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Rockism
Rockism and poptimism are ideological arguments about popular music prevalent in mainstream music journalism. Rockism is the belief that rock music depends on values such as authenticity and artfulness, which elevate it over other forms of popular music. So-called "rockists" may promote the artifices stereotyped in rock music or may regard the genre as the normative state of popular music. Poptimism (or popism) is the belief that pop music is as worthy of professional critique and interest as rock music. Detractors of poptimism describe it as a counterpart of rockism that unfairly privileges the most famous or best-selling pop, hip hop and R&B acts. The term "rockism" was coined in 1981 by English rock musician Pete Wylie. It soon became a pejorative used humorously by self-described "anti-rockist" music journalists. The term was not generally used beyond the music press until the mid-2000s, and its emergence then was partly attributable to bloggers using it more seriously ...
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Music Journalist
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock music, rock and pop music, pop after the breakthrough of the Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music, classical music criticism, which has traditionally comprised the study, discussion, evaluation, a ...
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Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of the Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.S. Frith, W. Straw, and J. Street, eds, ''iarchive:cambridgecompani00frit, The Cambridge Companion to Pop and Rock'' (Cambridge: Cambridge University Press), , pp. 95–105. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, wikt:ephemeral, ephemeral, and accessible. Identifying factors of pop music usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse–chorus structure), and rhythms or tempos that can be easily danced to. Much of pop music also borrows elements from other styles such as rock, hip hop, urban contemporary, ...
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Rock Music
Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew from the black musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk music, folk, and incorporated influences from jazz and other styles. Rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drum kit, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature and using a verse–chorus form; however, the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most p ...
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Pete Wylie
Peter James Wylie (born 22 March 1958) is an English singer-songwriter and guitarist, best known as the leader of the band variously known as Wah!, Wah! Heat, Shambeko! Say Wah!, JF Wah!, The Mighty Wah! and Wah! The Mongrel. Career Early bands Wylie was born on 22 March 1958 in Liverpool. He began his career in 1977 with lead vocalist Ian McCulloch (singer), Ian McCulloch and bassist Julian Cope, with whom he formed the band Crucial Three, which lasted from May to June the same year. Later that year, he performed as a member of the short-lived punk band Mystery Girls, who gave only one performance, supporting Sham 69 at Eric's Club in November 1977, and was composed of Pete Burns and Julian Cope. In December 1977, he joined The Spitfire Boys, who dissolved the same month. Wylie and two of the band, Pete Griffiths and Peter Clarke (musician), Peter Clarke, formed the same month The Nova Mob, alongside Julian Cope. The band lasted until May 1978. In August, he joined establis ...
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Electric Guitar
An electric guitar is a guitar that requires external electric Guitar amplifier, sound amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickup (music technology), pickups to convert the vibration of its strings into Electrical signal, electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities via amplifier settings or knobs on the guitar. Often, this is done through the use of Effects unit, effects such as reverb, Distortion (music), distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock music, rock and Heavy metal music, heavy metal guitar playing. Designs also exist combining attributes of electric and acoustic guitars: the Semi-acoustic guitar, semi-acoustic and Acoustic-electric guitar, acoustic-electric guitars. Inven ...
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High Culture
In a society, high culture encompasses culture, cultural objects of Objet d'art, aesthetic value that a society collectively esteems as exemplary works of art, as well as the literature, music, history, and philosophy a society considers representative of its culture. In popular usage, the term ''high culture'' identifies the culture either of the upper class (an Aristocracy (class), aristocracy) or of a status class (the intelligentsia); "high culture" also identifies a society's common repository of broad-range knowledge and tradition (folk culture) that transcends its social-class system. Sociologically, the term is contrasted with "low culture", which comprises the forms of popular culture characteristic of the less-educated social classes, such as the barbarians, the Philistinism, philistines, and ''hoi polloi'' (the masses), though the upper classes very often also enjoy low culture. Matthew Arnold introduced the term "high culture" in his 1869 book ''Culture and Anarchy'' ...
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Singer-songwriter
A singer-songwriter is a musician who writes, composes, and performs their own musical material, including lyrics and melodies. In the United States, the category is built on the folk- acoustic tradition with a guitar, although this role has transmuted through different eras of popular music. Traditionally, these musicians would write and sing songs personal to them. Singer-songwriters often provide the sole musical accompaniment to an entire song. The piano is also an instrument of choice. Biography The label "singer-songwriter" (or "song-writer/singer") is used by record labels and critics to define popular music artists who write and perform their own material, which is often self-accompanied – generally on acoustic guitar or piano. Such an artist performs the roles of composer, lyricist, vocalist, sometimes instrumentalist, and often self-manager. According to AllMusic, singer-songwriters' lyrics are often personal but veiled by elaborate metaphors and vague imagery, ...
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Guilty Pleasure
A guilty pleasure is something, such as an activity or a piece of media, that one enjoys despite understanding that it is not generally held in high regard or is seen as unusual. For example, a person may secretly enjoy a film while acknowledging that the film is poorly made or generally regarded unfavorably. The term can also be used to refer to a taste for foods that are considered to be advisable to avoid, especially for healthy diet, health reasons. For example, coffee, alcoholic beverages, smoking and chocolate after dinner are considered by many to be guilty pleasures. History George Orwell, in his essay "Rudyard Kipling" (1942), describes the poetry of Kipling as a "almost a shameful pleasure". See also * Guilt (emotion), Guilt * Peer pressure * Shame References External links

Conformity Guilt Hedonism Popular psychology Social influence {{ethics-stub ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for ''The Village Voice'' for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for '' Esquire'', '' Creem'', '' Newsday'', '' Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music;'' he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world—when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrated, fragmente ...
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Ulrich Beck
Ulrich Beck (; 15 May 1944 – 1 January 2015) was a German sociologist, and one of the most cited social scientists in the world during his lifetime. His work focused on questions of uncontrollability, Sociology of scientific ignorance, ignorance and uncertainty in the modernity, modern age, and he coined the terms "risk society" and "second modernity" or "reflexive modernization". He also tried to overturn national perspectives that predominated in sociological investigations with a cosmopolitanism that acknowledges the interconnectedness of the modern history, modern world. He was a professor at the Ludwig Maximilian University of Munich, University of Munich and also held appointments at the Fondation Maison des Sciences de l’Homme (FMSH) in Paris, and at the London School of Economics. Life Beck was born in the Province of Pomerania (1815–1945), Pomeranian town of Stolp, Nazi Germany, Germany (now Słupsk in Poland), in 1944, and grew up in Hanover. He began university ...
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Western Canon
The Western canon is the embodiment of High culture, high-culture literature, music, philosophy, and works of art that are highly cherished across the Western culture, Western world, such works having achieved the status of classics. Recent discussions upon the matter emphasise cultural diversity within the canon. The canons of music and visual arts have been broadened to encompass often overlooked periods, whilst recent media like cinema grapple with a precarious position. Criticism arises, with some viewing changes as prioritising activism over aesthetic values, often associated with critical theory, as well as postmodernism. Another critique highlights a narrow interpretation of the West, dominated by British and American culture, at least under contemporary circumstances, prompting demands for a more diversified canon amongst the hemisphere. Literary canon Classic book A classic is a book, or any other work of art, accepted as being exemplary or noteworthy. In the secon ...
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