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San Giovanni Fuoricivitas
San Giovanni Fuoricivitas (also called San Giovanni Evangelista Fuorcivitas or ''Forcivitas'') is a Romanesque architecture, Romanesque religious church and adjacent buildings in Pistoia, Tuscany, central Italy. The adjective ''fuoricivitas'' (a mix of Italian and Latin language, Latin meaning "outside the city") refers to it location, outside of the first set of city walls, when it was founded during the era of Lombards, Lombard rule in Italy. History No traces remain of the original Lombard architecture, Lombard edifice. The first document mentioning the church dates to 1119, when the church was described by Bishop Ildebrand as "nearly in ruins". In his ''Guide to Pistoia'', the author Tolomei cites references to this church as a priory in either 12th or 13th century. Others mention it was likely a collegiate church before that time. The current building was most likely begun soon afterward, erected in the typical orientation with apse to the west. Construction lasted until 1344. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: a diptych is a two-part work of art; a triptych is a three-part work; a ''tetraptych'' or ''quadriptych'' has four parts. The great majority of historical examples are paintings with religious subjects, but in the 20th century the format became popular again for portraits and other subjects, in painting, photography, and other media. Historically, polyptychs were panel paintings that typically displayed one "central" or "main" panel that was usually the largest; the other panels are called "side" panels, or if hinged, "wings". Folding forms were much more common north of the Alps. Sometimes, as evident in the Ghent Altarpiece and Isenheim Altarpiece, the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apuan Alps
The Apuan Alps () are a mountain range in northern Tuscany, Italy. They are included between the valleys of the Serchio and Magra rivers, and, to the northwest, the Garfagnana and Lunigiana, with a total length of approximately . The name derives from the Apuani Ligures tribe that lived there in ancient times. The mountain range is known for its Carrara marble. Due to its extraction height environmental impact, the No Cav movement strongly opposes this activity. Geology and geography The chain formed out of sea sediments in the middle Triassic period, somewhat earlier than the rest of the Apennines, and on a rather different geological structure. Over time, these sediments hardened into limestone, dolomite, sandstone, and shale. Harsh pressure approximately 25 million years ago transformed the limestone in many places into the Carrara marble (named for the nearby city of Carrara) for which the range is renowned. Erosion carved much of the remaining sedimentary rocks into a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Presbytery (architecture)
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfo Di Cambio
Arnolfo di Cambio ( – 1300/1310) was an Italian architect and sculptor of the Duecento, who began as a lead assistant to Nicola Pisano. He is documented as being ''capomaestro'' or Head of Works for Florence Cathedral in 1300, and designed the sixth city wall around Florence (1284–1333). By the end of his career he evidently had one or more workshops of some size, producing work with considerable stylistic variation, and distinguishing his personal hand can be difficult. Biography Arnolfo's biography is complicated by lingering uncertainties as to whether "Arnolfo di Cambio", born in Colle Val d'Elsa, Tuscany, and later Master of Works for Florence Cathedral, is the same person as "Arnolfus" who signed the Ciborium (architecture), ciboria of San Paolo fuori le Mura and Santa Cecilia in Trastevere in Rome, not to mention "Arnolfus Architectus" who signed the tomb of Pope Boniface VIII. The majority view is that they are the same man, and variations in style are caused by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambon (liturgy)
The ambon or ambo (, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structure has alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; /1225 – ) was an Italian sculpture, sculptor whose work is noted for its classical Ancient Rome, Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the Holy Roman Emperor, emperor Frederick II, Holy Roman Emperor, Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two Griffin, griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably by his hand. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theological Virtues
Theological virtues are virtues associated in Christian theology and philosophy with salvation resulting from the grace of God. Virtues are traits or qualities which dispose one to conduct oneself in a morally good manner. Traditionally the theological virtues have been named faith, hope, and charity (love). They are coupled with the four natural or cardinal virtues, and opposed to the seven deadly sins. The medieval Catholic philosopher Thomas Aquinas explained that these virtues are called theological virtues "first, because their object is God, inasmuch as they direct us aright to God: secondly, because they are infused in us by God alone: thirdly, because these virtues are not made known to us, save by Divine revelation, contained in Holy Writ". Background 1 Corinthians 13 The first mention in Christian literature of the three theological virtues is in St. Paul's first letter to the Thessalonians 1:3, "...calling to mind your work of faith and labor of love and endurance in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caryatid
A caryatid ( ; ; ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or atlantid or telamon is a male version of a caryatid, ''i.e.'', a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that certain female figures represented the punishment of the women of Caryae, a town near Sparta in Laconia, who were cond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pisano
Giovanni Pisano () was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor". History Born in Pisa, Giovanni Pisano was the son of the famous sculptor Nicola Pisano. He received his training in the workshop of his father and in 1265–1268 he worked with his father on the pulpit in Siena Cathedral. His next major work with his father was the fountain ''Fontana Maggiore'' in Perugia (completed 1278). Nicola Pisano is thought to have died either around 1278 or in 1284 when Giovanni took up residence in Siena. These first works were made in Nicola's style and it is difficult to separate the contributions of the two artists. However, the ''Madonna with Child'' can be attributed with certainty to Giovanni, showing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Water Font
A holy water font or stoup is a vessel containing holy water which is generally placed near the entrance of a church. It is often placed at the base of a crucifix or other Christian art. It is used in Catholic, as well as many Lutheran and Anglican churches, to make the sign of the cross using the holy water upon entrance of the church. Holy water is blessed by a priest or a deacon, and its usage by Christians serves as a reminder of their baptismal vows. The holy water font is a derivative of the cantharus, which has been used by Christians since the time of the early Church to perform ablutions before entering the church (while these are no longer normative in Western Christianity, canthari are found at the entrance of certain Oriental Orthodox and Eastern Orthodox churches). Gallery File:Colonna - la Maddalena acquasantiera 1050336.JPG, Holy water font in Santa Maria Maddalena, Rome, Italy File:Stoups pondy cathedral.jpg, A carved stoup at the Immaculate Conception Cathed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
