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Santa Caterina Dei Funari
Santa Caterina dei Funari is a church in Rome in Italy, in the rione of Sant'Angelo. The church is mainly known for its façade and its interior with frescoes and paintings. History The church is located where the Castro Aureo of the Circus Flaminius was located, built by Gaius Flaminius in 221 B.C. Prior to the 13th century, the seats of the surrounding semi-ruined amphitheater were used to dry the wares produced by the string- and rope-makers (''funari''), hence, the name of the church. Originally a small church dedicated to Santa Rosa di Viterbo was adjacent. The original church was a three-naved basilica, called "Santa Maria Dominae Rosae in Castro Aureo", named for the first time in 1192 in a document of Pope Celestine III. It was rebuilt in the 9th century with a single nave and dedicated to St Catherine of Alexandria and later also called Santa Caterina dei Funari. In 1534 Pope Paul III granted this church to St. Ignatius of Loyola, founder of the Jesuits. He established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Da Sangallo The Younger
Antonio da Sangallo the Younger (12 April 14843 August 1546), also known as Antonio Cordiani, was an Italian architect active during the Renaissance, mainly in Rome and the Papal States. One of his most popular projects that he worked on designing is St. Peter’s basilica in the Vatican City. He was also an engineer who worked on restoring several buildings. His success was greatly due to his contracts with renowned artists during his time. Sangallo died in Terni, Italy, and was buried in St. Peter’s Basilica. Early life and apprenticeship Sangallo was born Antonio Cordiani in Florence, the son of Bartolomeo Piccioni. His grandfather Francesco Giamberti was a woodworker, and his uncles Giuliano and Antonio da Sangallo were noted architects of the time. Despite his family ties, Cordiani spent his early life in poverty, resulting from the political and religious turmoil of the fifteenth century. At around age twenty, in 1503, young Cordiani followed his uncles to Rome in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acroterion
An acroterion, acroterium, (pl. akroteria) is an architectural ornament placed on a flat pedestal called the ''acroter'' or plinth, and mounted at the apex or corner of the pediment of a building in the classical style. An acroterion placed at the outer angles of the pediment is an ''acroterion angularium'' (' means ‘at the corners’). The acroterion may take a wide variety of forms, such as a statue, tripod, disc, urn, palmette or some other sculpted feature. Acroteria are also found in Gothic architecture. They are sometimes incorporated into furniture designs. Etymology The word comes from the Greek ' ( 'summit, extremity'), from the comparative form of the adjective ἄκρος, ("extreme", "endmost") + -τερος (comparative suffix) + -ιον (substantivizing neuter form of adjectival suffix -ιος). It was Latinized by the Romans as '. ''Acroteria'' is the plural of both the original Greek and the Latin form. According to Webb, during the Hellenistic perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartouche (design)
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian . Such cartouches are characteristically stretched, pierced and scrolling. Another cartouche figures prominently in the 16th-century title page of Giorgio Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects'', framing a minor vignette with a pierced and scrolling papery cartouche. The engraved trade card of the London clockmaker Percy Webster shows a vignette of the shop in a scrolling cartouche frame of Rococo design that is composed entirely of scrolling devices. History Antiquity Cartouches are found on buildings, funerary steles and sarcophagi. The cartouche is generally rectangular, delimited by a molding or one or more incised lines, with two symmetrical trapezoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escutcheon (heraldry)
In heraldry, an escutcheon (, ) is a shield that forms the main or focal element in an Achievement (heraldry), achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge (heraldry), charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a Lozenge (heraldry), lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a Cartouche (design), cartouche, or oval. Other shapes are also in use, such as the roundel (heraldry), roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in Coats of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Window
Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term ''rose window'' was not used before the 17th century and comes from the English flower name rose. The name "wheel window" is often applied to a window divided by simple spokes radiating from a central boss or opening, while the term "rose window" is reserved for those windows, sometimes of a highly complex design, which can be seen to bear similarity to a multi-petalled rose. Rose windows are also called "Catherine windows" after Saint Catherine of Alexandria, who was sentenced to be executed on a spiked breaking wheel. A circular window without tracery such as are found in many Italian churches, is referred to as an ocular window or Oculus (architecture), oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volute
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. Four are normally to be found on an Ionic capital, eight on Composite capitals and smaller versions (sometimes called ''helix'') on the Corinthian capital. The word derives from the Latin ''voluta'' ("scroll"). It has been suggested that the ornament was inspired by the curve of a ram's horns, or perhaps was derived from the natural spiral found in the ovule of a common species of clover native to Greece. Alternatively, it may simply be of geometrical origin. The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman architect Vitruvius through the study of classical buildings and structures. Gallery Ornamentation This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherub
A cherub (; : cherubim; ''kərūḇ'', pl. ''kərūḇīm'') is one type of supernatural being in the Abrahamic religions. The numerous depictions of cherubim assign to them many different roles, such as protecting the entrance of the Garden of Eden. Etymology Delitzch's ''Assyrisches Handwörterbuch'' (1896) connected the name ''keruv'' with Assyrian ''kirubu'' (a name of the ''shedu'' or ''lamassu'') and ''karabu'' ("great, mighty"). Karppe (1897) glossed Babylonian ''karâbu'' as "propitious" rather than "mighty".De Vaux, Roland (tr. John McHugh), ''Ancient Israel: Its Life and Institutions'' (New York, McGraw-Hill, 1961). Dhorme (1926) connected the Hebrew name to Assyrian ''kāribu'' (diminutive ''kurību''), a term used to refer to intercessory beings (and statues of such beings) that plead with the gods on behalf of humanity. The folk etymology connecting ''cherub'' to a Hebrew word for "youthful" is due to Abbahu (3rd century). Abrahamic religious traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornucopia
In classical antiquity, the cornucopia (; ), also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts. In Greek, it was called the " horn of Amalthea" (), after Amalthea, a nurse of Zeus, who is often part of stories of the horn's origin. Baskets or panniers of this form were traditionally used in western Asia and Europe to hold and carry newly harvested food products. The horn-shaped basket would be worn on the back or slung around the torso, leaving the harvester's hands free for picking. In Greek/Roman mythology Mythology offers multiple explanations of the origin of the cornucopia. One of the best-known involves the birth and nurturance of the infant Zeus, who had to be hidden from his devouring father Cronus. In a cave on Mount Ida on the island of Crete, baby Zeus was cared for and protected by a number of divine attendants, including the goat Amalthea ("Nourish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; , also called an epistyle; ) is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan order, it only consists of a plain face, crowned with a fill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aedicula
In religion in ancient Rome, ancient Roman religion, an ''aedicula'' (: ''aediculae'') is a small shrine, and in classical architecture refers to a Niche (architecture), niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. ''Aediculae'' are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes (Roman), aedes'', a temple building or dwelling place. The Latin word has been Anglicisation of names, anglicised as "aedicule" and as "edicule". Describing post-antique architecture, especially Renaissance architecture, aedicular forms may be described using the word tabernacle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
