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Rita Kapfhammer
Rita Kapfhammer (born 9 February 1964) is a German opera, operetta, concert and lieder singer mezzo-soprano-alto. Life Born in Bad Tölz, Kapfhammer grew up in Bad Heilbrunn. She attended the Erzbischöfliches St.-Ursula-Gymnasium Schloss Hohenburg Lenggries and then initially trained as a hotel manager. From 1988 to 1995 she studied singing with Reri Grist and Jan-Hendrik Rootering as well as in the Lied class with Helmut Deutsch and in the Oratorio class with Diethard Hellmann at the Hochschule für Musik und Theater München. Kapfhammer was a member of the ensemble at Theater Ulm from 1997 to 2007, where she sang roles such as Santuzza (''Cavalleria rusticana''), Jane Seymour (''Anna Bolena''), Amneris (''Aida''), Dalila (''Samson et Dalila''), Adalgisa (''Norma (opera), Norma''), Suzuki (''Madama Butterfly''), Azucena (''Il trovatore''), Josepha Vogelhuber (''The White Horse Inn (operetta), Im weißen Rößl''), Dolly Gallagher (''Hello, Dolly! (musical), Hello, Dolly! ''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). Diavolo fought against the French, who occupied parts of Italy, pillaging different towns on his way. Once French occupation ended, Diavolo was pardoned. When Napoleon recaptured Naples, a price was put on Diavolos head and he was hung in the public marketplace. He is now celebrated in Italian folk legends and through works like this opera. The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha (opera)
''Martha, oder Der Markt zu Richmond'' (''Martha, or The Market at Richmond'') is a ''romantic comic'' opera in four acts by Friedrich von Flotow set to a German libretto by and based on a story by Jules-Henri Vernoy de Saint-Georges. Flotow had composed the first act of a ballet, ''Harriette, ou la servante de Greenwiche'', derived from a text by Saint-Georges, for the ballerina Adèle Dumilâtre. This was first performed by the Paris Opera Ballet at the Salle Le Peletier on 21 February 1844. The time available for the composition was short, so the second and third acts were assigned, respectively, to Friedrich Burgmüller and Édouard Deldevez. The opera ''Martha'' was an adaptation of this ballet. Critical appreciation According to Gustav Kobbé, ''Martha'', though written by a native of Mecklenburg and first performed in Vienna, is French in character and elegance. Flotow was French in his musical training, as were the origins of both the plot and the score of this work, effe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hansel And Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale of the same name. It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed at C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (, ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. It is a ''Singspiel'', a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before Mozart's death. It was Mozart's last opera. It was an outstanding success from its first performances, and remains a staple of the opera repertory. In the opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Wives Of Windsor (opera)
''Die lustigen Weiber von Windsor'', or ''The Merry Wives of Windsor'', is an 1849 opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on Shakespeare's play. Published as a comical-fantastical work in three acts with dance ''(komisch-phantastische Oper in 3 Akten mit Tanz)'', its structure is musical numbers linked by spoken dialogue, harkening back to the then-outmoded ''Singspiel'' format. It remains popular in Germany and Austria and its overture is sometimes heard in concert in other countries. Composition history Nicolai wrote most of the music in 1845 and 1846 but was able to adjust the score in 1849 just before the work's delayed premiere. He had earlier won success with four Italian melodramatic operas, viz. ''Rosmonda d’Inghilterra, Gildippe ed Odoardo, Il templario'' and ''Il proscritto'', the last of which he revised to a German libretto as ''Die Heimkehr des Verbannten'', to additional acclaim, in 1843, leading to his attent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The premiere of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Figaro,'' composed 30 years earlier in 1786, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Josà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatstheater Am Gärtnerplatz
The Staatstheater am Gärtnerplatz (; State Theatre at ), commonly called the Gärtnerplatztheater, is an opera house and opera company in Munich. (The "Gärtnerplatz" is an urban square in the borough Ludwigsvorstadt-Isarvorstadt.) Designed by , it opened on 4 November 1865 as the city's second major theatre after the National Theatre (Munich), National Theatre. At times exclusively concerned with operetta, in recent years there have also been productions of opera, musicals and ballet. The scope of activities is similar to that of the Komische Oper Berlin and the English National Opera in London. One of the most active theatres in Germany, its season lasts from September to July and comprises more than 200 performances. The current Theater manager, intendant is Josef Ernst Köpplinger. History In 1863, a committee for the founding of a ''Volkstheater'' (people's theatre) formed. Ludwig II of Bavaria authorized a new building in the borough Isarvorstadt on 10 May 1864. It was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Demon Barber Of Fleet Street
''Sweeney Todd: The Demon Barber of Fleet Street'' (often referred to simply as ''Sweeney Todd'') is a 1979 musical with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. It is based on the 1970 play ''Sweeney Todd'' by Christopher Bond. The character of Sweeney Todd first appeared in a Victorian penny dreadful titled ''The String of Pearls''. ''Sweeney Todd'' opened on Broadway in 1979 and in the West End in 1980. It won the Tony Award for Best Musical and Olivier Award for Best New Musical. It has been revived in many productions and inspired a film adaptation. The original logo for the musical is a modified version of an advertising image from the 19th century, with the sign replaced by a straight razor. There is also a woman wearing a blood-stained dress and holding a rolling pin next to the man. Background The character Sweeney Todd originated in serialized Victorian popular fiction, known as penny dreadfuls. A story called ''The String of Pearls'' was pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
