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Saalschutz
Saalschutz is a Swiss electropop band from Zurich. The band classifies its style as "techno punk". Band history After a split single with Knarf Rellöm, released on Rewika Records in 2003, the first album followed in 2004, released on ZickZack records. Saalschutz combines electronic dance music with mostly German, sometimes English and seldom French or Swiss German lyrics which often have dadaistic characteristics. It combines the styles of Synthpop, Electropunk and Electroclash – as well as Metal, Garage Rock, Tribal House and Trance – creating a style similar to that of Knarf Rellöm, Räuberhöhle and (in parts) Egotronic. In 2006, the second regular album was released on ZickZack and Audiolith Records. (meaning "Saalschutz makes it possible") After touring extensively, the band released their third album in November 2010. While, compared to bands like Egotronic or Frittenbude, not being explicitly political in their lyrics, Saalschutz supports political initiati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saalschutz Golm
Saalschutz is a Swiss electropop band from Zurich. The band classifies its style as "techno punk". Band history After a split album, split single with Knarf Rellöm, released on Rewika Records in 2003, the first album followed in 2004, released on ZickZack records. Saalschutz combines electronic dance music with mostly German, sometimes English and seldom French or Swiss German lyrics which often have dadaistic characteristics. It combines the styles of Synthpop, Electropunk and Electroclash – as well as Heavy metal music, Metal, Garage Rock, Tribal House and Trance music, Trance – creating a style similar to that of Knarf Rellöm, Räuberhöhle (band), Räuberhöhle and (in parts) Egotronic. In 2006, the second regular album was released on ZickZack and Audiolith Records. (meaning "Saalschutz makes it possible") After touring extensively, the band released their third album in November 2010. While, compared to bands like Egotronic or Frittenbude, not being explicitly pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audiolith Records
Audiolith Records is a German Independent record label from Bahrenfeld, Hamburg, which publishes mainly Electronic music and Indie rock. While the bands under the label have varied musical styles, the label's main focus is on Electropunk, where it has developed significant influence on the German music scene. History Audiolith Records was founded in 2003 by Lars Lewerenz, who had worked for Dim Mak Records before and had been an active member of the band ''Dos Stilettos''. The label's first publication was the 7" Single ''Both Sides Of The Ocean'' by ''The Dance Inc.''.''Szene-Hamburg'', December 2003 Later on, the label started to publish the bands ''Der Tante Renate'', '' Egotronic'', '' Plemo'', and ''Saalschutz Saalschutz is a Swiss electropop band from Zurich. The band classifies its style as "techno punk". Band history After a split single with Knarf Rellöm, released on Rewika Records in 2003, the first album followed in 2004, released on ZickZack ...''. The artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egotronic
Egotronic is a German electropunk band from Berlin formed in 2000. It is well known for its Antideutsch political views. Band history After a couple of projects released through self-publishing, Egotronic joined the Hamburg record label Audiolith Records in 2005, whereon their first single ''Nein nein/Luxus'' (''No no/luxury'') got released. The band went on a tour through Russia (accompanied by the artist Plemo) during the same year. In 2006, Egotronic released their first album ''Die richtige Einstellung'' (''The right attitude''). The second album, ''Lustprinzip'' (''Pleasure principle'') followed in 2007, the third one in 2008. Its fourth album, called ''Ausflug mit Freunden'' (''Excursion with friends''), on which almost every song is a cooperation with friends of Egotronic, was released on 30 April 2010. Their fifth album ''Macht keinen Lärm'' (''Don't be noisy'') is heavily influenced by classic punk music, making heavy use of guitars, and pop music, featuring more melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zurich
Zurich (; ) is the largest city in Switzerland and the capital of the canton of Zurich. It is located in north-central Switzerland, at the northwestern tip of Lake Zurich. , the municipality had 443,037 inhabitants, the urban area 1.315 million (2009), and the Zurich metropolitan area 1.83 million (2011). Zurich is a hub for railways, roads, and air traffic. Both Zurich Airport and Zurich's main railway station are the largest and busiest in the country. Permanently settled for over 2,000 years, Zurich was founded by the Romans, who called it '. However, early settlements have been found dating back more than 6,400 years (although this only indicates human presence in the area and not the presence of a town that early). During the Middle Ages, Zurich gained the independent and privileged status of imperial immediacy and, in 1519, became a primary centre of the Protestant Reformation in Europe under the leadership of Huldrych Zwingli. The official language of Zurich is Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroclash
Electroclash (also known as synthcore, retro-electro, tech-pop, nouveau disco, and the new new wave) is a genre of music that fuses 1980s electro, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the later 1990s and is often thought of as reaching its peak circa 2002/2003. It was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner. Terminology and characteristics The term electroclash describes a musical movement that combined synthpop, techno, punk and performance art. The genre was in reaction to the rigid formulations of techno music, putting an emphasis on song writing, showmanship and a sense of humour, and was described by ''The Guardian'' as one of "the two most significant upheavals in recent dance music history". The visual aesthetic of electroclash has been associated with the 1982 cult film ''Liquid Sky''. DJ Hell is widely credited as inventor and name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rage Against Abschiebung
Rage may refer to: * Rage (emotion), an intense form of anger Games * Rage (collectible card game), a collectible card game * Rage (trick-taking card game), a commercial variant of the card game Oh Hell * ''Rage'' (video game), a 2011 first-person shooter and racing video game ** ''Rage 2'', a 2019 open world first-person shooter and racing video game and a sequel to the first game * Rage Games, a defunct game developer * Rockstar Advanced Game Engine, a game engine developed by Rockstar San Diego * Rage quitting, when players quit a video game for reasons often related to frustration * R.A.G.E., the engine used to make Combat Assault Vehicle Film and television * ''Rage'' (1966 film), starring Glenn Ford and directed by Gilberto Gazcón * ''Rage'' (1972 film), directed by and starring George C. Scott * ''Rage!'', 1980 made-for-television film directed by William A. Graham and starring David Soul and James Whitmore * ''Rage'', 1995 action film directed by Joseph Merhi and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Relax In Deutschland
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural ''ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably for b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Räuberhöhle (band)
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Räuberhöhle is German for "Robber's Cave" and may refer to: Caves in Europe: * Daneil's Cave (''Räuberhöhle'') in Saxony-Anhalt, Germany * Idstedt Robber's Cave (''Idstedter Räuberhöhle''), a passage grave in Schleswig-Holstein, Germany * Robber's Cave (Mollram Forest) (''Räuberhöhle'') in Lower Austria * Robber's Cave (Spital am Semmering) (''Räuberhöhle'') in the Styria, Austria * the Berlin-based electropop project of German musician "Krawalla" on Audiolith Records Audiolith Records is a German Independent record label from Bahrenfeld, Hamburg, which publishes mainly Electronic music and Indie rock. While the bands under the label have varied musical styles, the label's main focus is on Electropunk, where it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore (electronic dance music genre), hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating Melodic music, melodic Phrase (music), phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, House music, house, pop, Chill-out music, chill-out, classical music, tech house, Ambient music, ambient and film music. A trance is a state of Hypnosis, hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown dispo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated exotic elements int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhead introduced a punk rock sensibilit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
