Roger De Piles
Roger de Piles (7 October 1635 – 5 April 1709) was a French painter, engraver, art critic and diplomat. Life Born in Clamecy, Nievre, Clamecy, Roger de Piles studied philosophy and theology, and devoted himself to painting. In 1662 he became tutor to Michel Amelot de Gournay, whom he was to follow throughout his life, acting as secretary to his various missions as French ambassador to Venice, Portugal, Spain. De Piles went to Italy twice, first in 1673–1674 as tutor of Amelot on the latter's Grand Tour; and then again in 1682–1685, as his secretary when Amelot was appointed the French Ambassador to the Republic of Venice. On the latter occasion, De Piles was made a member of the Bolognese literary Academy ''dei Gelati'', most probably thanks to a motion promoted by his friend Carlo Cesare Malvasia, whom he had already met on the earlier occasion, as the Bolognese records in his ''Felsina Pittrice''. In Venice (1682–1685) he started a famous collection of prints, drawin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Hague
The Hague ( ) is the capital city of the South Holland province of the Netherlands. With a population of over half a million, it is the third-largest city in the Netherlands. Situated on the west coast facing the North Sea, The Hague is the country's administrative centre and its seat of government, and has been described as the country's ''de facto'' capital since the time of the Dutch Republic, while Amsterdam is the official capital of the Netherlands. The Hague is the core municipality of the COROP, Greater The Hague urban area containing over 800,000 residents, and is also part of the Rotterdam–The Hague metropolitan area, which, with a population of approximately 2.6 million, is the largest metropolitan area of the Netherlands. The city is also part of the Randstad region, one of the largest conurbations in Europe. The Hague is the seat of the Cabinet of the Netherlands, Cabinet, the States General of the Netherlands, States General, the Supreme Court of the Neth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Poussinists And Rubenists
In 1671 an argument broke out in the French Royal Academy of Painting and Sculpture in Paris about whether drawing or color was more important in painting. On one side stood the Poussinists (Fr. ''Poussinistes'') who were a group of French artists, named after the painter Nicolas Poussin, who believed that drawing was the most important thing.Poussinist '''', 2014. Retrieved 27 March 2014. On the other side were the Rubenists (Fr. ''Rubénistes''), named after , who prioritized color. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Svetlana Alpers
Svetlana Leontief Alpers (née Leontief; born February 10, 1936) is an American art historian, also a professor, writer and critic. Her specialty is Dutch Golden Age painting, a field she revolutionized with her 1984 book ''The Art of Describing''. She has also written on Tiepolo, Rubens, Bruegel, and Velázquez, among others. Education and career Svetlana Alpers received her B.A. from Radcliffe College in 1957 and a Ph.D.from Harvard in 1965. She was a professor of art history at the University of California, Berkeley from 1962 to 1998, and by 1994 she was named Professor Emerita. In 1983, Alpers co-founded the interdisciplinary journal '' Representations'' with American literary critic Stephen Greenblatt. In 2007, she collaborated with artists James Hyde and Barney Kulok on a project entitled ''Painting Then for Now''. The project consists of 19 photographic prints based on the suite of three paintings by Giambattista Tiepolo that hang at the top of the main staircase i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Impressionists
Impressionism was a 19th-century art movement characterized by visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brush
A brush is a common tool with bristles, wire or other filaments. It generally consists of a handle or block to which filaments are affixed in either a parallel or perpendicular orientation, depending on the way the brush is to be gripped during use. The material of both the block and bristles or filaments is chosen to withstand hazards of its intended use, such as corrosive chemicals, heat or abrasion. It is used for cleaning, grooming hair, make up, painting, surface finishing and for many other purposes. It is one of the most basic and versatile tools in use today, and the average household may contain several dozen varieties. History When houses were first inhabited, homeowners used branches taken from shrubs to sweep up dirt, hence using the first brushes. In 1859, the first brush factory in America was set up in New York. Manufacture A common way of setting the bristles, brush filaments, in the brush is the staple or anchor set brush in which the filament is forced w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Perspective (graphical)
Linear or point-projection perspective () is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. It is based on the optical fact that for a person an object looks N times (linearly) smaller if it has been moved N times further from the eye than the original distance was. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to , meaning that an object's dimensions parallel to the line of sight appear shorter than its dimensions perpendicular to the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horiz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Proportion (architecture)
Proportion is a central principle of architectural theory and an important connection between mathematics and art. It is the visual effect of the relationship of the various objects and spaces that make up a structure to one another and to the whole. These relationships are often governed by multiples of a standard unit of length known as a "module". Proportion in architecture was discussed by Vitruvius, Leon Battista Alberti, Andrea Palladio, and Le Corbusier among others. Roman architecture Vitruvius Architecture in Roman antiquity was rarely documented except in the writings of Vitruvius' treatise ''De architectura''. Vitruvius served as an engineer under Julius Caesar during the first Gallic Wars (58–50 BC). The treatise was dedicated to Emperor Augustus. As Vitruvius defined the concept in the first chapters of the treatise, he mentioned the three prerequisites of architecture are firmness (''firmitas''), commodity (''utilitas''), and delight (''venustas''), whic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Color
Color (or colour in English in the Commonwealth of Nations, Commonwealth English; American and British English spelling differences#-our, -or, see spelling differences) is the visual perception based on the electromagnetic spectrum. Though color is not an inherent property of matter, color perception is related to an object's light absorption, emission spectra, emission, Reflection (physics), reflection and Transmittance, transmission. For most humans, colors are perceived in the visible light spectrum with three types of cone cells (trichromacy). Other animals may have a different number of cone cell types or have eyes sensitive to different wavelengths, such as bees that can distinguish ultraviolet, and thus have a different color sensitivity range. Animal perception of color originates from different light wavelength or spectral sensitivity in cone cell types, which is then processed by the brain. Colors have perceived properties such as hue, colorfulness (saturation), and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drawing
Drawing is a Visual arts, visual art that uses an instrument to mark paper or another two-dimensional surface, or a digital representation of such. Traditionally, the instruments used to make a drawing include pencils, crayons, and ink pens, sometimes in combination. More modern tools include Stylus (computing), computer styluses with graphics tablets and gamepads in Virtual reality, VR drawing software. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as Paperboard, cardboard, vellum, wood, plastic, leather, canvas, and Lumber, board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas. The wide availability of drawing instruments makes drawing one of the most comm ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Philippe De Champaigne
Philippe de Champaigne (; 26 May 1602 – 12 August 1674) was a Duchy of Brabant, Brabant-born French people, French Baroque era painter, a major exponent of the French art, French school. He was a founding member of the Académie royale de peinture et de sculpture in Paris, the premier art institution in the Kingdom of France in the eighteenth century. Life and work Born of a poor family in Brussels (Duchy of Brabant, Southern Netherlands), during the reign of the Archduke Albert VII, Archduke of Austria, Albert and Isabella Clara Eugenia, Isabella, Champaigne was a pupil of the landscape painter Jacques Fouquier. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the under the direction of Nicolas Duchesne, whose daughter he would eventually marry. According to Houbraken, Duchesne was angry at Champaigne for becoming more popular than he was at court, and so Champaigne returned to Brussels to live with his brother. It was only after he receive ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |