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Rosa Von Milde
Rosa von Milde, also Rosalie von Milde, ''née'' Rosa Agthe (25 June 1827 – 25 January 1906) was a German operatic soprano and voice teacher. She was a leading singer at the Weimar Court Theatre from 1848 to 1867, which flourished when Franz Liszt directed it. She created, among others, the roles of Elsa in Wagner's '' Lohengrin'', conducted by Liszt in 1850, and Margiana in '' Der Barbier von Bagdad'' by Peter Cornelius in 1858. Life Agthe was born on 25 June 1827 into a music-loving family in Weimar. Her father , a chamber musician, gave her piano lessons at a young age. When her singing talent was recognised, she took voice lessons for three years with the tenor Franz Götze (1814–1888). On 9 June 1845, she made her stage debut at the Weimarer Hoftheater (Weimar Court Theatre) as Amina in Bellini's '' La sonnambula''. She made her official debut as a permanent singer at the Hoftheater in September 1848 in the title role of Louis Spohr's '' Jessonda''. She had great ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar
Weimar is a city in the state (Germany), state of Thuringia, Germany. It is located in Central Germany (cultural area), Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its large cultural heritage and its importance in German history. The city was a focal point of the German Enlightenment and home of the leading figures of the literary genre of Weimar Classicism, writers Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, noted composers such as Franz Liszt made Weimar a music centre. Later, artists and architects such as Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Feodor Von Milde
Hans Feodor von Milde (13 April 1821 – 10 December 1899) was an Austrian operatic baritone and the husband of the soprano Rosa von Milde (née Agthe). He sang for almost four decades at the court opera in Weimar where he particularly excelled in the works of Richard Wagner. Elizabeth Forbes: "Hans von Milde", ''Grove Music Online'' ed. L. Macy (Accessed 25 February 2009)(subscription access) For many years, Milde sang under the direction of Franz Liszt, notably creating the role of Telramund in the world premiere of Richard Wagner's ''Lohengrin'' under his baton. He sang in several other notable premieres, including singing the role of the High Priest in the first stage performance of Camille Saint-Saëns's ''Samson et Dalila'' in 1877. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Gruyter
Walter de Gruyter GmbH, known as De Gruyter (), is a German scholarly publishing house specializing in academic literature. History The roots of the company go back to 1749 when Frederick the Great granted the Königliche Realschule in Berlin the royal privilege to open a bookstore and "to publish good and useful books". In 1800, the store was taken over by Georg Reimer (1776–1842), operating as the ''Reimer'sche Buchhandlung'' from 1817, while the school’s press eventually became the ''Georg Reimer Verlag''. From 1816, Reimer used the representative Sacken'sche Palace on Berlin's Wilhelmstraße for his family and the publishing house, whereby the wings contained his print shop and press. The building became a meeting point for Berlin salon life and later served as the official residence of the president of Germany. Born in Ruhrort in 1862, Walter de Gruyter took a position with Reimer Verlag in 1894. By 1897, at the age of 35, he had become sole proprietor of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Alexander, Grand Duke Of Saxe-Weimar-Eisenach
, image = Held Carl Alexander Sachsen-Weimar-Eisenach@Weimar Schlossmuseum.jpg , image_size = , caption = , succession = Grand Duke of Saxe-Weimar-Eisenach , reign = 8 July 1853 – 5 January 1901 , predecessor = Charles Frederick , successor = William Ernest , spouse = Sophie of the Netherlands , issue = Charles Augustus, Hereditary Grand Duke of Saxe-Weimar-Eisenach Marie, Princess Heinrich VII Reuss Princess Anna Sophia Elisabeth, Duchess Johann Albrecht of Mecklenburg , house = Saxe-Weimar-Eisenach , father = Charles Frederick, Grand Duke of Saxe-Weimar-Eisenach , mother = Maria Pavlovna of Russia , birth_date = , birth_place = Weimar , death_date = , death_place = Weimar , burial_place = Weimarer Fürstengruft , religion = Lutheranism, Charles Alexander (Karl Alexander August Johann; 24 June 1818 – 5 January 1901) was the ruler of Saxe-Weimar-Eisenach as its grand duke fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hochschule Für Musik Franz Liszt, Weimar
The University of Music Franz Liszt Weimar (in German: Hochschule für Musik Franz Liszt Weimar) is an institution of music in Weimar, Germany. The Hochschule Franz Liszt, who spent a great deal of his life in Weimar, encouraged the founding of a school in 1835 for the education of musicians in orchestral instruments. It was his student Carl Müllerhartung who realized Liszt's dream, founding the university on 24 June 1872. Campus The university is located in several different buildings in the centre of Weimar. Courses The university offers courses in all musical disciplines, including composition, conducting, jazz, musical theatre and pedagogy at undergraduate and postgraduate level. People Some notable former students * David Afkham (conductor) * Andreas Bauer Kanabas (bass) Tatyana Ryzhkova(classical guitarist) * Wolfgang Unger (choral conductor) * Lorenzo Viotti (conductor) * Ekkehard Wlaschiha (baritone) * Sylke Zimpel (composer and choral conductor) Some notable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Von Dingelstedt
Franz von Dingelstedt (30 June 1814 – 15 May 1881) was a German poet, dramatist and theatre administrator. Life and career Dingestedt was born at Halsdorf, Hesse-Kassel (or Hesse-Cassel), Germany, and later studied at the University of Marburg nearby. In 1836 he became a master at the Lyceum in Kassel, from where he was transferred to Fulda in 1838. In 1839 he wrote ''Unter der Erde'' ("Beneath the Earth"), a novel which obtained considerable success. In 1841, ''Lieder eines kosmopolitischen Nachtwächters'', the book by which he is best remembered, was published. These poems, animated as they are by a spirit of bitter opposition to everything that savours of despotism, were an effective contribution to the political poetry of the day. The popularity of this book determined Dingelstedt to take up a literary career, and in 1841 he obtained an appointment on the staff of the '' Augsburger Allgemeine Zeitung''. In 1843, however, the satirist of German princes accepted, to general ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Und Estrella
' (''Alfonso and Estrella''), 732, is an opera with music by Franz Schubert, set to a German libretto by Franz von Schober, written in 1822. Along with the later '' Fierrabras'', composed in 1823, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition. Unlike ''Fierrabras'', it contains no spoken dialogue. Background In close collaboration with von Schober in the region of Sankt Pölten, Schubert wrote the vocal numbers of ''Alfonso und Estrella'' between September 1821 and February 1822. Schober, only one year older than the young Schubert, and a dabbler in literature, music and theatre, was enthusiastic about the collaboration. Schubert and Schober shared an appreciation for the operatic theories of Ignaz von Mosel, a patron of Schubert's, who supported Gluck's operatic ideals. This influence may have led to the omission of all spoken dialog, parting from the German Singspiel form followed in operas such as Mozart's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Dorn
Heinrich Ludwig Egmont Dorn (14 November 1800 or 1804-10 January 1892) was a German conductor, composer, teacher, and journalist. He was born in Königsberg, where he studied piano, singing, and composition. Later, he studied in Berlin with Ludwig Berger (composer), Ludwig Berger, Bernhard Klein, and Carl Friedrich Zelter. His first opera, ''Rolands Knappen'', was produced in 1826, and was a success. Around this time, he became co-editor of the ''Berliner allgemeine Musikzeitung''. Dorn became well known as a conductor of opera, and held theatre posts at Königsberg (1828), Leipzig (1829–32), Hamburg (1832), Riga (1834–43), and Cologne (1844–8). In 1849, he became co-conductor, with Wilhelm Taubert, of the Berlin Hofoper - a post he held until 1869. Dorn taught counterpoint to the young Robert Schumann, and was a friend of Franz Liszt. He was a harsh critic of Richard Wagner, but was persuaded to conduct the opera ''Tannhäuser (opera), Tannhäuser'', in 1855. He also wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claimed in his 1870 autobiography '' Mein Leben'' that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 '' Autobiographic Sketch'', Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel ''The Memoirs of Mister von Schnabelewopski'' (''Aus den Memoiren des Herrn von Schnabelewopski''). This work shows early attempts at operatic styles that would characterise his later music dramas. In ''Der fliegende Holländer'' Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini (opera)
''Benvenuto Cellini '' is an opera semiseria in four ''tableaux'' (spread across two or three acts) by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique (Salle Le Peletier) on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier who were inspired by the memoirs of the titular Florentine sculptor but who invented most of the plot. The opera is technically challenging and was until the 21st century rarely performed. But its overture sometimes features in orchestral concerts, as does the concert overture ''Le carnaval romain'' which Berlioz composed from material in the opera. Composition history Berlioz wrote this in his '' Mémoires'' about the background to the opera: I had been greatly struck by certain episodes in the life of ''Benvenuto Cellini''. I had the misfortune to believe they would make an interesting and dramatic subject for an opera, and I asked Léon de Wailly and Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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