintegration of the post-rock band Seefeel in 1996-1997 led to its lead member Mark Clifford continuing as essentially a solo act. The remaining members of Seefeel—Sarah Peacock, Justin Fletcher, and Daren Seymour—collaborated with former Seefeel member Mark Van Hoen to form the group Scala. Scala released their debut album '' Beauty Nowhere'' in 1997 followed by two albums in 1998: ''To You in Alpha'' and ''Compass Heart''. After working with Scala, Peacock continued work in the group January. Style ''Exclaim!'' described the band's sound as "a crystal clear instrumental sound made of finely textured synths, guitar and drum machine patterns that should appeal to jaded listeners of both pop and 'electronica.'" ''Side Line'' wrote that 'Scala take the rhythmic, ambient guitar son ...
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Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ...
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Mark Van Hoen
Mark Van Hoen (born September 1966, Croydon, London, England) is an English electronic music artist. He has created music under his own name as well as Locust, and Autocreation. Pitchfork said, "Musically, Van Hoen belongs to a distinguished family tree. Originally influenced by the likes of Brian Eno and Tangerine Dream, and later presaging both Autechre's glitch and Boards of Canada's pastoral IDM, with his latest album Van Hoen would fit in just as well alongside White Rainbow or Atlas Sound on a current label like Kranky: He combines oceanic drone with pop lyricism, using technology as a catalyst." In 1993, Van Hoen signed with the Belgian-based record label, R&S. The initial releases were as Locust and used vintage analogue synthesizers and tape recorders. As the Locust sound moved towards an increasingly more vocal oriented approach in the late 1990s, Van Hoen also began to release music under his own name. In October 2013, Black Hearted Brother, Van Hoen's collaboration ...
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through groups associated with the UK label 4AD, most prominently Cocteau Twins, This Mortal Coil, and A.R. Kane. Subsequently, UK-based acts such as My Bloody Valentine, Slowdive, and Lush alongside US-based artists Galaxie 500, Julee Cruise, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-2000s success of indie act Beach House. Etymology and characteristics The term dream pop is thought to relate to the "immersion" in the music experienced b ...
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Warp Records
Warp Records is a British independent record label that specialises in Electronic music, electronic, indie rock and experimental music. It was founded in Sheffield in 1989 by Steve Beckett, Robert Mitchell and Robert Gordon. It has released records by acts including Aphex Twin, Autechre, Boards of Canada, Squarepusher, Brian Eno, Broadcast (band), Broadcast, Flying Lotus, Maxïmo Park, !!!, Battles (band), Battles and Grizzly Bear (band), Grizzly Bear. Warp began as a record shop in 1987, and released its first record, "Track With No Name" by Gordon's band Forgemasters (band), Forgemasters, in 1989. In the early 1990s, Warp became associated with the UK's bleep techno, bleep scene, releasing music by acts such as LFO (British band), LFO, Sweet Exorcist (band), Sweet Exorcist and Nightmares on Wax. Rather than releasing dance singles by short-lived acts, Warp prioritised releasing albums and building longevity. In 1992, it released ''Artificial Intelligence (compilation album), Art ...
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DJ Scotch Egg
Shigeru Ishihara, better known by the stage name DJ Scotch Egg, is a Japanese producer of chiptune/ gabba music based in Berlin, Germany. He has released music on the Wrong Music label and Adaadat, and was signed to Load Records after Lightning Bolt were impressed by his music. A new album entitled ''Scotch Hausen'' was released in Spring 2007. Contributions with other artists include Ove-Naxx, Hrvatski ( Keith Fullerton Whitman), Mike Paradinas, Duracell, Bong-Ra, The Pipettes and The Go! Team. Shige has recorded improvised music collaboratively with Ashley Marlowe and Sam Dook under the moniker Same Things. Two tracks have so far been released through Junior Aspirin Records. Ishihara is a founding member of WaqWaq Kingdom, along with vocalist Kiki Hitomi. They have released a number of albums on Phantom Limb. Discography Demos *''Shiez 2000 demos'' *'' Scotch Dub'' (2006, The Compliants Department) Singles *" Scotch Chicken" 7" single, Wrong Music, 2005 *" Scotch Va ...
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Rephlex Records
Rephlex Records was a record label launched in 1991 in Cornwall by Electronic music, electronic musician Richard D. James (aka Aphex Twin) and Grant Wilson-Claridge. The label coined the term ''braindance'' to describe the output of Aphex Twin and fellow artists. History In 1989, Grant Wilson-Claridge met Richard D. James (a.k.a. Aphex Twin) DJing at The Bowgie, a club located just along the coast from Newquay, Cornwall. According to Wilson-Claridge, back in 1989, "the Bowgie was the best club ever...this was before Newquay turned into the Cornish Ibiza" and it was very difficult to hear new and interesting music. Wilson-Claridge and James used to DJ on alternate weeks. When he noticed that James was playing his own tapes rather than records, Wilson-Claridge suggested that they press up some records. In the beginning, committing Aphex Twin recordings to vinyl was a way of making music the duo's friends wanted to hear. Due to their geographical dis-location they did not have acce ...
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