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Second British Invasion
The Second British Invasion was a sharp increase in the popularity of British synth-pop and new pop artists in the United States. It began in the summer of 1982, peaked in 1983, and continued throughout much of the 1980s. The MTV music video channel began in 1981. Its popularity was the main catalyst for the second British Invasion. According to ''Rolling Stone'', British acts brought a "revolution in sound and style" to the US. During the late 1980s, glam metal and dance music replaced Second Invasion acts atop the US charts. Background In the late 1970s and early 1980s, music from the United Kingdom was informed by the after-effects of the punk/ new wave revolution. In 1979, " Roxanne" by the Police cracked the American Top 40, followed by the more modest chart successes of Elvis Costello, Sniff 'n' the Tears, the Pretenders, Gary Numan, Squeeze, and Joe Jackson; the latter scored a new wave hit with "Is She Really Going Out with Him?" Scripps-Howard news service has de ...
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Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ...
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Squeeze (band)
Squeeze are an English Rock music, rock band that came to prominence in the United Kingdom during the New wave music, new wave period of the late 1970s, and continued recording in the 1980s, 1990s and 2010s. In the UK, their singles "Cool for Cats (song), Cool for Cats", "Up the Junction (song), Up the Junction", and "Labelled with Love" were top-ten chart hits. Though not as commercially successful in the United States, Squeeze had American hits with "Tempted (Squeeze song), Tempted", "Black Coffee in Bed", and "Hourglass (Squeeze song), Hourglass", and were considered a part of the Second British Invasion. In the vast majority of their material, lyrics are written by Chris Difford and music by Glenn Tilbrook, who are guitarists and vocalists in the band. The duo were hailed as "the heirs to Lennon–McCartney, Lennon and McCartney's throne" during the band's initial popularity in the late 1970s. The group formed in Deptford, London, in 1974, and first broke up in 1982. Squeeze ...
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Rick Carroll
Rickey Floyd "Rick" Carroll (September 15, 1946 – July 10, 1989) was an American program director (PD) for influential radio station KROQ-FM in Los Angeles, California, United States, where he introduced the "ROQ of the Eighties" format. The format was synonymous with KROQ-FM and eventually developed into the modern rock format. Carroll spread this format to a number of radio markets across the United States either directly, as a radio consultant during the 1980s, or indirectly as stations adopted the KROQ-FM sound. Biography Born in Contra Costa County, California, Rick Carroll began his radio career as an intern at KPOP, Roseville / Sacramento, California, continuing at KERS while attending California State University-Sacramento. His professional career included stints as consultant or programming director for various California radio stations, including KKDJ and KEZY before moving to KROQ-FM in 1978. During the late 1970s and early 1980s, mainstream acts dominated rock ...
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KROQ-FM
KROQ-FM (106.7 MHz) is a commercial radio station licensed to Pasadena, California, serving Greater Los Angeles. Owned by Audacy, Inc., it broadcasts an alternative rock format known as "The World Famous KROQ" (pronounced "kay-rock"). The station has studios at the intersection of Venice Boulevard and Fairfax Avenue in the Crestview, Los Angeles, Crestview neighborhood in West Los Angeles. The transmitter is based in the Verdugo Mountains. It was the Flagship (radio), flagship station of ''Kevin and Bean'' (revamped as ''Kevin in the Morning'' in 2019) and former show ''Loveline'', hosted originally by Jim Trenton, Jim "The Poorman" Trenton with Dr. Drew Pinsky, and later by Adam Carolla as well as Michael Catherwood, "Psycho" Mike Catherwood with Pinsky, and The Young Marquis and Stanley Show. History KPPC On April 23, 1962, KPPC-FM signed-on on 106.7 MHz. It was owned by the Pasadena Presbyterian Church as a companion to its KPPC (AM), KPPC, a limited-hours AM radio st ...
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List Of First Music Videos Aired On MTV
__NOTOC__ This is a list of the first music videos broadcast on MTV's first day, August 1, 1981. MTV's first day on the air was rebroadcast on VH1 Classic in 2006 and again in 2011 (the latter celebrating the channel's 30th anniversary).Daniel Rubin"Blinq: After 25 years, do you still want your MTV?"''Philadelphia Inquirer'', August 1, 2006. The first hour on the air was broadcast again on August 1, 2016, and was called MTV Hour One, as part of VH1 Classic's planned re-launch as MTV Classic, MTV itself, and additionally streamed on the channel's Facebook page. The first video to air on MTV was one emblematic of MTV's concept, the Buggles' "Video Killed the Radio Star", which was then immediately followed by a brief message about music and television coming together and then " You Better Run" by Pat Benatar. One hundred sixteen unique videos were played, spanning 209 spins over the first 24 hours; from the beginning, MTV used the rotation system and repeated popular videos through ...
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Video Killed The Radio Star
"Video Killed the Radio Star" is a song written by Trevor Horn, Geoff Downes and Bruce Woolley in 1979. It was recorded concurrently by Bruce Woolley and the Camera Club (with Thomas Dolby on keyboards) for their album '' English Garden'' and by British new wave/synth-pop group the Buggles, which consisted of Horn and Downes (and initially Woolley). The Buggles' version of the track was recorded and mixed in 1979, released as their debut single on 7 September 1979 by Island Records, and included on their first album '' The Age of Plastic''. The song relates to concerns about, and mixed attitudes toward 20th-century inventions and machines for the media arts. The song has been positively received, with reviewers praising its unusual musical pop elements. On release, the Buggles single topped sixteen international music charts, including those in the UK, Australia, and Japan. It also peaked in the top 10 in Canada, Germany, New Zealand and South Africa, but only reached numbe ...
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The Buggles
The Buggles are an English New wave music, new wave band formed in London in 1977 by singer and bassist Trevor Horn and keyboardist Geoff Downes. They are best known for their 1979 debut single "Video Killed the Radio Star", which topped the UK singles chart and reached number one in 15 other countries and was chosen as the song to launch MTV in 1981. The duo released their first album, ''The Age of Plastic'', in January 1980. On 7 September 1979, "Video Killed the Radio Star" was released, being the lead single of the album. Soon after the album's release, Horn and Downes joined the progressive rock band Yes (band), Yes, recording and releasing ''Drama (Yes album), Drama'' in the process. Following a tour to promote the album, Yes disbanded in 1981. That same year, on 1 August, the music video for "Video Killed the Radio Star" became the first ever shown on MTV in the United States. The following year, the Buggles released a second album, ''Adventures in Modern Recording''. Its ...
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Disco Demolition Night
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot. At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers. Many had come to see the explosion rather than the games and rushed onto the field after the detonation. The playing field was so damaged by the explosion and by the rioters that the White Sox were required to forfeit the second game to the Tigers. In the late 1970s, dance-oriented disco was the most popular music genre in the United States, particularly after being featured in hit films such as ''Saturday Night Fever'' (1977). However, disco sparked a major backlash from rock music fans—an opposition prominent enough that the White Sox, seeking to fill seats at Comiskey Park during a lackluster season, engaged Chicago shock jock and a ...
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Backlash (sociology)
A backlash is a strong adverse reaction to an idea, action, or object. It is usually a reflection of a normative resentment rather than a denial of its existence. In Western identitarian political discourse, the term is commonly applied to instances of bias and discrimination against marginalized groups. In this form of discourse, backlash can be explained as the response- or counter reaction- to efforts of social change made by a group to gain access to rights or power. Historical Western examples * 13th Amendment — Jim Crow Laws were racial backlash in response to the amendment to the United States constitution. * Civil rights — Voting restrictions implemented. * Women's Movement — Backlash centered on infertility issues, women's "biological clock" and shortage of men. Contemporary Western examples * Me Too Movement — Impacted women in the workforce. Men were more reluctant to hire women deemed attractive, more reluctant to have one-on-one meetings with women, and ...
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Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ...
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Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his career at ''Melody Maker'' in the mid-1980s. He subsequently worked as a freelancer and published a number of books on music and popular culture. Reynolds has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'' and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' with his friends and future ''Melody Maker'' colleagues Paul Oldfield and David Stubbs along with Hilary Little and Chris Scott. In 1986, Reynolds joined the staff of ''Melody Maker'', where his writing was marked by enthu ...
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S-Curve Records
S-Curve Records is an American record label founded in 2000 by former Mercury Records executive Steve Greenberg. It is based in New York City. In 2001 the label established a distribution and licensing agreement with EMI Records. Among the hits released by S-Curve between 2000 and 2004 were " Who Let the Dogs Out?" by Baha Men, " Stacy's Mom" by Fountains of Wayne and Joss Stone's first two albums, '' the Soul Sessions'' and '' Mind Body & Soul''. All of these artists received multiple Grammy nominations, with Baha Men winning the "Best Dance Recording" Grammy in 2001. In 2007 Greenberg relaunched the label after a two-year hiatus, during which he served as President of Columbia Records. In 2010, the label's distribution deal with EMI came to an end and S-Curve entered into a new U.S. distribution deal, with Universal Music Group. From 2012 to 2015, Warner Music Group distributed the label outside of North America. The S-Curve roster and catalog include titles by Andy Gramme ...
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