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Samba Para Dos
''Samba Para Dos'' is an album by Argentine composer, pianist and conductor Lalo Schifrin and American trombonist Bob Brookmeyer recorded in 1963 and released on the Verve label.Payne, DLalo Schifrin discographyaccessed March 6, 2012Encyclopedia of Jazz Musicians: Lalo Schifrin
accessed March 6, 2012


Reception

The review states "Although this may not be considered an essential LP by the average jazz fan, it is well worth acquiring".Dryden, K
Allmusic Review
accessed March 6, 2012


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Lalo Schifrin
Boris Claudio "Lalo" Schifrin (born June 21, 1932) is an Argentine-American pianist, composer, arranger, and conductor. He is best known for his large body of film and TV scores since the 1950s, incorporating jazz and Music of Latin America, Latin American musical elements alongside traditional orchestrations. He is a five-time Grammy Award winner; he has been nominated for six Academy Awards and four Primetime Emmy Awards, Emmy Awards. Schifrin's best known compositions include the themes from ''Mission: Impossible'' and ''Mannix'', as well as the scores to ''Cool Hand Luke'' (1967), ''Bullitt'' (1968), ''THX 1138'' (1971), ''Enter the Dragon'' (1973), The Four Musketeers (1974 film), ''The Four Musketeers'' (1974), ''Voyage of the Damned'' (1976), The Eagle Has Landed (film), ''The Eagle Has Landed'' (1976), The Amityville Horror (1979 film), ''The Amityville Horror'' (1979), and the Rush Hour (franchise), ''Rush Hour'' trilogy (1998–2007). Schifrin is also noted for collabor ...
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Time After Time (1947 Song)
"Time After Time" is a romantic jazz standard with lyrics written by Sammy Cahn and music by Jule Styne in 1946. First recordings The first recording was on November 19, 1946 for Musicraft by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass. The song was written for Frank Sinatra to introduce in the 1947 MGM film ''It Happened in Brooklyn''. The pianist providing the offscreen accompaniment was André Previn to an arrangement of Axel Stordahl. Later in the film, the song was reprised in full by Kathryn Grayson. Margaret Whiting released her version in March 1947 as the B-side to her single Spring Isn’t Everything. The song was later included on her 1966 compilation album, The Wheel Of Hurt. The song was featured in the film, Julie & Julia, which gave it a small resurgence of fame. Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra. After it emerged a ...
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Frank Rehak
Frank Rehak (July 6, 1926, in New York City, New York – June 22, 1987, in Badger, California) was an American jazz trombonist. He began on piano and cello before switching to trombone. He worked with Gil Evans and Miles Davis. He also appeared with Davis on the broadcast "The Sounds of Miles Davis." He had a failed marriage to nightclub dancer Jerri Gray. He also had a heroin addiction, which combined with other financial problems led to his withdrawal from music and lapsing into relative obscurity. In an effort to deal with these issues he spent time at Synanon, which led to his mention in Art Pepper's autobiography. He died in Badger of throat cancer at the age of 60. Discography As leader * Frank Rehak Sextet/Alex Smith Quintet, ''Jazzville Vol. 2'' (Dawn, 1957) As sideman With Tony Bennett * '' My Heart Sings'' (Columbia, 1961) * '' Tony Bennett at Carnegie Hall'' (Columbia, 1962) With Al Cohn * ''Mr. Music'' (RCA Victor, 1955) * '' The Natural Seven'' (RCA Victor, 1955) ...
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Valve Trombone
The valve trombone is a brass instrument in the trombone family that has a set of valves to vary the pitch instead of (or in addition to) a slide. Although it has been built in sizes from alto to contrabass, it is the tenor valve trombone pitched in B♭ an octave lower than the trumpet which has seen the most widespread use. The most common models have three piston valves. They are found in jazz and popular music, as well as marching bands in Europe, where they are often built with rotary valves and were widely used in orchestras in the 19th century. History The valve trombone emerged concurrently with the invention of valves in the early 19th century. Most early instruments retained the shape and form of the slide trombone, employing three valves with the tubing arranged in place of the slide; others used the new valve mechanism as an opportunity to explore different configurations while retaining the overall cylindrical bore and bell profile. It enjoyed its greatest popu ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of classical music. Eighteenth century J. S. Bach frequently made arrangements of his own and other composers' p ...
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Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love", and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is widely considered an importa ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swanee (song), Swanee" (1919) and "Fascinating Rhythm" (1924), the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930) and the opera ''Porgy and Bess'' (1935), which included the hit "Summertime (George Gershwin song), Summertime". His ''Of Thee I Sing'' (1931) was the first musical theater, musical to win the Pulitzer Prize for Drama. Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia ...
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But Not For Me (song)
"But Not for Me" is a popular song originally written by George Gershwin and Ira Gershwin for the musical ''Girl Crazy'' (1930). Ella Fitzgerald's 1959 version of "But Not for Me," which appeared on ''Ella Fitzgerald Sings the George and Ira Gershwin Songbook,'' won the 1960 Grammy Award for Best Female Vocal Performance. Singer Ketty Lester remade "But Not for Me" with a gospel arrangement. The song reached No. 10 on the US Adult Contemporary chart, No. 41 on the ''Billboard'' Top 40, and No. 45 in the UK in 1962. Other recordings * Harry James with Helen Forrest – recorded for Columbia on December 30, 1941 and reached No. 12 in the ''Billboard'' charts in 1942. * Bing Crosby – recorded both in 1942 and 1954 for his radio show. It was included in the box set ''The Bing Crosby CBS Radio Recordings (1954–56)'' issued by Mosaic in 2009. * Diahann Carroll - ''The Magic of Diahann Carroll'' (with the André Previn Trio) (1960) * Judy Garland – for the 1943 film ''Gir ...
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway theatre, Broadway musicals and over 900 songs to his credit, Rodgers was one of the best-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebr ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon"; " The Lady Is a Tramp"; "Manhattan"; " Bewitched, Bothered and Bewildered"; and " My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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My Funny Valentine
"My Funny Valentine" is a show tune from the 1937 Rodgers and Hart coming of age musical ''Babes in Arms'' in which it was introduced by teenaged star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of them was Chet Baker, for whom it became his signature song. In 2015 the Gerry Mulligan quartet's 1953 version of the song (featuring Chet Baker) was inducted into the Library of Congress's National Recording Registry for its "cultural, artistic and/or historical significance to American society and the nation’s audio legacy". Mulligan also recorded the song with his Concert Jazz Band in 1960. History ''Babes in Arms'' opened at the Shubert Theatre on Broadway, in New York City on April 14, 1937 and ran for 289 performances. In the original play, a character named Billie Smith (played by Mitzi Green) sings the song to Valentine "Val" LaMar (played by Ray Heatherton). The character's name was changed to mat ...
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