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Rondel (Elgar)
"Rondel" is a song written by the English composer Edward Elgar in 1894 as his Op. 16, No. 3. The words are by Longfellow, a translation of a Rondel by Froissart. The manuscript is dated 4 January 1894. The song was first performed by Charles Phillips in St James's Hall on 7 December 1897. The song was first published in 1896, by Ascherberg. It was re-published in 1907 as one of Elgar's '' Seven Lieder'', with English and German words. Lyrics Love, love, what wilt thou with this heart of mine? Nought see I sure or fixed in thee! I do not know thee, – nor what deeds are thine: Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! Shall I be mute, or vows with prayers combine? Ye who are blessed in loving, tell it me: Love, love, what wilt thou with this heart of mine? Nought see I fixed or sure in thee! Lieb', Lieb', was willst du mit dem Herzen mein? Nicht kenn' ich dich, noch dein Begehr! Nichts scheint mir fest in dir, noch klar zu sein: L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for Violin Concerto (Elgar), violin and Cello Concerto (Elgar), cello, and two symphony, symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-consci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Wadsworth Longfellow
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include the poems " Paul Revere's Ride", '' The Song of Hiawatha'', and '' Evangeline''. He was the first American to completely translate Dante Alighieri's ''Divine Comedy'' and was one of the fireside poets from New England. Longfellow was born in Portland, District of Maine, Massachusetts (now Portland, Maine). He graduated from Bowdoin College and became a professor there and, later, at Harvard College after studying in Europe. His first major poetry collections were ''Voices of the Night'' (1839) and ''Ballads and Other Poems'' (1841). He retired from teaching in 1854 to focus on his writing, and he lived the remainder of his life in the Revolutionary War headquarters of George Washington in Cambridge, Massachusetts. His first wife, Mary Potter, died in 1835 after a miscarriage. His second wife, Frances Appleton, died in 1861 after sustaining burns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondel (poem)
A rondel is a verse form originating in French lyrical poetry of the 14th century (closely related to the '' rondeau,'' as well as the '' rondelet''). Specifically, the rondel refers to "a form with two rhymes, three stanzas, and a two-line refrain that repeats either two and a half or three times: ''ABba abAB abbaA(B)."'' Definition Scholars have observed that the rondel is a relatively fluid construction, not always adhering to strict formal definitions. J.M. Cocking wrote that "the reader who comes across a poem bearing the title ''rondel'' by Banville, Rollinat, Dobson or Bridges and is curious enough to look for a definition of this form is likely to be more confused than enlightened." Jeremy Butterfield, writing for ''Fowler's Dictionary of Modern English Usage'', goes so far as to state that "there is no fixed metre" for the rondel. Origins and evolution The origins of the rondel, however, are not so mysterious as its definition. The rondel first rose to prominence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Froissart
Jean Froissart ( Old and Middle French: ''Jehan''; sometimes known as John Froissart in English; – ) was a French-speaking medieval author and court historian from the Low Countries who wrote several works, including ''Chronicles'' and ''Meliador'', a long Arthurian romance, and a large body of poetry, both short lyrical forms as well as longer narrative poems. For centuries, Froissart's ''Chronicles'' have been recognised as the chief expression of the chivalric revival of the 14th-century kingdoms of England, France and Scotland. His history is also an important source for the first half of the Hundred Years' War.Michael Jones (2004).Froissart, Jean (1337? – c. 1404). ''Oxford Dictionary of National Biography''. Life What little is known of Froissart's life comes mainly from his historical writings and from archival sources which mention him in the service of aristocrats or receiving gifts from them. Although his poems have also been used in the past to reconstruct aspe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St James's Hall
St. James's Hall was a concert hall in London that opened on 25 March 1858, designed by architect and artist Owen Jones (architect), Owen Jones, who had decorated the interior of the Crystal Palace. It was situated between the Quadrant in Regent Street and Piccadilly, and Vine Street, Westminster, Vine Street and George Court. There was a frontage on Regent Street, and another in Piccadilly. Taking the orchestra into account, the main hall had seating for slightly over 2,000 persons. It had a grand hall long and broad, the seating was distributed between ground floor, balcony, gallery and platform and it had excellent acoustics. On the ground floor were two smaller halls, one square; the other by . The Hall was decorated in the 'Florentine' style, with features imitating the great Moorish Palace of the Alhambra. The Piccadilly facade was given a Gothic design, and the complex of two restaurants and three halls was hidden behind Nash's Quadrant.Hobhouse, Hermione. ''H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Lieder (Elgar)
''Seven Lieder'' is a set of songs by the English composer Edward Elgar published together in 1907, by Ascherberg, Hopwood & Crew Ltd. The set was published with German words 'by Ed. Sachs', though a wartime reprint of the songs published it as ''Edward Elgar's Album of Seven Songs'' with only the English words. It was also published in different keys, for 'high' and 'low' voice. Songs The songs are, with author of words, opus number (if any) and date of first publication: #" Like to the Damask Rose", Simon Wastell (1892) #" Queen Mary's Song", Alfred, Lord Tennyson (1889) #" A Song of Autumn", Adam Lindsay Gordon (1892) #" The Poet's Life", Ellen Burroughs (1892) #" Through the Long Days", John Hay, Op. 16, No. 2 (1885) #" Rondel", Henry Longfellow from a rondel by Froissart, Op. 16, No. 3 (1894) #" The Shepherd's Song", Barry Pain, Op. 16 No. 1 (1892) RecordingsSongs and Piano Music by Edward Elgarperformed by Amanda Pitt (soprano), Mark Wilde (tenor), Peter Savidge (barit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Banfield
Stephen David Banfield (born 1951) is a musicologist, music historian and retired academic. He was Elgar Professor of Music at the University of Birmingham from 1992 to 2003, and then Stanley Hugh Badock Professor of Music at the University of Bristol from 2003 to his retirement at the end of 2012; he has since been an emeritus professor at Bristol."Professor Stephen Banfield" ''University of Bristol''. Retrieved 18 December 2018.''International Who's Who in Classical Music 2009'' (, 2009), p. 49. Biography Banfield was educated at |
Michael Kennedy (music Critic)
George Michael Sinclair Kennedy CBE (19 February 1926 – 31 December 2014) was an English music critic and author who specialized in classical music. For nearly two decades he was the chief classical music critic for both ''The Daily Telegraph'' (1986–2005) and ''The Sunday Telegraph'' (1989–2005). A prolific writer, he was the biographer of many composers and musicians, including Vaughan Williams, Elgar, Barbirolli, Mahler, Strauss, Britten, Boult and Walton. Other notable publications include writings on various musical institutions, the editing of music dictionaries as well as numerous articles for ''The New Grove Dictionary of Music and Musicians'' and the subsequent ''Grove Music Online''. Life and career On 19 February 1926 Kennedy was born in Chorlton-cum-Hardy, Manchester, and attended Berkhamsted School. On 17 November 1941, he joined the Manchester office of ''Daily Telegraph'' at age 15, as a tea boy. In his youth, Kennedy auditioned for a role in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felicity Lott
Dame Felicity Ann Emwhyla Lott, (born 8 May 1947) is an English soprano. Education Lott was born in Cheltenham, Gloucestershire. From her earliest years she was musical, having started studying piano at age 5. She also played violin and began singing lessons at 12. She is an alumna of Royal Holloway, University of London, obtaining a BA in French and Latin in 1969. During her year in France as part of her four-year degree course, from 1967–68 she took singing lessons at the conservatory in Grenoble. She graduated from the Royal Academy of Music, winning the Principal's Prize. Career She made her operatic debut at the City of London Festival in 1974 as Seleuce in '' Tolomeo'' by Handel. The following year she appeared as Pamina in Mozart's ''The Magic Flute'' at the English National Opera. In 1976 she appeared in the premiere of Henze's ''We Come to the River'' at the Royal Opera House Covent Garden and began a long relationship with the Glyndebourne Festival. In 1977, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Middleton
Joseph Middleton (born 10 January 1981) is a British classical pianist and lied accompanist. Biography Middleton was born in Cirencester, Gloucestershire. At school he played piano, violin, flute and organ. He read music at the University of Birmingham where he graduated with the concerto and conducting awards, a first class BMus and MPhil, and went on to study on an EMI Entrance Scholarship at the Royal Academy of Music. At the academy he studied with Malcolm Martineau and Michael Dussek and won all the academy's piano accompaniment awards, in addition to those at the Wigmore Hall International Song Competition, Kathleen Ferrier Awards, Richard Tauber Award, Royal Over-Seas League Competition and Geoffrey Parsons Award. On leaving the Royal Academy his first engagements were with Sir Thomas Allen (baritone) who invited him to tour North America, perform at Wigmore Hall and join him for his 70th birthday tour of ''Winterreise'', and with Dame Felicity Lott, with whom he record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs By Edward Elgar
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
