Sakata Tōjūrō
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Sakata Tōjūrō
refers to a family of kabuki actors in Kyoto and OsakaNussbaum, Louis-Frédéric. (2005). "''Sakata Tōjūrō''" in ; n.b., Louis-Frédéric is pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. and it is the stage name of a series of Kabuki actors over the course of the history of the form. The first Sakata Tōjūrō (1646–1709) was the most popular kabuki actor in Kyoto-Osaka during the Genroku era.Brandon, James R. (2000). "Sakata Tojuro (1647 - 1709)," in He played ''tachiyaku'' roles. He pioneered the '' wagoto'' form of the Kamigata (Kansai) theatre as his counterpart in Edo, Ichikawa Danjūrō I, did the same for the ''aragoto'' form. Sakata Tōjūrō was actor-manager (''zagashira'') of the Mandayū Theatre in Kyoto; and during this period, the house playwright Chikamatsu Monzaemon. Chikamatsu praised the actor's craft, including careful attention to the dramatic requirements of the script and encouraging other actors to study ...
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Sanseidō
is a Japanese publishing company known for publishing dictionaries and textbooks. The headquarters is situated in the area between Suidōbashi Station and Kanda River, at a location previously used as a warehouse for the company's own printing plant. History The company was founded in 1881 by , a member of the old ''Hatamoto'' family, as the secondhand bookshop . It entered the publishing business in 1884. From the outset, the company focused its business on academic fields, publishing dictionaries, encyclopedias, textbooks, and for a period, maps, as well as selling educational materials. While its rival in the field of dictionary publishing at the time, , focused on large, specialist-oriented dictionaries, Sanseidō concentrated on smaller but more practical dictionaries. For this purpose, the company opened its own printing plant in 1889. On October 18, 1912, two months after the publication of ''Nihon Hyakka Daijitens sixth edition, the company went bankrupt. This came a ...
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Aragoto
, or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with the ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with or "female-like style". Notable Aragotoshi * The Bandō Mitsugorō line ** Bandō Mitsugorō VIII ** Bandō Mitsugorō X Bandō Mitsugorō X () (January 23, 1956 – February 2, 2015) was a Japanese television presente ...
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Nakamura Ganjirō
is the stage name of a line of kabuki actors in Japan. Lineage * Nakamura Ganjirō I (March 1878 – February 1935): Son of Nakamura Kanjaku III *Nakamura Ganjirō II (January 1947 – April 1983): Son of Ganjirō I. He was active during the golden age of Japanese cinema. * Nakamura Ganjirō III (November 1990 – November 2005): Son of Ganjirō II. He finally took the name of Sakata Tōjūrō IV was a Japanese kabuki actor in the Kamigata style and was officially designated a Living National Treasure (Japan), Living National Treasure. Unlike most kabuki actors, he performed both male and female roles, and was renowned as both a skilled .... * Nakamura Ganjirō IV (January 2015 –): Son of Ganjirō III. References {{DEFAULTSORT:Nakamura, Ganjiro Kabuki actors ...
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Sakata Tōjūrō II
Sakata may refer to: People * Akira Sakata (born 1945), Japanese saxophonist * Daisuke Sakata (born 1983), former American professional football player * Jeanne Sakata, American actress and playwright * Lenn Sakata (Lenn Haruki Sakata) (born 1954), former American professional baseball player * Harold Sakata (Toshiyuki "Harold" Sakata) (1920–1982), American Olympic medalist, professional wrestler, and actor * Sakata Eio (1920–2010), Japanese professional Go player * Sakata Minoru (1902–1974), Japanese photographer * Sakata no Kintoki, the Japanese folk hero Kintarō * Sakata Tōjūrō, stage name taken on by a number of Kabuki actors * Shoichi Sakata (Sakata Shōichi) (1911–1970), Japanese physicist * Takefumi Sakata (born 1980), Japanese flyweight boxer Places * Sakata, Yamagata, a city in Yamagata Prefecture, Japan * Sakata District, Shiga, a district located in Shiga, Japan * Sakata people, a tribe in the Black Water Province of the Democratic Republic of ...
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Genroku
was a after Jōkyō and before Hōei. The Genroku period spanned the years from September 1688 to March 1704. The reigning emperor was .Titsingh, Isaac. (1834). ''Annales des empereurs du japon'', p. 415. The period was known for its peace and prosperity, as the previous hundred years of peace and seclusion in Japan had created relative economic stability. The arts and architecture flourished. There were unanticipated consequences when the shogunate debased the quality of coins as a strategy for financing the appearance of continuing Genroku affluence. This strategic miscalculation caused abrupt inflation. Then, in an effort to solve the ensuing crisis, the introduced what were called the Kyōhō Reforms. Change of era The was 1688. The new era name was created to mark the beginning of the reign of Emperor Higashiyama of Japan, Higashiyama. The previous era ended and the new one commenced in Jōkyō 5, on the 30th day of the 9th month. A sense of optimism is suggested in the ...
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Sakata Tōjūrō IV
was a Japanese kabuki actor in the Kamigata style and was officially designated a Living National Treasure (Japan), Living National Treasure. Unlike most kabuki actors, he performed both male and female roles, and was renowned as both a skilled (actor of male roles in the tradition) and (actor of female roles). He was the fourth in the line of Sakata Tōjūrō, having revived the name after a lapse of over 230 years. Lineage Though he bears no direct hereditary connection to the previous lineage of Sakata Tōjūrō which he has revived, Tōjūrō traced his line back several generations within the kabuki world. He is the eldest son of Nakamura Ganjirō II, the grandson of Nakamura Ganjirō I, and the great-grandson of Nakamura Kanjaku III, who was adopted into the kabuki families by Nakamura Utaemon IV. Tōjūrō's sons Nakamura Ganjirō IV and Nakamura Senjaku III perform as kabuki actors, as do his grandsons Nakamura Kazutarō and Nakamura Toranosuke. Early life and career ...
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Sakata Tōjūrō III
Sakata may refer to: People * Akira Sakata (born 1945), Japanese saxophonist * Daisuke Sakata (born 1983), former American professional football player * Jeanne Sakata, American actress and playwright * Lenn Sakata (Lenn Haruki Sakata) (born 1954), former American professional baseball player * Harold Sakata (Toshiyuki "Harold" Sakata) (1920–1982), American Olympic medalist, professional wrestler, and actor * Sakata Eio (1920–2010), Japanese professional Go player * Sakata Minoru (1902–1974), Japanese photographer * Sakata no Kintoki, the Japanese folk hero Kintarō * Sakata Tōjūrō, stage name taken on by a number of Kabuki actors * Shoichi Sakata (Sakata Shōichi) (1911–1970), Japanese physicist * Takefumi Sakata (born 1980), Japanese flyweight boxer Places * Sakata, Yamagata, a city in Yamagata Prefecture, Japan * Sakata District, Shiga, a district located in Shiga, Japan * Sakata people, a tribe in the Black Water Province of the Democratic Republic of ...
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Chikamatsu Monzaemon
, real name , was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki. The ''Encyclopædia Britannica'' has written that he is "widely regarded as the greatest Japanese dramatist". His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are ''jidaimono'' (時代物) (historical romances) and 24 are ''sewamono'' (世話物) (domestic tragedies). The domestic plays are today considered the core of his artistic achievement, particularly works such as '' The Courier for Hell'' (1711) and '' The Love Suicides at Amijima'' (1721). His histories are viewed less positively, though '' The Battles of Coxinga'' (1715) remains praised. Biography Chikamatsu was born Sugimori Nobumori. to a samurai family. There is disagreement about his birthplace. The most popular theory. suggests he was born in Echizen Province, but there are other plausible locations, including H ...
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Ichikawa Danjūrō I
was an early kabuki actor in Japan. He remains today one of the most famous of all kabuki actors and is considered one of the most influential. His many influences include the pioneering of the ''aragoto'' style of acting which came to be largely associated with Edo kabuki and with Danjūrō and his successors in the Ichikawa Danjūrō line. Like many actors, Danjūrō also dabbled in playwriting, which he did under the '' haimyō'' (poetry name) Mimasuya Hyōgo. "Mimasu" (三升) is the name for the '' mon'' of the Ichikawa family; many actors in the Danjūrō line have since used "Mimasu" or "Sansho", an alternate reading of the same characters, as their ''haimyō''. Lineage As the originator of the most celebrated and prestigious stage name in kabuki, there have been a great many descendants of Danjūrō I in the kabuki world, some of them quite famous and accomplished themselves. Danjūrō's father, Horikoshi Juzō, was not involved in the theatre, but was an '' otokodat ...
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Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ...
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Kansai
The or the lies in the southern-central region of Japan's main island Honshū. The region includes the prefectures of Nara, Wakayama, Kyoto, Osaka, Hyōgo and Shiga, often also Mie, sometimes Fukui, Tokushima and Tottori. The metropolitan region of Osaka, Kobe and Kyoto (Keihanshin region) is the second-most populated in Japan after the Greater Tokyo Area. Name The terms , , and have their roots during the Asuka period. When the old provinces of Japan were established, several provinces in the area around the then-capital Yamato Province were collectively named Kinai and Kinki, both roughly meaning "the neighbourhood of the capital". Kansai (literally ''west of the tollgate'') in its original usage refers to the land west of the Osaka Tollgate (), the border between Yamashiro Province and Ōmi Province (present-day Kyoto and Shiga prefectures).Entry for . Kōjien, fifth edition, 1998, During the Kamakura period, this border was redefined to include Ōmi and I ...
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Kamigata
Kamigata (上方) was the colloquial term for a region today called Kansai region, Kansai (''kan'', barrier; ''sai'', west) in Japan. This large area encompasses the cities of Kyoto, Osaka, and Kobe. The term was also sometimes used to refer only to Kyoto city. The term is used particularly when discussing elements of Edo period urban culture such as ukiyo-e and kabuki, and when making a comparison to the urban culture of the Edo/Tokyo region. The term was no longer used as name for the Kansai provinces when Emperor Meiji moved to Edo in 1868. An account described Kamigata suji as one of the two regions that emerged from the division of Japan for the purpose of taxation with the other being Kwanto-suji. Kabuki, ukiyo-e, and many of the other related fields of popular and urban culture of the Edo period in fact originated in Kamigata before being transmitted to Edo. The vast majority of scholarship on the urban culture of the Edo period (1603–1867), even today, focuses on cultur ...
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