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Romeo Und Julia
is an opera in two acts by Heinrich Sutermeister. The composer wrote the libretto, after Shakespeare's ''Romeo and Juliet''. Erik Levi explains that the opera: "presents a synthesis of Romantic and impressionist elements. It marks a ... return to the conception of opera as a sequence of closed forms, incorporating ... stylistic features related to madrigal, oratorio and pantomime." Performance history It was first performed on 13 April 1940, at the Semperoper, Dresden, under the musical direction of Karl Böhm, who also commissioned the work, with Maria Cebotari as Julia, and was a considerable success. It was also performed at Sadler's Wells in London on 12 March 1953, conducted by James Robertson. Roles Synopsis Sutermeister's version follows Shakespeare's plot. In the final scene, a celestial chorus celebrate the union in death of the two lovers. Recordings Sutermeister: ''Romeo und Julia'' – Bavarian Radio Chorus, Tölzer Knabenchor, Munich Radio Orchestra *Cond ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Operas By Heinrich Sutermeister
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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The Musical Times
''The Musical Times'' was an academic journal of classical music edited and produced in the United Kingdom. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Alfred Novello (who also founded '' The Musical World'' in 1836), and it was published monthly by Novello and Co. (also owned by Alfred Novello at the time). It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue – initially just eight pages – contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously published periodical devoted to western classical music. In 1947 a two volume compila ...
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Alexander Malta
Alexander Malta (28 September 1938 as Alexander Lagger – 23 August 2016) was a Swiss operatic bass-baritone. Life Born in St. Gallen, after the Matura at the , he studied in Zürich and Italy and made his debut in 1966 in Stuttgart as Monk in ''Don Carlos''. Engaged in Munich, he performed in Cologne, Berlin, Vienna, Zürich, Geneva, Milan and Florence, where he sang the role of Landgrave in ''Tannhäuser Tannhäuser (; ), often stylized "The Tannhäuser", was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and 1265. His name ...'' in 1983. He made his American debut in San Francisco in 1976, then appeared in Chicago and Philadelphia in 1985. He was Peter Lagger's younger brother and married the American soprano Janet Perry. References External links * {{DEFAULTSORT:Malta, Alexander Pseudonyms 20th-century Swiss male opera singers Ba ...
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Adolf Dallapozza
Adolf Dallapozza (born 14 March 1940 in Bolzano) is an Austrian tenor in opera, operetta and musical theatre He worked for more than 40 years at the Vienna Volksoper. Career Dallapozza was trained as a clerk and started work in a book shop. At the same time, he studied singing - among his teachers was the Italian-born soprano Ida Valjalo - and sang in the chorus of the Vienna Volksoper. At the Volksoper, he sang in his solo debut in 1962 the role of Ernesto in Donizetti's opera ''Don Pasquale''. In the German premiere of Bernstein's ''West Side Story'' in 1968, directed by Marcel Prawy, Dallapozza sang the role of Tony opposite Julia Migenes. That year, he was engaged at the Vienna State Opera, but the Volksoper remained his home for the rest of his career. Until 2008, he had sung in 1,893 performances in 74 different roles there. In 1984, the Volksoper made Dallapozza an honorary member. He was well known for his secure possession of the high c. Repertoire Dalapozza sang almos ...
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Hildegard Laurich
Hildegard Laurich (15 January 1941 – 11 February 2009), was a German classical contralto singer. Professional career Born in Halle, Laurich studied at the Hochschule für Musik Detmold, in Berlin with Hermann Weissenborn, and in private study with Professor Frederick Husler in Cureglia

She sang mostly in concert, particularly in works of . In 1974 she sang the alto part in Bach's '''' in the
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Nikolaus Hillebrand
Nikolaus Hillebrand (born 1948) is a German operatic bass-baritone, who was engaged at the Bavarian State Opera, among others, and appeared at international festivals such as Bayreuth and Taormina. As a boy he was a member of the Regensburger Domspatzen, and returned to record sacred music with the group as a soloist. Career Hillebrand was born in Głuchołazy. He was a member of the boys' choir Regensburger Domspatzen, the choir of the Regensburg Cathedral. He studied voice at the Musikhochschule Köln with Rolf Dieter Knoll, and at the Musikhochschule München with Hanno Blaschke. He was engaged at the Lübeck Opera from 1973 where he made his debut. From 1974 he was engaged at the Karlsruhe Opera, and from 1976 for several seasons at the Bavarian State Opera. Hillebrand performed in 1973 the title role in Rossini's '' Mosè in Egitto'' in Israel. He appeared at the Salzburg Festival in Wagner's ''Die Meistersinger von Nürnberg'' and in concert. He performed at the Bayreu ...
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Ferry Gruber
Ferry Gruber (28 September 1926 – 23 July 2004) was an Austrian-German tenor in opera and operetta. A member of both the Bavarian State Opera and Staatstheater am Gärtnerplatz in Munich for half a century, he focused on roles of the buffo genre and operetta. He made recordings, appeared on radio and television, performed internationally at major opera houses and festivals, and worked also as an operetta director and a private voice teacher. He was a favourite with the audience, and received the title Kammersänger. Career Born in Vienna, Gruber studied conducting at the Wiener Musikakademie with Hans Swarowsky and Hermann Gallos. He then worked as a choral conductor in Vienna, but soon turned to singing. He made his debut at the Staatstheater Lucerne in 1950 as Tamino in Mozart's ''Die Zauberflöte''. He moved to the Theater Basel and then went to the Bavarian State Opera in Munich in 1954, where his first role was Alfredo in Verdi's '' La traviata''. He turned to the buffo ...
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Heinz Wallberg
Heinz Wallberg (16 March 192329 September 2004) was a German conductor. Wallberg was born in Herringen, Westphalia. He studied trumpet, violin and piano. He helped to support his family with his musical training after his father became unable to work. During World War II, he was a morse code operator, and simultaneously directed an army band and led a string quartet. After the war, he studied at the Dortmund and Cologne conservatories. He made his debut as a conductor in Münster with Mozart's '' The Marriage of Figaro''. He became principal music director in Augsburg in 1954, and in Bremen in 1955, concluding in both posts in 1960.''International Who's Who In Classical Music'', 2003 Edition, p. 828 (Europa Publications Ltd., London, England). In 1957, he recorded a scene from Wagner's '' Lohengrin'', with the Philharmonia Orchestra in London and the singers Elisabeth Schwarzkopf and Christa Ludwig, under the production of Walter Legge. He also recorded Mendelsso ...
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Munich Radio Orchestra
The Munich Radio Orchestra (German: ''Münchner Rundfunkorchester'') is a German symphony broadcast orchestra based in Munich. It is one of the two orchestras affiliated with the Bavarian Radio (Bayerischer Rundfunk), the other being the Bavarian Radio Symphony Orchestra. History A precursor ensemble to the Munich Radio Orchestra was established in the 1920s. The current Munich Radio Orchestra was formalised in 1952, with Werner Schmidt-Boelke as its first chief conductor. The orchestra's focus has historically been on light music, with particular emphasis in its early years as an orchestra for operettas. The orchestra was also historically known for its Sunday concerts. From the chief conductorship of Lamberto Gardelli (1982–1985) onwards, the orchestra expanded its repertoire into opera, specifically Italian opera. This work continued under the orchestra's next three chief conductors, all Italians, Giuseppe Patanè (1988–1989), Roberto Abbado (1992–1998), and Marcell ...
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Tölzer Knabenchor
The Tölzer Knabenchor (Tölz Boys' Choir) is a world-famous Boys' choir, boys' choir named after the Upper Bavarian district town of Bad Tölz and based in Unterföhring near Bavarias capital Munich. Also associated with the choir is the Men's chorus, men's choir ZwoZwoEins, which consists of former members of the choir. History In 1956, the then 19-year-old Gerhard Schmidt-Gaden, who was still attending secondary school at the time in order to complete his A-levels, took over the singing group of a scout group in Bad Tölz. At first, the choir mainly sang folk music. Since a parents' meeting in 1957, it has been called the Tölzer Knabenchor. Schmidt-Gaden, who himself originally aspired to a career as a heldentenor, traced the soloist training of each individual boy back to Johann Sebastian Bach, among other things. As early as 1956, the choir was invited to give its first radio concerts on Bayerischer Rundfunk, Bavarian Radio. The first concert tour to South Tyrol and Trento ...
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