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Saint Sebastian Thrown Into The Cloaca Maxima
''Saint Sebastian Thrown into the Cloaca Maxima'' is a 1612 oil on canvas painting by Ludovico Carracci, now in the Getty Museum in Los Angeles, which acquired it in 1971. A preparatory drawing survives in the Louvre. It was commissioned by Maffeo Barberini, the future Pope Urban VIII, then papal legate in Bologna for a hypogeum under his chapel in the new church of Sant’Andrea della Valle, as evidenced in a contemporary letter. That chapel would be dedicated to Saint Sebastian and was built on the site of a small 12th century chapel, popularly known as San Bastianello and erected on the site where the martyr's body had been recovered from the Cloaca Maxima, Rome's main drain. However, the plan for an underground chapel did not come to fruition and the legate did not feel the work was suitable for public display in the main chapel., replacing it with the more edifying ''Saint Sebastian's Body Recovered from the Cloaca Maxima'' by Passignano Carracci's painting instead became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lodovico Carracci (Italian - St
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early- Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Sebastian Ludovico Carracci
In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Catholic, Eastern Orthodox, Anglican, Oriental Orthodox, and Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness that many religions attribute to certain people", referring to the Jewish tzadik, the Islamic walī, the Hindu rishi or Sikh gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Saint Sebastian
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Ludovico Carracci
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Merisi
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palinurus
Palinurus (''Palinūrus''), in Roman mythology and especially Virgil's ''Aeneid'', is the coxswain of Aeneas' ship. Later authors used him as a general type of navigator or guide. Palinurus is an example of human sacrifice; his life is the price for the Trojans landing in Italy. Palinurus in the ''Aeneid'' In Book 3, which tells of the Trojans' wanderings after The Fall of Troy, he is singled out as an experienced navigator. In Book 5, when the Trojans have left Carthage, he advises Aeneas to forestall sailing to Italy and to wait out a terrible storm on Sicily, where they hold the funeral games honoring Aeneas's father, Anchises. After they leave Sicily for Italy, Palinurus, at the helm of Aeneas's ship and leading the fleet, is singled out by Virgil in second person when it becomes clear that he is the one whom the gods will sacrifice to guarantee safe passage to Italy for the Trojans: ''unum pro multis dabitur caput'', "one single life shall be offered to save many." Drugge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Barberini
The Palazzo Barberini ( en, Barberini Palace) is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome. History The sloping site had formerly been occupied by a garden-vineyard of the Sforza family, in which a ''palazzetto'' had been built in 1549. The sloping site passed from one cardinal to another during the sixteenth century, with no project fully getting off the ground. When Cardinal Alessandro Sforza met financial hardships, the still semi-urban site was purchased in 1625 by Maffeo Barberini, of the Barberini family, who became Pope Urban VIII. Three great architects worked to create the Palazzo, each contributing his own style and character to the building. Carlo Maderno, then at work extending the nave of St Peter's, was commissioned to enclose the Villa Sforza within a vast Renaissance block along the lines of Palazzo Farnese; howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Cesare Malvasia
Carlo Cesare Malvasia (1616–1693) was an Italian scholar and art historian from Bologna, best known for his biographies of Baroque artists titled ''Felsina pittrice'', published in 1678. Life and career Malvasia is the Bolognese equivalent of Giorgio Vasari, and saw his native city surpassing Florence in the artistic supremacy of his time. Born to an aristocratic family, he is also known as Count Carlo Malvasia. He received cursory training in painting under Giacinto Campana and Giacomo Cavedone. He also was an amateur poet and participated in local literary circles. He traveled to Rome in 1639 where he met Cardinal Bernardino Spada and the sculptor Alessandro Algardi. Records indicate he spent some time as a volunteer cavalier during the First War of Castro at the urging of his cousin Cornelio Malvasia; leader of the Papal Army cavalry. Thereafter he graduated as a lawyer, and lectured on the subject at the university in Bologna. He obtained a theology degree in 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Cresti
Domenico Passignano (1559 – 17 May 1638), born Domenico Cresti or Crespi, was an Italian painter of a late- Renaissance or Counter-''Maniera'' (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century. Biography Cresti was born in Passignano, currently a '' frazione'' of Barberino Tavarnelle about 30 km south of Florence, and was educated by the local Vallombrosan monks. He started his works in the stylized Tuscan manner, working with Giovanni Battista Naldini and Girolamo Macchietti. After travelling from Rome to Venice (1581–1589), he came under the influence of Tintoretto's style. He had traveled to Venice as an assistant to Federico Zuccari, who had employed him previously in the completion of Giorgio Vasari's ''The Last Judgment'' on the ceiling of the dome of Florence Cathedral. He was known to paint with great speed; however, as he used less paint in order to work quickly, most of his works have been severely damaged by ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Carracci
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early- Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloaca Maxima
The Cloaca Maxima ( lat, Cloāca Maxima, lit. ''Greatest Sewer'') was one of the world's earliest sewage systems. Its name derives from Cloacina, a Roman goddess. Built during either the Roman Kingdom or early Roman Republic, it was constructed in Ancient Rome in order to drain local marshes and remove waste from the city. It carried effluent to the River Tiber, which ran beside the city. The sewer started at the Forum Augustum and ended at the Ponte Rotto and Ponte Palatino. It began as an open air canal, but it developed into a much larger sewer over the course of time. Agrippa renovated and reconstructed much of the sewer. This would not be the only development in the sewers. By the first century CE all eleven Roman aqueducts were connected to the sewer. After the Roman Empire fell the sewer still was used. By the 1800s it became a tourist attraction. Some parts of the sewer are still used today. Whilst still being used it was highly valued as a sacred symbol of Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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