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Scheherazade.2
''Scheherazade.2'' is a dramatic symphony for solo violin and orchestra by the American composer John Adams (composer), John Adams. The work was jointly commissioned by the New York Philharmonic, the Concertgebouw, Amsterdam, Concertgebouw & the Royal Concertgebouw Orchestra, and the Sydney Symphony Orchestra. It was written specifically for the violinist Leila Josefowicz, who performed its world premiere with the New York Philharmonic under Alan Gilbert (conductor), Alan Gilbert at David Geffen Hall, Avery Fisher Hall on March 26, 2015. Composition Background Adams was inspired to write the piece after visiting an exhibit on the history of the ''One Thousand and One Nights, Arabian Nights'' at the Arab World Institute in Paris. According to the score program note, the composer was struck by "the casual brutality toward women that lies at the base of many of these tales" and how women are still oppressed and abused in modern society. He wrote, "In the old tale Scheherazade is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Adams (composer)
John Coolidge Adams (born February 15, 1947) is an American composer and conductor whose music is rooted in minimalist music, minimalism. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, which are often centered around recent historical events. Apart from opera, #List of works, his ''oeuvre'' includes orchestral, concerto, concertante, vocal, choral, chamber music, chamber, electroacoustic music, electroacoustic and piano music. Born in Worcester, Massachusetts, Adams grew up in a musical family, being regularly exposed to classical music, jazz, musical theatre and rock music. He attended Harvard University, studying with Leon Kirchner, Kirchner, Roger Sessions, Sessions and David Del Tredici, Del Tredici among others. Though his earliest work was aligned with Modernism (music), modernist music, he began to disagree with its tenets upon reading John Cage's ''Silence: Lectures and Writings''. Teaching at the San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimbalom
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leila Josefowicz
Leila Bronia Josefowicz ( ; born October 20, 1977) is an American-Canadian classical violinist. Biography Josefowicz was born in Mississauga, Ontario, Canada. When she was a young child her family moved to Los Angeles, California, where she started studying violin at the age of three and a half using the Suzuki method. Her father, physicist Jack Josefowicz, and mother, biologist Wendy Josefowicz, learned with her. At age five she started formal lessons with Idel Low. At seven she began studies with the distinguished violin teacher Robert Lipsett at The Colburn School. Leila's parents, valuing a well-rounded education, believed that both she and her brother Steven should stay in the public school system, and Leila attended public middle and high school despite a very full schedule of music activities. When Leila was 13 the Josefowiczes moved to Philadelphia so she could attend the prestigious Curtis Institute of Music, where she studied with Jaime Laredo, Jascha Brodsky, Fel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from '' The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Harp
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. In this type of harp the pedals alter the pitch of the strings, so that the pedal harp can easily play works written in any key. This is particularly important in the harmonically complex music of the Romantic period and later 20th-century classical music. Parts Body and strings A pedal harp typically stands about high, is deep, and wide at the bass end of the soundboard. It weighs about . The body of the harp consists of a straight upright pillar, sometimes adorned with a crown at the top; a soundboard, which in most harps is pear-shaped with additional width at the bottom, although some older instruments have soundboards that are straight-sided but widening toward t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-pis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabassoon
The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is considerably larger than the bassoon's, at in total length (and in width) compared with for most bassoon reeds. The large blades allow ample vibration that produces the low register of the instrument. The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances. In the lower register, its fingerings are nearly identical to bassoon. However, the octave mechanism used to play in the middle register works differently than on bassoon, and the upper register fingerings are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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