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Royal Bioscope Company
The Royal Bioscope Company was the first film production company in Bengal, and possibly the first in India, set up in 1898 by Hiralal Sen, along with Matilal Sen, Deboki Lal Sen, and Bholanath Gupta. The initial productions used an Urban Bioscope bought from Warwick Trading Company in London. The company produced shows, generally exhibited at the Classic Theatre in Calcutta, where the films featured in the intervals in the stage shows. When Sen began producing his own films regularly they were chiefly scenes from stage productions at the Classic, between 1901 and 1904. The longest film produced was ''Ali Baba and the Forty Thieves'' (1903), again based on an original Classic Theatre staging. Sen also made many local views and newsfilms, took commissions, made advertising films and put on private shows for members of high society. Sen was also to produce a number of short newsreels, including '' Anti-partition demonstration'' (1905), ''Swadeshi movement The Swadeshi move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking or film production is the process by which a Film, motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screenwriting, Casting (performing arts), casting, pre-production, Principal photography, shooting, Sound recording and reproduction, sound recording, post-production, and screening the finished product before an audience, which may result in a film release and exhibition. The process is nonlinear, in that the filmmaker typically shoots the script out of sequence, repeats shots as needed, and puts them together through editing later. Filmmaking occurs in a variety of economic, social, and political contexts around the world, and uses a variety of technologies and cinematic techniques to make theatrical films, episodic films for television and streaming platforms, music videos, and promotional and educational films. Although filmmaking originally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiralal Sen
Hiralal Sen (, ''Hiralal Shen''; 2 August 1868 – 26 October 1917) is generally considered one of India's first filmmakers. In 1903, he filmed the popular ''Alibaba and Forty Thieves'', the first full-length Indian film. A noted photographer, he is also credited with creating India's first advertising films and quite possibly India's first political film. A fire in 1917 destroyed all of his films. Early life Hiralal Sen's native home was in ''Bagjuri'', a village in Manikganj, approximately 80 km from Dhaka, the present-day capital of Bangladesh. Although he was the son of a successful lawyer of a Baidya '' zamindar'' family of that region, he grew up in Calcutta. In 1898, a film troupe en route to Paris screened a certain Professor Stevenson's short film along with the stage show, ''The Flower of Persia'' at the Star Theatre in Calcutta. Borrowing Stevenson's camera, Sen made his first film, "A Dancing Scene" from the opera ''The Flower of Persia''. With assistance from h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matilal Sen
Bimal Krishna Matilal (1 June 1935 – 8 June 1991) was an eminent philosopher whose writings presented the Indian philosophical tradition as a comprehensive system of logic incorporating most issues addressed by themes in Western philosophy. Born in Calcutta, he lived and worked in Calcutta, Harvard, Toronto and Oxford. From 1977 to 1991, he served as the Spalding Professor of Eastern Religion and Ethics at the University of Oxford. Education Literate in Sanskrit from an early age, Matilal was also drawn towards Mathematics and Logic. He was trained in the traditional Indian philosophical system by leading scholars of the Sanskrit College, where he himself was a teacher from 1957 to 1962. He was taught by scholars like pandit Taranath Tarkatirtha and Kalipada Tarkacharya. He also interacted with pandit Ananta Kumar Nyayatarkatirtha, Madhusudan Nyayacharya and Visvabandhu Tarkatirtha. He was awarded the ''upadhi'' (degree) of Tarkatirtha (master of Logic) in 1962. While teachi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Bioscope
The Urban Bioscope, also known as the Warwick Bioscope was a film projector developed by Walter Isaacs in 1897 for Charles Urban of the Warwick Trading Company. The projector used a beater movement. It has two names because it was created by Charles Urban and Walter Isaacs. It was a 35mm fast-pull-down-beater-movement machine allegedly based on Georges Demenÿ Georges Demenÿ (12 June 1850 in Douai – 26 October 1917 in Paris) was a French inventor, chronophotographer, filmmaker, gymnast and physical fitness Physical fitness is a state of health and well-being and, more specifically, the abilit ... patents. In 1897, Urban joined Warwick Trading in the UK. At that time he brought with him the Bioscope from America for resale. Earlier versions of the scope projected both slides and films. These versions came with a "spoolbank" attachment that made it possible for very short films to be repeated without pause. References History of film Film and video technology [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warwick Trading Company
The Warwick Trading Company was a British film production and distribution company, which operated between 1898 and 1915. History The Warwick Trading Company had its origins in the London office of Maguire and Baucus, a firm run by two American businessmen who, from 1894, acted as agents marketing films and projectors produced by Thomas Edison. In 1897, they also acquired the rights to distribute films produced by the Lumière brothers. Later that year, Charles Urban was appointed managing director. Urban was dissatisfied with the current location of the offices, in Broad Street, and proposed a move to a building in Warwick Court, which was nearer to like-minded businesses such as that of Robert W. Paul. Urban also suggested a simultaneous name change, as he felt company's current name, the Continental Commerce Company, was difficult to do business with. The company was thus rebranded as the Warwick Trading Company, after the address of its new offices in Warwick Court. The new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Theatre
A classic is an outstanding example of a particular style; something of lasting worth or with a timeless quality; of the first or highest quality, class, or rank – something that exemplifies its class. The word can be an adjective (a ''classic'' car) or a noun (a ''classic'' of English literature). It denotes a particular quality in art, architecture, literature, design, technology, or other cultural artifacts. In commerce, products are named 'classic' to denote a long-standing popular version or model, to distinguish it from a newer variety. ''Classic'' is used to describe many major, long-standing sporting events. Colloquially, an everyday occurrence (e.g. a joke or mishap) may be described in some dialects of English as 'an absolute classic'. "Classic" should not be confused with ''classical'', which refers specifically to certain cultural styles, especially in music and architecture: styles generally taking inspiration from the Classical tradition, hence classicism. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partition Of Bengal (1905)
The Partition of Bengal in 1905, also known as the First Partition of Bengal, was a territorial reorganization of the Bengal Presidency implemented by the authorities of the British Raj. The reorganization separated the largely Muslim eastern areas from the largely Hindu western areas. Announced on 16 October 1905 by George Nathaniel Curzon, 1st Marquess Curzon of Kedleston, Lord Curzon, then Governor-General of India, Viceroy of India, and implemented West Bengal for Hindus and East Bengal for Muslims, it was undone a mere six years later. The Partition (politics), Partition was aimed for administration purposes but in fact is treated as divide and rule policy and further agitated people, who perceived that it was a deliberate attempt to divide the Bengal Presidency on religious grounds, with a Muslim majority in the east and a Hindu majority in the west, thereby weakening the nationalist cause. The Hindus of West Bengal, who dominated Bengal's business and rural life, compla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swadeshi Movement
The Swadeshi movement was a self-sufficiency movement that was part of the Indian independence movement and contributed to the development of Indian nationalism. Before the BML Government's decision for the partition of Bengal was made public in December 1903, there was a lot of growing discontentment among the Indians. In response the Swadeshi movement was formally started from Town Hall at Calcutta on 7 August 1905 to curb foreign goods by relying on domestic production. Mahatma Gandhi described it as the soul of swaraj (self-rule). The movement took its vast size and shape after rich Indians donated money and land dedicated to Khadi and Gramodyog societies which started cloth production in every household. It also included other village industries so as to make village self-sufficient and self-reliant. The Indian National Congress used this movement as arsenal for its freedom struggle and ultimately on 15 August 1947, a hand-spun Khadi tricolor Ashoka Chakra Indian flag wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
With Our King And Queen Through India
''With Our King and Queen Through India'' (1912) is a British documentary film. The film is silent and made in the Kinemacolor additive color process. The film records the 12 December 1911 celebrations in India which marked the coronation of George V and Mary of Teck and their proclamation as Emperor and Empress of India. The film is often referred to as '' The Delhi Durbar'' or ''The Durbar at Delhi''. Although it is commonly referred to as a single film, it is more accurate to think of it as a set of films documenting the royal visit to India in December 1911, with the Durbar ceremony as the centrepiece. Different showings of ''With Our King and Queen Through India'' would be made up of different sets of the films, so that the show (a more accurate concept) was exhibited in several different lengths. Today only two reels survive, one showing a review of troops after the main ceremony and the other a procession in Calcutta from the end of the royal tour. Production The film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Bengal
Bengali cinema may refer to: * Cinema of West Bengal, also called Tollywood * Cinema of Bangladesh The Cinema of Bangladesh, locally known as Bangla cinema, is a diverse and vibrant entity, consisting of films produced across various regions in Bangladesh, each contributing its unique linguistic and cultural perspective. Beyond the dominan ..., also called Dhallywood See also * Bengali film (other) * Tollywood (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
