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Rosina Brandram
Rosina Brandram (2 July 1845 – 28 February 1907) was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company. Brandram joined the D'Oyly Carte company in 1877 as a chorister and understudy. By 1879, she was originating roles with the company, and she became its principal contralto in 1884, creating roles in seven of the famous Gilbert and Sullivan operas, as well as many other Sullivan comic operas. She was the only principal to appear in every original Sullivan production at the Savoy Theatre, and she performed with the company until 1903, when it left the Savoy. After leaving D'Oyly Carte, she played a few more roles with other companies before retiring from the stage. Life and career Beginnings Brandram was born Rosina Moult in Southwark, London. She was the elder child and only daughter of William Moult and his partner (later wife), Sarah Gosling.
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Rosina Brandram In An Advertisement For The Emerald Isle In The Sketch April 24 1901
Rosina may refer to: *Rosina, Slovakia, a municipality in Slovakia *Rosina, Bulgaria, a village in Targovishte Municipality *Rosina, West Virginia *Rosina (given name), feminine given name *Rosina (surname) *Rosina (ship), list of ships with this name *Rosina (opera), ''Rosina'' (opera), a light opera by the English composer William Shield * 985 Rosina, minor planet See also

*Rosine (other) {{disambig ...
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Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 operatic collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', '' The Pirates of Penzance'' and '' The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include " Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Leipzig Conservatoire in Germany. His graduation piece, incidental music to Shakespeare's '' The Tempest'' (1861), was received with ...
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Rosina Brandram As Lady Blanche
Rosina may refer to: * Rosina, Slovakia, a municipality in Slovakia * Rosina, Bulgaria, a village in Targovishte Municipality * Rosina, West Virginia * Rosina (given name), feminine given name * Rosina (surname) * Rosina (ship), list of ships with this name * ''Rosina'' (opera), a light opera by the English composer William Shield * 985 Rosina, minor planet See also *Rosine (other) Rosine may refer to: * Rosine (given name), list of people and fictional characters with this name * ''Rosine'', a film directed by Christine Carrière awarded a César Awards 1996, César in 1996 * ''Rosine'' a song by singer Soukous and compose ...
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Rutland Barrington
Rutland Barrington (15 January 1853 – 31 May 1922) was an English singer, actor, comedian and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades. He also wrote at least a dozen works for the stage. After two years with a comic touring company, Barrington joined Richard D'Oyly Carte's opera company and, over the next two decades, created a number of memorable comic opera roles, including Captain Corcoran in ''H.M.S. Pinafore'' (1878), the Sergeant of Police in ''The Pirates of Penzance'' (1880), and Pooh Bah in ''The Mikado'' (1885), among many others. Failing in an 1888 attempt to become a theatrical manager, Barrington refocused his energies on acting and occasional playwriting. Beginning in 1896 and continuing for ten years, Barrington played in a series of very successful musical comedies under the management of George Edwardes ...
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Jessie Bond
Jessie Charlotte Bond (10 January 1853 – 17 June 1942) was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company. Musical from an early age, Bond began a concert singing career in Liverpool by 1870. At the age of 17, she entered into a brief, unhappy marriage. After leaving her abusive husband, she continued her concert career and studied at the Royal Academy of Music in London with such famous singing teachers as Manuel García. At the age of 25, in 1878, Bond began her theatrical career, creating the role of Cousin Hebe in Gilbert and Sullivan's ''H.M.S. Pinafore'', which became an international success. After this, she created roles of increasing importance with the D'Oyly Carte Opera Company in a series of successful comic operas, including the title role in ''Iolanthe'' (1882), Pitti Sing in ''The Mikad ...
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The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the '' Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. ...
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A Private Wire
''A Private Wire'' is a one-act musical "vaudeville" operetta with a libretto by Frank Desprez and Arnold Felix and music by Percy Reeve. It was first produced at the Savoy Theatre on 31 March 1883 to 1 January 1884 as a companion piece to Gilbert and Sullivan's ''Iolanthe''. The piece also toured from March to July 1884. No copy of a printed libretto or vocal score is in the British Library. A copy of the libretto is in the Lord Chamberlain's collection. Background The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy opera Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which ...s with curtain raisers such as ''A Private Wire''. W. J. MacQueen-Pope commented, concerning such curtain raisers: : ...
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Curtain Raiser (drama)
A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashion in the late Victorian era and Edwardian era was to present long evenings in the theatre, and so full-length pieces were often presented together with, usually shorter, companion pieces. Each full-length work was normally accompanied by one or two short companion pieces. If the piece began the performance, it was called a curtain raiser. One that followed the full-length piece was called an afterpiece An afterpiece is a short, usually humorous one-act playlet or musical work following the main attraction, the full-length play, and concluding the theatrical evening.p24 "The Chambers Dictionary"Edinburgh, Chambers,2003 This short comedy, farce, o .... W. J. MacQueen-Pope commented, concerning the curtain raisers: :This was a one-act ...
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Iolanthe
''Iolanthe; or, The Peer and the Peri'' () is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadian shepherd who wants to marry Phyllis, a Ward of Chancery. All the members of the House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman (not knowing that it is his mother – immortal fairies all appear young), she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's favourite themes: a tranquil civilisation of women is disrupted by a m ...
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Alice Barnett
Alice Barnett (17 May 1846 – 14 April 1901) was an English singer and actress, best known for her performances in contralto roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. Barnett began her career by 1873 in oratorio and other concert work. Using her imposing physical stature to her advantage, she originated several of the early Gilbert and Sullivan "formidable middle-aged ladies", namely Ruth in ''The Pirates of Penzance'' (1879), Lady Jane in ''Patience'' (1881) and the Fairy Queen in ''Iolanthe'' (1882). She then performed in various comic operas in Britain, America, Australia and New Zealand until 1889, earning strong critical praise. After this, she toured in several of the Gaiety burlesques before creating the role of Dame Hecla Cortlandt in W. S. Gilbert and Osmond Carr's ''His Excellency'' in 1894. From 1895, she played in Edwardian musical comedy, pantomime and non-musical plays until 1900. Life and career Early years Barnet ...
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Mock Turtles (opera)
''Mock Turtles'' is a one-act comic opera with a libretto by Frank Desprez and music by Eaton Faning. It was first produced at the Savoy Theatre on 11 October 1881 as a Curtain raiser (drama), curtain raiser to ''Patience (opera), Patience'', then from 26 November 1882 to 30 March 1883 with ''Iolanthe''. The piece also toured from December 1881 throughout 1882. It also toured in 1883 and 1884 and enjoyed further revivals, including a tour in 1897 with J. M. Gordon and his company. A vocal score was published by Chappells, in 1882, which contains full dialogue as well as music. A copy is in the British Library. The libretto to ''Mock Turtles'' was republished by ''The Gaiety'' journal in September 2001. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers such as ''Mock Turtles''. W. J. MacQueen-Pope commented, concerning such curtain raisers: :This was a one-act ...
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Uncle Samuel
''Uncle Samuel'' is a one-act comic opera with a libretto by Arthur Law and music by George Grossmith. It was first produced at the Opera Comique on 3 May 1881 to 8 October 1881, as companion piece to '' Patience''. The piece also toured from December 1887 to June 1888 as a companion piece to '' H.M.S. Pinafore''. A vocal score was published by Chappells in 1881 containing full libretto, dialogue and music, and a copy is in the British Library. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers A curtain raiser is a short performance, stage act, show, actor or performer that opens a show for the main attraction. The term is derived from the act of raising the stage curtain. The first person on stage has "raised the curtain". The fashio ... such as ''Uncle Samuel''. W. J. MacQueen-Pope commented, concerning such curtain raisers: :This was a one-act play, ...
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