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Saint Mark (Tzanes)
''Saint Mark'' is a tempera-on-wood painting created c. 1657 by Emmanuel Tzanes. Tzanes was a Cretan painter who migrated to Corfu and Venice. He settled in Venice with his brothers Konstantinos Tzanes and poet Marinos Tzanes. Konstantinos was a famous painter. Their combined existing works number over 150. Emmanuel replaced Greek painter Philotheos Skoufos as the priest of San Giorgio dei Greci. Saint Mark is the patron saint of Venice. His remains were moved to Venice from Egypt. Countless Italian painters painted the subject matter. He was considered one of the first historiographers of the new Christian religion. He was associated with the Apostle Peter. His gospel consists of collections of miracle stories, controversy stories, parables, and a passion narrative. He founded the first church of Alexandria Egypt. Saint Mark is often depicted with a Lion. The winged Lion of Saint Mark is a symbol of Venice. The symbol also represents the Greek Orthodox Church of Alexa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Tzanes
Emmanuel Tzanes (; 1610 – 28 March 1690), also known as Bounialis (), Emmanuel Tzane-Bounialis, Emmanuel Zane, or Emmanuel Tzane, was a Greek Renaissance iconographer, author, clergyman, and educator. He spent the latter half of his life in Venice, where he was parish priest of the church of San Giorgio dei Greci and a member of the Flanginian School run by the city's Greek Confraternity. Tzanes painted icons in the style of the Cretan school, influenced by contemporary trends in Venetian painting. His known extant works, over 130 in number, can be found in public foundations, private collections, churches and monasteries in Greece. The most popular of these is ''The Holy Towel'', finished in 1659. Tzanes was a collaborator with Philotheos Skoufos, and brothers with the painter Konstantinos Tzanes and the poet Marinos Tzanes. History Born in Rethymno, Crete, Tzanes became a priest sometime before 1637. After the Ottomans conquered Rethymno in 1646, he fled Crete and spen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark (), commonly known as St Mark's Basilica (; ), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the fall of the republic in 1797, it was the chapel of the Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark for administrative and financial affairs. The present structure is the third church, begun probably in 1063 to express Venice's growing civic consciousness and pride. Like the two earlier churches, its model was the sixth-century Church of the Holy Apostles in Constanti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Emmanuel Tzanes
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Renaissance Paintings
Crete ( ; , Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete is located about south of the Peloponnese, and about southwest of Anatolia. Crete has an area of and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete (or North Cretan Sea) to the north and the Libyan Sea (or South Cretan Sea) to the south. Crete covers 260 km from west to east but is narrow from north to south, spanning three longitudes but only half a latitude. Crete and a number of islands and islets that surround it constitute the Region of Crete (), which is the southernmost of the 13 top-level administrative units of Greece, and the fifth most populous of Greece's regions. Its capital and largest city is Heraklion, on the north shore of the island. , the region had a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Greece
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Paintings
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Mark The Evangelist
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Incredulity Of Saint Thomas (Tzanes)
''The Incredulity of Saint Thomas'' is a tempera painting created by Greek painter Emmanuel Tzanes. Tzanes features a catalog of artwork numbering over one hundred works. He was one of the most prolific artists of the 1600s painting in Crete, Corfu, and Venice. His two brothers Marinos Tzanes and Konstantinos Tzanes were also famous painters but Marinos is more well known for his famous poem ''The Cretan War (O Kritikos Polemos) ''. All three artists were members of the Late Cretan School and early Heptanese School (painting) they were known for participating in the movement that integrated Flemish engravings into the Greek and Italian art world. According to the account of the Gospel of John; the Apostle Thomas doubted to believe the resurrection of Jesus Christ without direct personal experience. He did not believe the resurrected Jesus appeared to the ten other apostles until he could see and feel Jesus' crucifixion wounds. In the story the Apostle Thomas is known as Doubtin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cangiante
Cangiante () is a painting technique where, when using relatively pure colors, one changes to a different, darker color to show shading, instead of dulling the original color by darkening it with black or a darker related hue. According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, this is one of the canonical painting modes of the Renaissance; i.e. one of the four modes of painting colours available to Italian High Renaissance painters, along with sfumato, chiaroscuro and unione. The word itself is the present participle of the Italian verb ''cangiare'' ("to change"). This approach to the use of color is sometimes referred to as "cangiantismo". ''Cangiante'' is characterized by a change in color when a painted object changes from light to dark (value) due to variations in illumination (light and shadow). For example, when in a painting an object appears yellow in its illuminated area, the artist may use a red color for attached sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedding At Cana (Damaskinos)
''Wedding at Cana'' also known as ''Wedding Feast at Cana'' and ''Le Nozze di Cana'' is an oil painting by Michael Damaskinos. He was active during the second half of the 16th century in Heraklion, Sicily, Venice, and different parts of Italy. Over 100 works are attributed to the artist. Most of his work resembled the Greek mannerisms prevalent at the time also known as maniera greca. He was clearly influenced by Venetian painting. His version of the ''Wedding at Cana'' was a copy of Tintoretto's massive painting of the Wedding Feast at Cana. The monumental canvas was 4.4 m x 5.9 m or 14.4 ft x 19.3 ft. The painting was originally in the dining hall (refectory) of the convent of the Crociferi in Venice. Refectories typically featured large paintings of biblical banquet scenes. The monks preferred biblical banquet scenes because they desired the impression of dining with Christ. Damaskinos probably saw the painting at the convent or a copy of the masterpiece in Venice. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Supper (Damaskinos)
The Last Supper is a tempera painting by Greek painter Michael Damaskinos. He painted in Heraklion, Sicily, Venice, and other parts of Italy. His painting of the Last Supper is considered the Greek Last Supper and is comparative to Leonardo da Vinci's masterpiece painted one hundred years prior. The two painters employed different painting styles but the subjects pose similarities. Damaskinos's painting features a feminine figure similar to that of Leonardo da Vinci's The Last Supper. The Damaskinos Last Supper is now in the Monastery of Agia Aikaterini in Heraklion, Crete. It is part of the collection of Saint Catherine's Monastery near Mount Sinai, Egypt.* Description The work is egg tempera on wood with dimensions of 109 cm x 84 cm x 2.8 cm (42.9 in x 33.1 in x 1.1 in). It was created towards the end of the 16th century. Jesus is at the center of the painting. Above Jesus are four angels holding a cross. A Greek inscription reading the Last Supper (Ο ΔΕΙΠΝΟ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Damaskinos
Michael Damaskenos or Michail Damaskenos (also Damaskinos) (, 1530/35–1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis. Life and work Damaskinos was born in Candia ( Herakleion), his father was George Damaskinos. According to legend, Damaskinos spent some time living and working in Vrontisi Monastery, where six of his icons were kept until 1800. Damaskinos moved to Venice in the 1560s, while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
