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Robert Kobayashi
Robert Kobayashi (1925–2015) was a Hawaiʻi-born artist who made abstract expressionism, abstract expressionist paintings at the beginning of his career and later produced pointillism, pointillist paintings and pointillist-derived sculptures in the folk art tradition. Known for the "whimsical, childlike quality" of his work, he rarely exhibited in commercial galleries, preferring to work and display his creations in a studio called "Moe's Meat Market" that he and his wife owned in the NoLita section of Manhattan. Early life and training Kobayashi was born and raised in Honolulu, Hawaii. His parents having divorced before he was five, he and his four sisters lived with his mother on the northern fringe of the Downtown Honolulu, business district. After graduating from high school in 1944, he served in the U.S. Army until the end of World War II and then enrolled in the studio school of the Honolulu Museum of Art School, Honolulu Art Academy. His instructors there included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Territory Of Hawaii
The Territory of Hawaii or Hawaii Territory (Hawaiian language, Hawaiian: ''Panalāʻau o Hawaiʻi'') was an organized incorporated territories of the United States, organized incorporated territory of the United States that existed from April 30, 1900, until August 21, 1959, when most of its territory, excluding Palmyra Atoll, Palmyra Island, was admitted to the United States as the 50th U.S. state, the Hawaii, State of Hawaii. The Hawaii Admission Act specified that the State of Hawaii would not include Palmyra Island, the Midway Atoll, Midway Islands, Kingman Reef, and Johnston Atoll, which includes Johnston (or Kalama) Island and Sand Island. On July 4, 1898, the United States Congress passed the Newlands Resolution authorizing the U.S. annexation of the Republic of Hawaii, and five weeks later, on August 12, Hawaii became a Territories of the United States, U.S. territory. In April 1900 Congress approved the Hawaiian Organic Act which organized the territory. United Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel M
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of ''Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yayoi Kusama
is a Japanese contemporary artist who works primarily in sculpture and installation, and is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.Yamamura, Midori (2015), ''Yayoi Kusama: Inventing the Singular.'' MIT Press. . Kusama was raised in Matsumoto, and trained at the Kyoto City University of Arts in a traditional Japanese painting style called nihonga. She was inspired by American Abstract impressionism. She moved to New York City in 1958 and was a part of the New York avant-garde scene throughout the 1960s, especially in the pop-art movement. Embracing the rise of the hippie counterculture of the late 1960s, she came ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Sugarman
George Sugarman (11 May 1912 – 25 August 1999) was an American artist working in the mediums of drawing, painting, and sculpture. Often described as controversial and forward-thinking, Sugarman's prolific body of work defies a definitive style. He pioneered the concepts of pedestal-free sculpture and is best known for his large-scale, vividly painted metal sculptures. His innovative approach to art-making lent his work a fresh, experimental approach and caused him to continually expand his creative focus. During his lifetime, he was dedicated to the well-being of young emerging artists, particularly those who embraced innovation and risk-taking in their work. In his will, Sugarman provided for the establishment of The George Sugarman Foundation, Inc. A 1934 graduate of the City College of New York, Sugarman served in the United States Navy from 1941 to 1945, assigned to the Pacific theater. He resumed his education in Paris, studying with Cubist sculptor Ossip Zadkine. He re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Bladen
Ronald Bladen (July 13, 1918 – February 3, 1988) was a Canadian-born American painter and sculptor. He is particularly known for his large-scale sculptures. His artistic stance, was influenced by European Constructivism, American Hard-Edge Painting, and sculptors such as Isamu Noguchi and David Smith. Bladen in turn had stimulating effect on a circle of younger artists including Carl Andre, Donald Judd, Sol LeWitt and others, who repeatedly referred to him as one of the 'father figures' of Minimal Art. Early life Charles Ronald Wells Bladen was born on July 13, 1918, to Muriel Beatrice Tylecote and Kenneth Bladen, both British immigrants living in Vancouver, Canada. In 1922 the family moved to the Washington state before returning to Canada to live in Victoria, British Columbia in 1932. The artist displayed his love of art at a young age. At ten years old Bladen began drawing intensively, making copies of works by Titian, Picasso and Matisse. In 1937 the artist enrolled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Held
Al Held (October 12, 1928 – July 27, 2005) was an American Abstract expressionist painter. He was particularly well known for his large scale Hard-edge paintings. As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form. In the 1950s his style reflected the abstract expressionist tone and then transitioned to a geometric style in the 1960s. During the 1980s, there was a shift into painting that emphasized bright geometric space that's deepness reflected infinity. From 1963 to 1980 he was a professor of art at Yale University. Background and education Born in Brooklyn, New York, in 1928, he grew up in the East Bronx, the son of a poor Jewish family thrown onto welfare during the depression. Held showed no interest in art until leaving the Navy in 1947. Inspired by his friend Nicholas Krushenick, Held enrolled in the Art Students League of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Krushenick
Nicholas Krushenick (May 31, 1929 – February 5, 1999) was an American abstract painter, collagist and printmaker whose mature artistic style straddled Pop Art, Op Art, Minimalism and Color Field. He was active in the New York art scene from the mid-1950s to the mid-1970s, before he began focusing his time as a professor at the University of Maryland. Initially experimenting with a more derivative Abstract Expressionist style, by the mid-1960s he had developed his own unique approach, painting increasingly decisive compositions marked by bold, colorful, geometric fields and forms simultaneously flattened and amplified by strong black outlines, in a style that eventually became known as Pop abstraction. In 1984, the biographical dictionary ''World Artists, 1950-1980'' observed that Krushenick "has been called the only truly abstract Pop painter." Today, as other artists have been carefully folded into the same paradoxical genre, Krushenick is not only considered a singular f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Krushenick
John Krushenick (March 18, 1927 – June 19, 1998) painter and co-founder of the Brata Gallery in New York City. He studied with Hans Hofmann, exhibited at the Leo Castelli Gallery in New York City, and MoMA Tokyo. He and brother Nicholas Krushenick opened an artists' cooperative called the Brata Gallery in the late 1950s. During the late 1950s many cooperative galleries along Ninth and Tenth Street in New York City's East Village showcased the work of young artists. The painters and sculptors showcased there were among the avant-garde of the day. According to some sources, one of the earliest of the postwar New York "shaped canvas" paintings, by Edward Clark, was shown at the Brata in 1957. See also * New York School *Nicholas Krushenick *Tenth street galleries The 10th Street galleries was a collective term for the co-operative galleries that operated mainly in the East Village on the east side of Manhattan, in New York City in the 1950s and 1960s. The galleries wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10th Street Galleries
The 10th Street galleries was a collective term for the co-operative galleries that operated mainly in the East Village on the east side of Manhattan, in New York City in the 1950s and 1960s. The galleries were artist run and generally operated on very low budgets, often without any staff. Some artists became members of more than one gallery. The 10th Street galleries were an avant-garde alternative to the Madison Avenue and 57th Street galleries that were both conservative and highly selective. History The Neighborhood In New York City, from the early 1950s through the mid-1960s (and beyond), many galleries began as an outgrowth of an artistic community that had sprung up in a particular area of downtown Manhattan. The streets between 8th Street and 14th Street between Fifth and Third Avenues attracted many serious painters and sculptors where studio and living space could be found at a relatively inexpensive cost. Author Morgan Falconer describes it this way for the Roy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Village, Manhattan
The East Village is a neighborhood on the East Side of Lower Manhattan in New York City. It is roughly defined as the area east of the Bowery and Third Avenue, between 14th Street on the north and Houston Street on the south. The East Village contains three subsections: Alphabet City, in reference to the single-letter-named avenues that are located to the east of First Avenue; Little Ukraine, near Second Avenue and 6th and 7th Streets; and the Bowery, located around the street of the same name. Initially the location of the present-day East Village was occupied by the Lenape Native Americans, and was then divided into plantations by Dutch settlers. During the early 19th century, the East Village contained many of the city's most opulent estates. By the middle of the century, it grew to include a large immigrant populationincluding what was once referred to as Manhattan's Little Germanyand was considered part of the nearby Lower East Side. By the late 1960s, many artists, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist Cooperative
An artist cooperative (also co-operative or co-op) is an autonomous visual arts organization, enterprise, or association jointly owned and democratically controlled by its members. Artist cooperatives are legal entities organized as non-capital stock corporations, non-profit organizations, or unincorporated associations. Such cooperatives typically provide professional facilities and services for its artist-members, including studios, workshops, equipment, exhibition galleries, and educational resources. By design, all economic and non-economic benefits and liabilities of the cooperative are shared equally among its members. Cooperative members elect their board of directors from within the membership. . See also *[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantino Nivola
Costantino (also known as Antine, in Sardinia, or Tino, in the US) Nivola (July 5, 1911 – May 6, 1988) was an Italian sculptor, architectural sculptor, muralist, designer, and teacher. Born in Sardinia, Nivola had already started his career when he fled Fascism for Paris in 1938, going to the U.S. in 1939. His major sculptural work is abstract, large-scale architectural reliefs in concrete, made in his own sandcasting and cement carving processes. These were erected in and on American buildings between the late 1950s and early 1970s. Creatively busy and while remaining active in Italy, Nivola also taught at the Harvard Graduate School of Design, Columbia University, UC Berkeley, and elsewhere. The Nivola Museum in Orani, Sardinia is dedicated to his life and sculpture, and hosts the largest collection of his smaller scale work. Early career Nivola was born and grew up poor in Orani, a village in Sardinia. As an adolescent, he worked as an apprentice stonemason ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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