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Sassanid Music
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's '' dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian m ...
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Bishapur Zan, AO 26169
Bishapur (Middle Persian: ''Bay-Šāpūr''; , ''Bishâpûr'') was an ancient city in Sasanian Empire, Sasanid Persia (Iran) on the ancient road between Persis and Elam. The road linked the Sassanid capitals Istakhr, Estakhr (very close to Persepolis) and Ctesiphon. It is located south of modern Faliyan in the Kazerun County of Fars province, Iran. Bishapur was built near a river crossing and at the same site there is also a fort with rock-cut reservoirs and a river valley with six Sassanid rock reliefs. History The name ''Bishapur'' derives from ''Bay-Šāpūr'', which means ''Lord Shapur''.[needs verification] According to an inscription, the city itself was founded in 266 AD by Shapur I (241–272), who was the second Sassanid king and inflicted a triple defeat on the Romans, having killed Gordian III, captured Valerian (emperor), Valerian and forced Philip the Arab to surrender. The city was not a completely new settlement: archaeologists have found remains from the Parthia ...
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Hephthalite
The Hephthalites (), sometimes called the White Huns (also known as the White Hunas, in Iranian as the ''Spet Xyon'' and in Sanskrit and Prakrit as the ''Sveta-huna''), were a people who lived in Central Asia during the 5th to 8th centuries CE, part of the larger group of Eastern Iranian Huns. They formed an empire, the Imperial Hephthalites, and were militarily important from 450 CE, when they defeated the Kidarites, to 560 CE, when combined forces from the First Turkic Khaganate and the Sasanian Empire defeated them. After 560 CE, they established "principalities" in the area of Tokharistan, under the suzerainty of the Western Turks (in the areas north of the Oxus) and of the Sasanian Empire (in the areas south of the Oxus), before the Tokhara Yabghus took over in 625. The Imperial Hephthalites, based in Bactria, expanded eastwards to the Tarim Basin, westwards to Sogdia and southwards through Afghanistan, but they never went beyond the Hindu-Kush, which was occupied by ...
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Harp
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Mesopotamia (now Iraq), Persia (now Iran) and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. Historically, strings were made of sinew (animal tendons). Other materials have included gut (animal intestines), plant fiber, braided hemp, cotton cord, silk, nylon, and wire. In pedal harp scor ...
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Pipe (instrument)
A pipe is a tubular wind instrument in general, or various specific wind instruments. The word is an onomatopoeia, and comes from the tone which can resemble that of a bird chirping . With just three holes, a pipe's range is obtained by overblowing to sound at least the second or the third harmonic partials. Folk pipe Fipple flutes are found in many cultures around the world. Often with six holes, the shepherd's pipe is a common pastoral image. Shepherds often piped both to soothe the sheep and to amuse themselves. Modern manufactured six-hole folk pipes are referred to as pennywhistle or tin whistle. The recorder is a form of pipe, often used as a rudimentary instructional musical instrument at schools, but versatile enough that it is also used in orchestral music. Tabor pipe The three-holed pipe is a form of the folk pipe which is usually played with one hand, while the other hand plays a tabor or other drone instrument such as a bell or a psalterium (string-drum). ...
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Flute
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Paleolithic flutes with hand-bored holes are the earliest known identifiable musical instruments. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany, indicating a developed musical tradition from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia also has a long history with the instrument. A playable bone flute discovered in China is dated to about 9,000 years ago. The Americas also had an ancient flute culture, with instrumen ...
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Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Many ...
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Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: * Lur (prehistoric) * Shofar * Alboka *Roman horns: ** Cornu ** Buccina * Dung chen * Dord * Sringa * Nyele * Wazza * Waqra phuku * Alphorn *Cornett * Serpent * Ophicleide * Natural horn ** Bugle ** Post horn *French horn * German horn * Vienna horn * Wagner tuba * Saxhorns, including: ** Alto horn (UK: tenor horn), pitched in E ** Baritone ho ...
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Relief
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ...
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Taq-e Bostan
Taq-e Bostan (, ) is a site with a series of large rock reliefs in Kermanshah, Iran, carved around the 4th century CE during the Sasanian era. This example of Sasanian art is located 5 km from the city center of Kermanshah. It is located in the heart of the Zagros Mountains, where it has endured almost 1,700 years of wind and rain. Originally, several natural springs were visible next to and below the reliefs and arches, some of which are now covered. Springs next to the reliefs still feed a large basin in front of the rock. The site has been turned into an archaeological park and a series of late Sasanian and Islamic column capitals have been brought together (some found at Taq Bostan, others at Mount Behistun and Kermanshah). The carvings, some of the finest and best-preserved examples of Persian sculpture under the Sassanids, include representations of the investitures of Ardashir II (379–383) and Shapur III (383–388). Like other Sassanid symbols, Taq-e Bosta ...
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Sassanid Music
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's '' dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian m ...
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Khosrau II
Khosrow II (spelled Chosroes II in classical sources; and ''Khosrau''), commonly known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian King of Kings (Shahanshah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. Khosrow II began a war against the Byzantines in 602, ostensibly to avenge the murder of his ally Maurice. Persian ...
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