SIMILE Project
A simile () is a type of figure of speech that directly ''compares'' two things. Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else). However, there are two schools of thought regarding the relationship between similes and metaphors. The first defines them as opposites, such that a statement cannot be both a simile and a metaphor — if it uses a comparison word such as "like" then it is a simile; if not, it is a metaphor. The second school considers metaphor to be the broader category, in which similes are a subcategory — according to which every simile is also a metaphor (but not vice-versa). These two schools reflect differing definitions and usages of the word "metaphor" and regardless of whether it encompasses similes, but both agree that similes always involve a direct comparison word such as "like" or "as". ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Figure Of Speech
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or Denotation, literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). In the distinction between literal and figurative language, figures of speech constitute the latter. Figures of speech are traditionally classified into ''scheme (linguistics), schemes'', which vary the ordinary sequence of words, and ''trope (literature), tropes'', where words carry a meaning other than what they ordinarily signify. An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the Prose, prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as someth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Description
Description is any type of communication that aims to make vivid a place, object, person, group, or other physical entity. It is one of four rhetorical modes (also known as ''modes of discourse''), along with exposition, argumentation, and narration. Fiction writing Fiction writing specifically has modes such as action, exposition, description, dialogue, summary, and transition. Author Peter Selgin refers to ''methods'', including action, dialogue, thoughts, summary, scenes, and description. Description is the mode for transmitting a mental image of the particulars of a story. Together with dialogue, narration, exposition, and summarization, it is one of the most widely recognized of the fiction-writing modes. As stated in ''Writing from A to Z'', edited by Kirk Polking, it is more than the amassing of details; it is bringing something to life by carefully choosing and arranging words and phrases to produce the desired effect. Purple prose A purple patch is an over-written ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Narrative Techniques
A narrative technique (also, in fiction, a fictional device) is any of several storytelling methods the creator of a story uses, thus effectively relaying information to the audience or making the story more complete, complex, or engaging. Some scholars also call such a technique a narrative mode, though this term can also more narrowly refer to the particular technique of using a commentary to deliver a story. Other possible synonyms within written narratives are literary technique or literary device, though these can also broadly refer to non-narrative writing strategies, as might be used in academic or essay writing, as well as poetic devices such as assonance, metre, or rhyme scheme. Furthermore, narrative techniques are distinguished from narrative elements, which exist inherently in all works of narrative, rather than being merely optional strategies. Setting Plots Perspective Style Theme Character See also * Plot device * Rhetorical device ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Figures Of Speech
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). In the distinction between literal and figurative language, figures of speech constitute the latter. Figures of speech are traditionally classified into '' schemes'', which vary the ordinary sequence of words, and '' tropes'', where words carry a meaning other than what they ordinarily signify. An example of a scheme is a polysyndeton: the repetition of a conjunction before every element in a list, whereas the conjunction typically would appear only before the last element, as in "Lions and tigers and bears, oh my!"—emphasizing the danger and number of animals more than the prosaic wording with only the second "and". An example of a trope is the metaphor, describing one thing as something it clearly is not, as a way to illustrate by compar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Va Tacito E Nascosto
"Va tacito e nascosto" (Italian language, Italian; translation, "Silently and stealthily") is an aria written for alto castrato voice in act 1 of George Frideric Handel's opera ''Giulio Cesare, Giulio Cesare in Egitto'', composed in 1724 to a libretto by Nicola Francesco Haym. Sung by the character Julius Caesar, it features extensive solos for natural horn. Words and music Libretto Va tacito e nascosto, quand'avido è di preda, l'astuto cacciator. E chi è mal far disposto, non brama che si veda l'inganno del suo cor. Prosaic translation Silently and stealthily goes the shrewd hunter when he is hungry for game. And he who loves evil does not like to show the mischief in his heart. Singable text How silently, how slyly, When once the scent is taken, the huntsman tracks the spoor. The traitor shrewd and wily, ne'er lets his prey awaken unless the snare be sure. The first verse of the text is used for the opening and final sections of the aria; the second verse for th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tautology (language)
In literary criticism and rhetoric, a tautology is a statement that repeats an idea using near-synonymous morphemes, words or phrases, effectively "saying the same thing twice". Tautology and pleonasm are not consistently differentiated in literature. Like pleonasm, tautology is often considered a fault of style when unintentional. Intentional repetition may emphasize a thought or help the listener or reader understand a point. Sometimes logical tautologies like "Boys will be boys" are conflated with language tautologies, but a language tautology is not inherently true, while a logical tautology always is. Etymology The word was coined in Koine Greek from ('the same') plus ('word' or 'idea'), and transmitted through 3rd-century Latin and French . It first appeared in English in the 16th century. The use of the term logical tautology was introduced in English by Wittgenstein in 1919, perhaps following Auguste Comte's usage in 1835. Examples * "Convicted felon", a common E ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Phono-semantic Matching
Phono-semantic matching (PSM) is the incorporation of a word into one language from another, often creating a neologism, where the word's non-native quality is hidden by replacing it with phonetically and semantically similar words or roots from the adopting language. Thus the approximate sound and meaning of the original expression in the source language are preserved, though the new expression (the PSM – the phono-semantic match) in the target language may sound native. Phono-semantic matching is distinct from calquing, which includes (semantic) translation but does not include phonetic matching (i.e., retention of the approximate sound of the borrowed word through matching it with a similar-sounding pre-existent word or morpheme in the target language). Phono-semantic matching is also distinct from homophonic translation, which retains the sound of a word but not the meaning. History The term "phono-semantic matching" was introduced by linguist and revivalist Gh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Personification
Personification is the representation of a thing or abstraction as a person, often as an embodiment or incarnation. In the arts, many things are commonly personified, including: places, especially cities, National personification, countries, and continents; elements of the natural world, such as trees, the Deities and personifications of seasons, four seasons, the "four elements", the Anemoi, four cardinal winds, and the Sense, five senses; moral abstractions, especially the four cardinal virtues and seven deadly sins; the nine Muses; and Personifications of death, death. In many polytheistic early religions, deity, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman religion, this was perhaps especially strong, in particular among the minor deities. Many such deities, such as the or tutelary deities for major cities, survived the arrival of Christianity, now as symbolic personif ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metonymy
Metonymy () is a figure of speech in which a concept is referred to by the name of something associated with that thing or concept. For example, the word " suit" may refer to a person from groups commonly wearing business attire, such as salespeople or attorneys. Etymology The words ''metonymy'' and ''metonym'' come ; , a suffix that names figures of speech, . Background Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy. Both metonymy and metaphor involve the substitution of one term for another. In metaphor, this substitution is based on some specific analogy between two things, whereas in metonymy the substitution is based on some understood association or contiguity. American literary theorist Kenneth Burke considers metonymy as one of four "master tro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide, or obscure, clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an Analogy, analogy. Analysts group metaphors with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. According to Grammarly, "Figurative language examples include similes, metaphors, personification, hyperbole, allusions, and idioms." One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from ''As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, ''As You Like It'', 2/7 This quotation expresses a metaphor because the w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Like
In English, the word ''like'' has a very flexible range of uses, ranging from conventional to non-standard. It can be used as a noun, verb, adverb, adjective, preposition, particle, conjunction, hedge, filler, quotative, and semi-suffix. Uses Comparisons ''Like'' is one of the words in the English language that can introduce a simile (a stylistic device comparing two dissimilar ideas). It can be used as a preposition, as in "He runs ''like'' a cheetah"; it can also be used as a suffix, as in "She acts very child-''like''. It can also be used in non-simile comparisons such as, "She has a dog ''like'' ours". As a conjunction ''Like'' is often used in place of the subordinating conjunction ''as'', or ''as if''. Examples: * They look ''like'' they have been having fun. * They look ''as if'' they have been having fun. Many people became aware of the two options in 1954, when a famous ad campaign for Winston cigarettes introduced the slogan " Winston tastes good—like a ci ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hypocatastasis
Hypocatastasis is a figure of speech that declares or implies a wikt:resemblance, resemblance, representation or comparison. It differs from a metaphor, because in a metaphor the two nouns are both named and given; while, in hypocatastasis, only one is named and the other is implied, or as it were, is put down underneath out of sight. Hence hypocatastasis is an implied resemblance or representation: that is an implied simile or metaphor. A hypocatastasis has more force than a metaphor or simile, and expresses as it were a superlative degree of resemblance. Attribution for the creation of the term is given derisively to a Mr. Lord by G. Bush in 1850. The latter accuses the former of inventing this category of Biblical comparisons which do not seem to fit into the standard categories of metaphor or simile. Since then the term has mostly been confined to analysis of Biblical rhetoric, and it has never migrated to general public usage. It does not appear in the 2009 version of the O ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |