|
Sebastiano Mazzoni
Sebastiano Mazzoni (c. 1611 - Venice, 22 April 1678) was an Italian painter of the Baroque period. Born in Florence, he trained in that city during 1632-33 in the studio of Baccio del Bianco. He then moved to Venice in 1648, and stayed there till his death. He painted a somewhat unusual ''Annunciation'' with a hovering ghostly angel dominating the scene. In 1638 he joined the Accademia del Disegno in Florence. Andrea Celesti was one of his pupils; and it is said he influenced the style of Sebastiano Ricci Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesqu ... and Ghislandi. Ultimately he has an enigmatic individual style with paintings of unresolved dynamism, depicted from awkward perspectives, in some fashion he resembles his contemporary Francesco Maffei or evokes the distortio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Mazzoni - Annunciation - WGA14727
Sebastiano is both a masculine Italian given name and a surname. Notable people with the name include: * Sebastiano Antonio Tanara (1650–1724), Italian cardinal * Sebastiano Baggio (1913–1993), Italian clergyman * Sebastiano Bianchi (16th century), Italian engraver * Sebastiano Bombelli (1635–1724), Italian painter * Sebastiano Brunetti (died 1649), Italian painter * Sebastiano Carezo (fl. 1780), Spanish dancer (''Sebastián Cerezo'') * Sebastiano Conca (c. 1680 – 1764), Italian painter * Sebastiano Dolci (1699–1777), Croatian writer * Sebastiano Esposito (born 2002), Italian footballer * Sebastiano Filippi (c. 1536 – 1602), Italian late Renaissance-Mannerist painter * Sebastiano Galeotti (1656–1746), Italian painter * Sebastiano Ghezzi (1580–1645), Italian painter and architect * Sebastiano Guala (17th century), Italian church architect * Sebastiano Martinelli (1848–1918), Cardinal of the Roman Catholic Church * Sebastiano Mazzoni (c. 1611 – 1678), Italian p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Maffei
Francesco Maffei (1605 – 2 July 1660) was an Italian painter, active in the Baroque style. Biography He probably trained in his birthplace of Vicenza with his father, and painted mostly in the towns of the Veneto (Venetian mainland). He died in Padua. He is noted for his somewhat provincial stylistic quirks, combining the decorative manner of baroque with visual distortions and nervous brush strokes. His figures often glimmer with imprecise borders; a style which would characterize also the ''pittura de tocco e di macchia'' (painting of touch and dots) of the following decades and century. Representatives of this manner came from diverse regions of Europe, and worked in diverse styles, including Ricci, Carpioni, Magnasco, and later Francesco Guardi. The canvases are often crowded with people and vigorous action (see ''War against the Fallen Angels'' at the Galleria Brera in Milan). He is known for paintings in ''Ca Rezzonico'' in Venice, the ''Palazzo del Podesta'' in V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Venice
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1678 Deaths
Events January–March * January 10 – England and the Dutch Republic sign a mutual defense treaty in order to fight against France. * January 27 – The first fire engine company (in what will become the United States) goes into service. * February 18 – The first part of English nonconformist preacher John Bunyan's Christian allegory, ''The Pilgrim's Progress'', is published in London. * March 21 – Thomas Shadwell's comedy ''A True Widow'' is given its first performance, at The Duke's Theatre in London, staged by the Duke's Company. * March 23 – Rebel Chinese general Wu Sangui takes the imperial crown, names himself monarch of "The Great Zhou", based in the Hunan report, with Hengyang as his capital. He contracts dysentery over the summer and dies on October 2, ending the rebellion against the Kangxi Emperor. * March 25 – The Spanish Netherlands city of Ypres falls after an eight-day siege by the French Army. It is later returned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1610s Births
Year 161 ( CLXI) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Aurelius (or, less frequently, year 914 ''Ab urbe condita''). The denomination 161 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * March 7 – Emperor Antoninus Pius dies, and is succeeded by Marcus Aurelius, who shares imperial power with Lucius Verus, although Marcus retains the title Pontifex Maximus. * Marcus Aurelius, a Spaniard like Trajan and Hadrian, is a stoical disciple of Epictetus, and an energetic man of action. He pursues the policy of his predecessor and maintains good relations with the Senate. As a legislator, he endeavors to create new principles of morality and humanity, particularly favoring women and slaves. * Aurelius red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic individuality, even an idiosyncratic style (although it fits w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Galgario
Fra’ Galgario (4 March 1655 – December 1743), born Giuseppe Vittore Ghislandi, and also called ''Fra’ Vittore del Galgario'', was an Italian painter, mainly active in Bergamo as a portraitist during the Rococo or late- Baroque period. Biography He was born in Bergamo to an artist father, Domenico Ghislandi. Initially he entered the studio of Giacomo Cotta, then Bartolomeo Bianchi, and finally the studio of Sebastiano Bombelli in Venice of the 1690s. He also reported trained with the German portrait artist Salomon Adler in Milan. In 1702, he entered the religious life in the Order of the Minims of the Monastery of Galgario, in Bergamo. He assumed the name of the saint for whom the monastery is named. He was elected a member of the Milanese Accademia Clementina in 1717. He is said to blend the attention to colorism and glamour that captivates Renaissance-Baroque portraiture of Venice, with the realism of Milanese art such as that of Moroni. Among his pupils were Paolo B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a storm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Celesti
Andrea Celesti (1637–1712) was an Italian painter of the Baroque period, working in Venice. His style gravitated over the years from a turgid and academic weightiness to a lighter, looser brushstroke. Biography Celesti was born in Venice and is buried in Toscolano. He first trained with Matteo Ponzoni, then with Sebastiano Mazzoni. During his early years (1659–1669) he worked in Venice, both in sundry labors for Doge's palace, and frescoes for the main salon of the ''Palazzo Erizzo''. In 1676, he was painted doge Nicolò Sagredo’s portrait for the ''Sala dello Scrutinio'' in Ducal Palace. For the same site, in 1680, he painted canvases of ''Moses destroys the golden calf''. In 1681, he was awarded the title of ''Cavalieri'' by Doge Alvise Contarini. In 1684, he helped in the decoration of ''San Zaccaria''. Some sources claim he joined a "collegio" for Venetian painters in 1687; perhaps this reflects that in 1708, he joined the ''Fraglia'' or guild of Venetian painters. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_The_Prodigal_Son_-_732311_-_National_Trust.jpg "Click for more on -> Sebastiano Ricci")
