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Roland Fantom
The Fantom is a line of music workstations/synthesizers produced by Roland Corporation since 2001, when the Fantom line took over from the Roland XP-80. References {{Roland Music workstations Fantom Fantom is a Swedish velomobile with four wheels, two in the front and two in the rear. It has no front suspension, but has suspension in the rear. Fantom was never sold as a finished product. Instead it was sold as a set of drawings. The drawin ... Polyphonic synthesizers Digital synthesizers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Synthesizer
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers, while others include sampling capability in addition to digital synthesis. History The very earliest digital synthesis experiments were made with computers, as part of academic research into sound generation. In 1957, the first programming language for computer music, MUSIC, was developed by Max Mathews on an IBM 704 at Bell Labs in 1957. It generates digital audio waveforms through direct synthesis. , EMS MUSYS 3 system was developed by Peter Grogono (software), David Cockerell (hardware and interfacing) and Peter Zinovieff (system design and operation) at their London (Putney) Studio. The system ran on two mini-co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Workstation
A music workstation is an electronic musical instrument providing the facilities of: *a sound module, *a music sequencer and *(usually) a musical keyboard. It enables a musician to compose electronic music using just one piece of equipment. Origin of concept The concept of a music sequencer combined with a synthesizer originated in the late 1970s with the combination of microprocessors, mini-computers, digital synthesis, disk-based storage, and control devices such as musical keyboards becoming feasible to combine into a single piece of equipment that was affordable to high-end studios and producers, as well as being portable for performers. Prior to this, the integration between sequencing and synthesis was generally a manual function based on wiring of components in large modular synthesizers, and the storage of notes was simply based on potentiometer settings in an analog sequencer. Multitimbrality Polyphonic synthesizers such as Sequential Circuit Prophet-5 and Yamaha D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizers
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland XP-80
The Roland XP-80 is a music workstation that uses digital PCM subtractive synthesis and combines an updated version of the JV-1080 synthesizer engine with the sequencer capabilities of the Roland MRC-Pro sequencer. The XP-80 was introduced in 1996 and is now discontinued. Specifications Source: The XP-80 has a 76-key semi-weighted keyboard. A smaller 61-key variant, the XP-60 was introduced shortly afterward. The synthesis engine is capable of 64-voice polyphony and 16-part multi-timbrality. The XP-80 includes the 128 General MIDI instrument set, as well as 384 additional preset instruments ("patches" in Roland parlance), for a total of 512 preset patches. Additional user memory is provided for making copies of up to 128 patches, allowing the user to edit patch parameters and save them in memory. There are 8 preset percussion instrument combinations (called "rhythm sets") and 2 user configurable rhythm sets. The XP-80 includes 64 preset combinations of up to 15 existin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SRX Expansion Board
The SRX are a series of expansion boards produced by Roland Corporation. First introduced in 2000, they are small boards of electronic circuitry with 32MB PCM chip- ROMs (decompressed to 64MB) containing patches (timbres) and rhythm sets (drum kits). They are used to expand certain models of Roland synthesizers, music workstations, keyboards, and sound modules. Predecessor formats include the 15 SN-U110 PCM cards (U-110, U-20, U-220, D-70, CM-64 and CM-32P), 8 SL-JD80 PCM card/preset RAM card (JD-only) sets and 8 SO-PCM1 1-2 MB cards (both JD-800, JD-990, JV-80, JV-880, JV-90, JV-1000 and JV-1080), 22 SR-JV80 expansion boards (JD-990, JV-880, JV-1010, JV-1080, JV-2080, XV-3080, XV-5080, JV-80, JV-90, JV-1000, XP-30, XP-50, XP-60, XP-80, Fantom FA76, XV-88) and others. The Roland INTEGRA-7 Racksynthesizer included 12 SRX-Boards from SRX-01 to SRX-12. Expansion boards * SRX-01 Dynamic Drum Kits * SRX-02 Concert Piano * SRX-03 Studio SRX * SRX-04 Symphonique Strings * SRX-05 Sup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland JV-2080
The Roland JV-2080 is a rack-mount expandable MIDI sound module and an updated version of the Roland JV-1080. Produced by the Roland Corporation, released in 1996, and built on a sample-based synthesis architecture, the JV-2080 provides a library of on-board sample material and a semi-modular synthesis engine. Main features The JV-2080 ("2080") is a sample + synthesis synthesizer with support for 768 internal patches, including General MIDI. In addition to the synthesizer, it also includes a multi-effects module, with 40 effect types, of which three can be used simultaneously. The 2080 is expandable via proprietary modules that contain both sample-based waveform data and patch information. The internal memory of the 2080 is divided into five sections. * USER – User re-writeable storage (RAM), initially contains a modified copy of PR-E. * PR-A, B, C, E (Preset A through C and E) – Presets in read-only memory, cannot be modified. * PR-D (General MIDI) – Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Fantom X
The Fantom-X (Xa/X6/X7/X8/XR) was a music workstation/synthesizer in the Roland Fantom line, produced by Roland Corporation. It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif and other similar large-scope keyboards such as the discontinued Alesis Fusion. In 2008 it was succeeded by the Fantom-G*, which was devised to compete with the new Korg and Yamaha flagship keyboards. Features The Roland Fantom-X features a 128-voice PCM-based synthesizer, a 16-track MRC-Pro sequencer, 6 effects processors, dynamic pads and infrared D-Beam, a stereo sampler and full on-screen editing. The Fantom X received an audio recorder upgrade with version 2.00 that allows for 8 stereo audio tracks integrated with the internal MIDI sequencer. *The Fantom X6 - 61-key version with aftertouch *The Fantom X7 - 76-key version with aftertouch *The Fantom X8 - 88-key fully weighted piano keyboard *The Fantom XR - ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Workstations
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Synthesizers
Roland (; ; or ''Rotholandus''; or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic Synthesizers
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
