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Sandy And Johnny
''Sandy and Johnny'' is a split album featuring early recordings by Sandy Denny and Johnny Silvo, recorded for Saga Records in 1967. Despite being credited to both singers, the album consists of solo songs by each. Background For a time in 1967, Denny was a member of the Johnny Silvo Folk Four, and this album arose from that; however, Allmusic's Richie Unterberger has stated that the "simple folk arrangements ... are often old-fashioned and outmoded". Track listing Side one # Sandy Denny: "Milk and Honey" (Jackson C. Frank) # Johnny Silvo: " I Wish I Could Shimmy Like My Sister Kate" # Sandy Denny: " The Last Thing on My Mind" (Tom Paxton) # Johnny Silvo: "Ol' Man Mose" # Sandy Denny: " The 3:10 to Yuma" ( George Duning, Ned Washington) # Johnny Silvo: " Black Girl" Side two # Sandy Denny: " Make Me a Pallet on Your Floor" (Trad. arr. A. Johnson) # Johnny Silvo: " Nobody Knows You When You're Down and Out" # Sandy Denny: " Pretty Polly" (Trad. arr. A. Johnson) # Johnny Silvo: " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandy Denny
Alexandra Elene MacLean Denny (6 January 1947 – 21 April 1978) was an English singer who was lead singer of the British folk rock band Fairport Convention. She has been described as "the pre-eminent British folk rock singer". After briefly working with the Strawbs, Denny joined Fairport Convention in 1968, remaining with them until 1969. She formed the short-lived band Fotheringay in 1970, before focusing on a solo career. Between 1971 and 1977, Denny released four solo albums: ''The North Star Grassman and the Ravens'', ''Sandy'', ''Like an Old Fashioned Waltz'' and '' Rendezvous''. She also duetted with Robert Plant on "The Battle of Evermore" for Led Zeppelin's album ''Led Zeppelin IV'' in 1971. Denny died in 1978 at the age of 31 due to injuries and health issues related to alcohol abuse. Music publications ''Uncut'' and ''Mojo'' have described Denny as Britain's finest female singer-songwriter. Her composition "Who Knows Where the Time Goes?" has been recorded by Judy Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10 To Yuma
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
To Hear My Mother Pray
"If I Could Hear My Mother Pray Again" (1922) is a popular gospel song written by John Whitfield "Whit" Vaughan (1879–1945), as a tribute to his own mother, Clara Beady Burgess-Vaughan. The words are based on a text by James Rowe, an English settler living in Georgia during the early twentieth century. A 1934 recording of the song by Thomas A. Dorsey was selected in 2007 by the United States' National Recording Preservation Board for preservation in the National Recording Registry. The song has been recorded by numerous artists, including Wade Mainer, Florida Boys, Daniel O'Donnell, Charlie Louvin duet with Tammy Wynette in 1991 on the album: "And That's The Gospel", Loretta Lynn, Dave Moody, Mahalia Jackson Mahalia Jackson ( ; born Mahala Jackson; October 26, 1911 – January 27, 1972) was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to t ... Dorothy Love ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Campbell (singer)
Alex Campbell (27 April 1931 – 3 January 1987) was a Scottish folk singer. Described by Colin Harper as a "melancholic, hard-travelling Glaswegian", he was influential in the British folk music revival of the 1950s and 1960s and was one of the first folk singers (in modern times) to tour the UK and Europe. His nickname was "Big Daddy", and was known for his charisma, story-telling and singing. Biography Campbell was born in Glasgow to a family who originated from the Hebrides. Both of his parents and his two sisters died from tuberculosis in the same year; Campbell spent some time in an orphanage before being taken in by his grandmother. During World War II he met American, Polish and Australian servicemen who were based in Glasgow and he developed an interest in the songs they sang. On leaving school, he worked for the Civil Service and had a successful career until an occasion when he lost his temper and had to leave. With the savings from his employment, he enrolled for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take This Hammer
"Take This Hammer" ( Roud 4299, AFS 745B1) is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses. " Swannanoa Tunnel" and "Asheville Junction" are similar. Together, this group of songs are referred to as "hammer songs" or "roll songs" (after a group of wheelbarrow-hauling songs with much the same structure, though not mentioning hammers). Numerous bluegrass bands and singers like Scott McGill and Mississippi John Hurt also recorded commercial versions of this song, nearly all of them containing verses about the legendary railroad worker, John Henry; and even when they do not, writes folklorist Kip Lornell, "one feels his strong and valorous presence in the song". Background For almost a hundred years after the abolition of slavery, convicts, mostly African American, were leased to work as forced labor in the mines, railroad camps, brickyards, turpentine farms, and then on road gangs of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pretty Polly (ballad)
"Pretty Polly", "The Gosport Tragedy" or "The Cruel Ship's Carpenter" () is a traditional English-language folk song found in the British Isles, Canada, and the Appalachian region of North America, among other places. The song is a murder ballad, telling of a young woman lured into the forest where she is killed and buried in a shallow grave. Many variants of the story have the villain as a ship's carpenter who promises to marry Polly but murders her when she becomes pregnant. When he goes back to sea, either he is haunted by her ghost, confesses to the murder, goes mad and dies, or the ship will not sail. He denies the murder and is ripped to pieces by her ghost. "The Gosport Tragedy" evolved into "The Cruel Ship's Carpenter" and "Pretty Polly", losing many of the specifics of the original. "The Gosport Tragedy" There are a number of extant broadside copies of "The Gosport Tragedy", the earliest known version. It is a lengthy ballad composed of rhymed couplets, sixteen verses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobody Knows You When You're Down And Out
"Nobody Knows You When You're Down and Out" is a blues standard written by pianist Jimmie Cox in 1923 and originally performed in a Vaudeville-blues style. The lyrics in the popular 1929 recording by Bessie Smith are told from the point of view of somebody who was once wealthy during the Prohibition era and reflect on the fleeting nature of material wealth and the friendships that come and go with it. Since her 1929 recording, the song has been interpreted by numerous musicians in a variety of styles. Lyrics and composition When the song was composed in 1923, the "Roaring Twenties" were coming into full swing. Cox's publisher Clarence Williams Music filed a copyright registration on December 17, 1923 listing the title as "Nobody knows you when you are down and out" (no contraction). After the post-World War I recession, a new era of prosperity was experienced in the U.S. and elsewhere. However, in the face of all the optimism, the known lyrics form a cautionary tale about the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Make Me A Pallet On Your Floor
"Make Me a Pallet on the Floor" (also "Make Me a Pallet on your Floor", "Make Me a Pallet", or "Pallet on the Floor") is a blues/ jazz/ folk song. It is considered a standard. Jelly Roll Morton explained the title: "A pallet is something that – you get some quilts – in other words, it's a bed that's made on a floor without any four posters on 'em." Structure The melody is 16 bars long. One writer describes the structure as "a proto-blues ..thathas little in common musically with regular blues". When played in the key of C, the typical structure is: History The composition probably originates from the end of the nineteenth century. One jazz historian states that the song "could have been sung around New Orleans in the mid-1890s." A 1906 report in the ''Indianapolis Freeman'' referred to a performance of the song by "The Texas Teaser, Bennie Jones". It appeared in sheet music in 1908 as part of " Blind Boone's Southern Rag Medley No. One: Strains from the Alleys." "The lyrics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Pines
"In the Pines", also known as "Where Did You Sleep Last Night?", "My Girl" and "Black Girl", is a traditional American folk song originating from two songs, "In the Pines" and "The Longest Train", both of whose authorship is unknown and date back to at least the 1870s. The songs originated in the Southern Appalachian area of the United States in the contiguous areas of Eastern Tennessee and Kentucky, Western North Carolina and Northern Georgia.Cohen, Norm (2000), Long Steel Rail: The Railroad in American Folk Song'. ChicagoUniversity of Illinois Press pp. 491–496. . Accessed September 30, 2017.In the Pines , Second Hand Songs '. Accessed September 30, 2017. Versions of the song have been recorded by many artists in numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for "High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with '' Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Duning
George Duning (February 25, 1908 – February 27, 2000) was an American musician and film composer. He was born in Richmond, Indiana, and educated in Cincinnati, Ohio, at the Cincinnati Conservatory of Music, where his mentor was Mario Castelnuovo-Tedesco. Early career In the 1940s, Duning played trumpet and piano for the Kay Kyser band, later arranging most of the music for Kyser's radio program, ''Kay Kyser's Kollege of Musical Knowledge''. It was during the Kyser band's appearance in '' Carolina Blues'' (1944) that Duning's work was noticed, leading to a contract with Columbia Pictures. Duning joined the Navy in 1942 and served as a conductor and arranger with Armed Forces Radio. Film and TV career Morris Stoloff signed Duning to Columbia Pictures in 1946, where he worked almost exclusively through the early 1960s, collaborating most often with director Richard Quine. Prominent Duning scores are two of the best examples of western genre – the original '' 3:10 to Yuma'', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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