Schulwerk
The Orff Schulwerk, or simply the Orff Approach, is a developmental approach used in music education. It combines music, movement, drama, and speech into lessons that are similar to a child's world of play. It was developed by the German composer Carl Orff (1895–1982) and colleague Gunild Keetman during the 1920s. Orff worked until the end of his life to continue the development and spread of his teaching method. The Orff Approach is now used throughout the world to teach students in a natural and comfortable environment. The term ''Schulwerk'' is German for (literally) ''school work'' or ''schooling'', in this regard in the area of music. Foundations The Orff Approach of music education uses very rudimentary forms of everyday activity for the purpose of music creation by music students. The Orff Approach is a "child-centered way of learning" music education that treats music as a basic system like language and believes that just as every child can learn language without fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carl Orff
Carl Heinrich Maria Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, who composed the cantata ''Carmina Burana (Orff), Carmina Burana'' (1937). The concepts of his Orff Schulwerk, Schulwerk were influential for children's music education. Life Early life Carl Heinrich Maria Orff was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Kingdom of Bavaria, Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. His grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars. His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, his younger sister Maria ("Mia", 1898–1975), who ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gunild Keetman
The German educator Gunild Keetman (5 June 1904, Elberfeld – 14 December 1990, Breitbrunn) was the primary originator of the approach to teaching music known as Orff Schulwerk. Keetman was responsible for most of the actual teaching that was done in the early stages of the movement, perhaps most prominently as the teacher for the radio and television broadcasts that popularized the Schulwerk throughout Germany in the 1950s. As a young woman, Keetman was unsure of herself and of her calling in life. In her twenties, however, she came under the ideals and music instruction of Dorothee Günther and Carl Orff at the Güntherschule in Munich, Germany. This event helped Keetman to truly find herself, and she flourished in this environment. She began to teach at the Güntherschule after being a pupil for many years; however, the school was destroyed by a bombing in Munich when Keetman was in her early 40s. At that point, she and Carl Orff began the development of the Orff Schulwerk app ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Education
Music education is a field of practice in which educators are trained for careers as primary education, elementary or secondary education, secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and Graduate school, graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and und ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to similar instruments of the lithophone and metallophone types. For example, the Pixiphone and many similar toys described by the makers as xylophones have b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Simply Music
Simply Music is a music education organization licensing teachers at over 700 locations in twelve countries and serving an online self-study student community in 128 countries. Australians, Australian music educator Neil Moore (musician), Neil Moore founded it on the core belief that all humans are naturally musical. Simply Music offers programs for students from birth through old age, with the stated goal that "students acquire and retain music as a lifelong companion." Simply Music patterns its approach after primary language acquisition, where speaking comes first. In this it shares some philosophical ground with other developmental approaches like Kodály Method, Kodály, Orff Schulwerk, and the Suzuki Method.Campbell, Patricia Shehan and Carol Scott-Kassner. ''Music in Childhood: From Preschool through the Elementary Grades''. New York: Schirmer, 1995. 47-57. Print History Neil Moore began constructing the Simply Music method in the late 20th century while teaching piano to a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dave Hewson (composer)
David Graham Hewson (born 25 November 1953 in Wandsworth, London, England) is a British composer of scores for television and films. His work includes a collaboration to develop scores for ITV News. Hewson works from his composing studio in East Sussex. At Trinity College of Music, Hewson was a pupil of Richard Arnell. They worked together on films including ''Dilemma'' (1981), ''Doctor in the Sky'' (1984), ''Toulouse-Lautrec'' (1986), and ''The Light of the World'' (1989). Hewson has written several works with Brian Sibley. Background and education Hewson began composing at the age of 11, influenced by his primary school music education, which had been based entirely on the Schulwerk. This influence stayed with David and shaped a lot of his much later music. During his time in primary school, he also started to receive piano lessons from the renowned classical concert pianist and teacher Christine Gough. In his late teens he studied composition with Professor Richard Arnell ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metallophone
A metallophone is any musical instrument in which the sound-producing body is a piece of metal (other than a metal string), such as tuned metal bars, tubes, rods, bowls, or plates. Most frequently the metal body is struck to produce sound, usually with a mallet, but may also be activated by friction, keyboard action, or other means. Metallophones have been used in music in Asia for thousands of years. There are several different types used in Balinese and Javanese gamelan ensembles, including the gendèr, gangsa and saron. These instruments have a single row of bars, tuned to the distinctive pelog or slendro scales, or a subset of them. The Western glockenspiel and vibraphone are also metallophones: they have two rows of bars, in an imitation of the piano keyboard, and are tuned to the chromatic scale. In music of the 20th century and beyond, the word ''metallophone'' is sometimes applied specifically to a single row of metal bars suspended over a resonator box. Metallo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes, although this is an archaic term. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of moulded plastic. The recorders' internal and ext ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pentatonic
A pentatonic scale is a Scale (music), musical scale with five Musical note, notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. As Leonard Bernstein put it: "The universality of this scale is so well known that I'm sure you could give me examples of it, from all corners of the earth, as from Scotland, or from China, or from Africa, and from American Indian cultures, from East Indian cultures, from Central and South America, Australia, Finland ...now, that is a true musico-linguistic universal." There are two types of pentatonic scales: Those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Margaret Murray (music Educator)
Margaret Murray MBE (1921 – 2015), was a British music educator and musician. Together with Gunild Keetman, she produced a "seminal" English-language version of Carl Orff Carl Heinrich Maria Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, who composed the cantata ''Carmina Burana (Orff), Carmina Burana'' (1937). The concepts of his Orff Schulwerk, Schulwerk were influential for ...'s Orff-Schulwerk in 1957. Publications * ''Wee Willie Winkie, and seven other songs using three and four notes with easy accompaniments'', 1965 * ''Eighteen pieces for descant recorder and Orff-instruments'', 1966 * ''Nine carols'', 1973 References {{DEFAULTSORT:Murray, Margaret 1921 births 2015 deaths British music educators British women music educators Members_of_the_Order_of_the_British_Empire ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Glockenspiel
The glockenspiel ( ; or , : bells and : play) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a Musical keyboard, keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with Percussion mallet, mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in Orchestra, orchestras, Concert band, wind ensembles, Marching band, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. (The xylophone has wooden bars, unlike the glockenspiel which has metal bars.) The Pixiphone, a type of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marimba
The marimba ( ) is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass band, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu languages, Bantu origin, deriving from the prefix meaning 'many' and meaning 'xylophone'. The term is akin to kongo languages, Kikongo and Swahili ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |