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Robert Hermann Raudner
Robert Hermann Raudner (1854–1915) was a German landscape and genre painter, and etcher. Raudner was born 21 January 1854 at Nimkau in Silesia,"1891 - Wood engraving with a view of Ottobeuren by Hermann Raudner"
''Ottobeuren Macht Heschichte'' (''Ottobeuren Makes History''), Ottobeuren-macht-geschichte.de. Retrieved 5 January 2020
the son to a . He studied painting from October 1878 in the antique class—drawing after the antique—of the Royal Acad ...
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Robert Raudner - Town And Garden With Sunflowers By A Pond 1894
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be used ...
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Ludwig Von Löfftz
Ludwig von Löfftz (21 June 1845 – 3 December 1910) was a German genre and landscape painter. Biography He was born at Darmstadt. He was a pupil of August von Kreling and Karl Raupp at Nuremberg, then of Wilhelm von Diez at the Academy of Fine Arts Munich, where he became professor in 1879, and of which he was director between 1891 and 1899. His chief importance lay in his influence as a teacher. In 1884 he began teaching Anton Ažbe. Among his students was also Lovis Corinth, and the American Albert Lorey Groll. His works are not numerous, but are of great perfection. A lofty atmosphere pervades his interiors, treated in the spirit of the Flemish masters, while his religious subjects are imbued with deep feeling and solemn grandeur. Great technical skill and masterly treatment of the chiaroscuro produce the most harmonious effects in all of his paintings. The impressive "Pietà" (1883) won him the gold medal at the International Exhibition in Munich and is now in the Neue ...
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German Male Painters
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law ** Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * '' The German'', a 2008 short film * " The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (disambigua ...
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19th-century German Male Artists
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ...
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Painters From Munich
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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Hans Vollmer
Hans Vollmer (16 November 1878 – 15 February 1969) was a German art historian. Life His father was the architect (1845-1920), his grandfather of the Hamburg marine painter and sculptor Adolph Friedrich Vollmer (1806–1875). He was the older brother of the painter and sculptor Erwin Vollmer (1884–1973). Vollmer studied art history, history of sciences and philosophy in Berlin and Munich. In 1906 he was awarded a doctorate by Heinrich Wölfflin in Berlin with a thesis on ''Schwäbische Monumentalbrunnen von der Gotik bis zum Klassizismus'' (Swabian monumental fountains from the Gothic to the Classicism). Since April 1, 1907 he was employed in the editorial office of the '' Thieme-Becker ''Allgemeiner Künstlerlexikon'' at the publishing house E. A. Seemann in Leipzig, in 1923 he took over the editorial management and became editor of the Thieme-Becker company. He worked as the main contributor, supported by a small editorial staff, until the completion of the 37-volume w ...
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Felix Becker (art Historian)
Karl Günther Ernst Felix Becker (27 September 1864, Sondershausen - 23 October 1928, Leipzig) was a German art historian, best known today for the project ''Thieme-Becker''. Life He was the son of the glassmaker Johann Albert Adolph Becker (1811–1891) and Johanna Wilhelmine Christiane nee Kumst (1824–1888). He studied art history at Bonn University and Leipzig University, acted as assistant to August Schmarsow and gained his doctorate in 1897 with a thesis on Early Netherlandish painting. He travelled widely before settling in Leipzig as a private scholar - there he and Ulrich Thieme edited the first four volumes of the '' Allgemeinen Lexikons der bildenden Künstler von der Antike bis zur Gegenwart'' until he resigned in 1910 due to ill health. Works Author * ''Schriftquellen zur Geschichte der altniederländischen Malerei nach den Hauptmeistern chronologisch geordnet''. Sellmann & Henne, Leipzig 1897, zugleich Dissertation, Universität Leipzig 1898 * ''Beschreibender Kat ...
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Ulrich Thieme
Ulrich Thieme (31 January 1865 in Leipzig – 25 March 1922 in Leipzig) was a German art historian. He was the son of the industrialist and art collector Alfred Thieme (1830–1906), brother of the publisher Georg Thieme (1830–1906) and grandfather of the painter Peter Flinsch (1920–2010). Life He attended the and passed the Abitur in 1886. He enrolled at the Ruprecht-Karls-Universität Heidelberg for chemistry and physics and became active in the in 1886. Kösener Corpslisten 1930, 69, 809; 94, 261. He changed to the Humboldt University of Berlin and the Leipzig University. In 1887 he also joined the. In his home town Leipzig he studied art history and archaeology from 1888 to 1891. With a doctoral thesis about the painter and graphic artist Hans Leonhard Schäufelein with Anton Springer he was awarded the Dr. phil. in 1892. Dissertation: ''Hans Leonhard Schaeuffeleins malerische Thätigkeit''. After travelling through various countries, he was with Wilhelm von Bode ...
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Glaspalast (Munich)
The ''Glaspalast'' (Glass Palace) was a glass and iron exhibition building located in the Old botanical garden - Munich in Munich modeled after The Crystal Palace in London. The Glaspalast opened for the first General German Industrial Exhibition on July 15, 1854. Planning Following other examples around Europe, the ''Glaspalast'' was ordered by Maximilian II, King of Bavaria, in order to hold the ''Erste Allgemeine Deutsche Industrieausstellung'' (First General German Industrial Exhibition) on July 15, 1854. Originally it was planned to erect the building on Maximilianplatz. However, the relevant Commission decision preferred an area near the railway station. Designed by architect August von Voit and built by MAN AG, the building was built in 1854 to the north of the Old Botanical Garden close to the Stachus. Construction Following the completion of 1853 Schrannenhalle and the planned and conservatory of Munich Residence, a glass with cast iron design was used, using ex ...
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