Sad And Lonely And Blue
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Sad And Lonely And Blue
"Sad and Lonely and Blue" is a song written by Stevie Wright and George Young, recorded by their band the Easybeats in 1965. The song was written in response to the group being labelled as " pop musicians" from their previous singles "She's So Fine" and Wedding Ring" along with their debut album ''Easy''. The song is based around a 12-string guitar riff played by guitarist Harry Vanda and sees influences in both British rhythm and blues and jangle pop. Released as a single on 4 November 1965, it was a chart failure compared to their previous releases, only reaching number 21 on the Kent Music Report. Background and composition By mid-1965, the Easybeats had established themselves as the most popular band in Australia, owing to their two top-ten singles "She's So Fine" and "Wedding Ring", both upbeat pop songs regarding love. Their popularity in Australia was comparable to Beatlemania, and the press dubbed this phenomenon as "Easyfever" in response. In September of that year, ...
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The Easybeats
The Easybeats were an Australian Rock music, rock band which formed in Sydney in late 1964. They are best known for their 1966 hit single "Friday on My Mind", which is regarded as the first Australian rock song to achieve international success; ''Rolling Stone'' described it as "the first international victory for Oz rock". One of the most popular and successful bands in the country, they were one of the few Australian bands of their time to foreground their original material; their first album ''Easy (Easybeats album), Easy'' (1965) was one of the earliest Australian rock albums featuring all original songs. The five founding members, all migrants from Europe, met at the Villawood Immigration Detention Centre, Villawood Migrant Hostel in Sydney in 1964. They rose to national prominence in 1965 with the song "She's So Fine", which reached number three in Australia. Their concerts and public appearances were marked by an intense fanaticism frequently compared to Beatlemania; thi ...
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Jangle Pop
Jangle pop is a Music subgenre, subgenre of pop rock and college rock that emphasizes jangle, jangly guitars and 1960s-style pop music, pop melodies. The "jangly" guitar sound is characterized by its clean, shimmering and Arpeggio, arpeggiated tone, often created using 12-string electric guitar, 12-string electric guitars. The term is usually applied to late 1970s/early 1980s bands emerging from the post-punk scene, often influenced by 1960s groups such as the Byrds. Notable acts include Big Star, R.E.M. and the Smiths. Etymology and characteristics In the late 1970s and 1980s, prominent early jangle pop groups included Big Star, R.E.M., the dB's, 10,000 Maniacs, and the Smiths. In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground ...
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Folk Rock
Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's " Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums '' Bringing It All Back Home'' (1965), '' Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk ...
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Counter-melody
In music, a counter-melody (often countermelody) is a sequence of notes, perceived as a melody, written to be played simultaneously with a more prominent lead melody. In other words, it is a secondary melody played in counterpoint with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a texture consisting of a melody plus accompaniment. In marches, the counter-melody is often given to the trombones or horns. American composer David Wallis Reeves is credited with this innovation in 1876. The more formal term countersubject applies to a secondary or subordinate melodic idea in a fugue. A countermelody differs from a harmony part sung by a backup singer in that whereas the harmony part typically lacks its own independent musical line, a countermelody is a distinct melodic line. Including a counter melody makes the music become polyphonic, a type of texture where there are two or more melodies. This can also be called counterp ...
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Dick Diamonde
Dingeman Adriaan Henry van der Sluijs (; 28 December 1947 – 18 September 2024), better known by his stage name Dick Diamonde, was an Australian bass guitarist. He was a founding mainstay member of the Easybeats. Diamonde, with the group, was inducted into the ARIA Hall of Fame in 2005. Early years Dingeman Adriaan Henry van der Sluijs was born in 1947 in Hilversum, Netherlands. His father is Harry van der Sluijs (also seen as Vandersluys) and he has a younger sister. Diamonde emigrated with his family from the Netherlands to Australia when he was four years old. Diamonde was raised in a Jehovah's Witness family, living in the suburb of Villawood near the migrant hostel of that name. The Easybeats Widely regarded as Australia's greatest pop group of the mid-1960s, The Easybeats had their beginnings in Sydney's Villawood Migrant Hostel. All of the five founding members were migrants to Australia from Europe. In mid-1964 the group was formed by van der Sluys (renamed as Dick D ...
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Guitar Stroke
In music, strumming is a way of playing a stringed instrument such as a guitar, ukulele, or mandolin. A strum or stroke is a sweeping action where a finger or plectrum brushes over several strings to generate sound. On most stringed instruments, strums are typically executed by a musician's designated strum hand (typically the musician's dominant hand, which is often responsible for generating the majority of sound on a stringed instrument), while the remaining hand (referred to as the fret hand on most instruments with a fingerboard) often supports the strum hand by altering the tones and pitches of any given strum. Strums are often contrasted with plucking, as a means of vibrating an instrument's strings. In plucking, a specific string or designated set of strings are individually targeted to vibrate, whereas in strumming, a less precise targeting is usually used. Compared to other plucking techniques, any group of strings brushed in a single sweep by a plectrum could be c ...
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B Major
B major is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major. The B major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic major and melodic major scales are: Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ...
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For My Woman
"For My Woman" is a song by Australian Rock music, rock band the Easybeats, written by singer Stevie Wright and guitarist George Young (rock musician), George Young. The Easybeats had formed in Sydney in 1964, with a sound inspired by Pretty Things, the Pretty Things and the Rolling Stones. After signing with their manager Mike Vaughan, he introduced the band to producer and businessman Ted Albert, who liked them enough to sign with his company Albert Productions in December 1964. The song was recorded in January 1965 at the KIIS 106.5, 2UW Theatre in Sydney as a demo together with three other songs. Musically, "For My Woman" is centered in rhythm and blues and is structurally a relatively simple song, heavily revolving around two repeating chords. Vocally, Wright was inspired by vocalist Phil May (singer), Phil May while the lyrics tell the tale of a man who yearns for a woman. Albert managed to get the song distributed by Parlophone in Australia, who released the single on 18 ...
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The Byrds
The Byrds () were an American Rock music, rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) being the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. The band's signature sound of "angelic harmonies" and McGuinn's jangle, jangly Twelve-string guitar, 12-string Rickenbacker Electric guitar, guitar sound was "absorbed into the vocabulary of rock" and has continued to be influential. Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965, by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their Mr. Tambourine Man (album), first and Turn! Turn! Turn! (album), ...
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Twelve-string Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 string (music), strings in six Course (music), courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques can be challenging as players need to play or pluck two strings simultaneously. Structurally, 12-string g ...
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Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ...
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