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Richart De Berbezill
Rigaut de Berbezilh (also Berbezill or Barbesiu; , ) was a troubadour (fl. 1140–1163Aubrey, 8.Gaunt and Kay, 290.) of the petty nobility of Saintonge. He was a great influence on the Sicilian School and is quoted in the ''Roman de la Rose''. About fifteen of his poems survive, including one ''planh'' and nine or ten ''cansos''. His name is sometimes given as Richart or Richartz. Life While the dates of his life are disputed, some maintaining a later career (c. 1170–1215), the general consensus is that he was an early troubadour. ''Vida'' According to his '' vida'', the reliability of which is highly doubtful, he was a poor knight from the castle of Barbezieux near Cognac in the diocese of Saintes.Egan, 99. He was described as capable and handsome, but ''saup mielhs trobar qu'entendre ni que dire'': "he knew better how to compose poetry than to listen to it or recite it." He was reputed by the author of the ''vida'' to be timid, especially in the company of noblemen, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaufre Rudel
Jaufre Rudel (Jaufré in modern Occitan) was the prince of Blaye (''Princes de Blaia'') and a troubadour of the early- to mid-12th century, who probably died during the Second Crusade, in or after 1147. He is noted for developing the theme of "love from afar" (''amor de lonh'' or ''amour de loin'') in his songs. Very little is known about his life, but a reference to him in a contemporary song by Marcabru describes him as being ''oltra mar''—across the sea, probably on the Second Crusade in 1147. Probably he was the son of Girard, also castellan of Blaye, and who was titled "prince" in an 1106 charter. Girard's father was the first to carry the title, being called ''princeps Blaviensis'' as early as 1090. During his father's lifetime the suzerainty of Blaye was disputed between the counts of Poitou and the counts of Angoulême. Shortly after the succession of William VIII of Poitou, who had inherited it from his father, Blaye was taken by Wulgrin II of Angoulême, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century French Troubadours
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblioteca Apostolica Vaticana
The Vatican Apostolic Library (, ), more commonly known as the Vatican Library or informally as the Vat, is the library of the Holy See, located in Vatican City, and is the city-state's national library. It was formally established in 1475, although it is much older—it is one of the oldest libraries in the world and contains one of the most significant collections of historical texts. It has 75,000 codex, codices from throughout history, as well as 1.1 million printed books, which include some 8,500 Incunabulum, incunabula. The Vatican Library is a research library for history, law, philosophy, science, and theology. The Vatican Library is open to anyone who can document their qualifications and research needs. Photocopies for private study of pages from books published between 1801 and 1990 can be requested in person or by mail. Pope Nicholas V (1447–1455) envisioned a new Rome, with extensive public works to lure pilgrims and scholars to the city to begin its transfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simile
A simile () is a type of figure of speech that directly ''compares'' two things. Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else). However, there are two schools of thought regarding the relationship between similes and metaphors. The first defines them as opposites, such that a statement cannot be both a simile and a metaphor — if it uses a comparison word such as "like" then it is a simile; if not, it is a metaphor. The second school considers metaphor to be the broader category, in which similes are a subcategory — according to which every simile is also a metaphor (but not vice-versa). These two schools reflect differing definitions and usages of the word "metaphor" and regardless of whether it encompasses similes, but both agree that similes always involve a direct comparison word such as "like" or "as". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perceval
Perceval (, also written Percival, Parzival, Parsifal), alternatively called Peredur (), is a figure in the legend of King Arthur, often appearing as one of the Knights of the Round Table. First mentioned by the French author Chrétien de Troyes in the tale ''Perceval, the Story of the Grail'', he is best known for being the original hero in the quest for the Holy Grail, Grail before being replaced in later literature by Galahad. Etymology and origin The earliest reference to Perceval is found in Chrétien de Troyes's first Arthurian romance ''Erec et Enide'', where, as "Percevaus Welsh person, li Galois" (Percevaus of Wales), he appears in a list of Arthur's knights. In another of Chrétien's romances, ''Cligés'', Perceval is a "renowned vassal" who is defeated by the knight Cligés in a tournament. He then becomes the eponymous protagonist of Chrétien's final romance, ''Perceval, the Story of the Grail''. In the Welsh romance ''Peredur son of Efrawg'', the corresponding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovid
Publius Ovidius Naso (; 20 March 43 BC – AD 17/18), known in English as Ovid ( ), was a Augustan literature (ancient Rome), Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three Western canon, canonical poets of Latin literature. The Roman Empire, Imperial scholar Quintilian considered him the last of the Latin love elegy, elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus Exile of Ovid, exiled him to Constanța, Tomis, the capital of the newly-organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars. Ovid is most famous for the ''Metamorphoses'', a continuous mythological narrative in fifteen books written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novellino (literature)
''Il Novellino'', also known as ''Le cento novelle antiche'' ("One Hundred Ancient Tales"), is an anonymous medieval collection of short stories written in the Tuscan vernacular between 1280 and 1300. It was first published in 1525 by , a friend of Pietro Bembo. The author of the collection is unknown; several details from the stories included in the collection suggest that he was a layperson from Florence and likely belonged to the Ghibelline The Guelphs and Ghibellines ( , ; ) were factions supporting the Pope (Guelphs) and the Holy Roman Emperor (Ghibellines) in the Italian city-states of Central Italy and Northern Italy during the Middle Ages. During the 12th and 13th centu ... faction. References 13th-century literature Medieval Italian literature Italian short story collections {{Story-collection-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcabru
Marcabru (; fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two '' vidas'' attached to his poems tell different stories, and both are evidently built on hints in the poems; not on independent information. According to the brief life in BnF ms. 12473, ''Marcabrun'' was from Gascony (details of the dialect of his poems support this) and was the son of a poor woman named Marcabrunela. This evidently comes from a reading of poem 293,18. According to the longer biography in MS. Vat. Lat. 5232 ''Marcabru'' was abandoned at a rich man's door, and no one knew his origin. He was brought up by Aldric del Vilar, learned to make poetry from Cercamon, was at first nicknamed ''Pan-perdut'' and later ''Marcabru''. He became famous, and the lords of Gascony, about whom he had said many bad things, eventually put him to death. This appears to be based on poems 16b,1 and 293,43 (an exchange between Aldric del Vilar and Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angoulême
Angoulême (; Poitevin-Saintongeais: ''Engoulaeme''; ) is a small city in the southwestern French Departments of France, department of Charente, of which it is the Prefectures of France, prefecture. Located on a plateau overlooking a meander of the river Charente (river), Charente, the city is nicknamed the "balcony of the southwest". The city proper's population is a little less than 42,000 but it is the centre of an urban area of 110,000 people extending more than from east to west. Formerly the capital of Angoumois during the Ancien Régime, Angoulême was a fortified town for a long time, and was highly coveted due to its position at the centre of many roads important to communication, so therefore it suffered many sieges. From its tumultuous past, the city, perched on a rocky spur, inherited a large historical, religious, and urban heritage which attracts a lot of tourists. Nowadays, Angoulême is at the centre of an agglomeration, which is one of the most industrialised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counts Of Angoulême
Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York: Barnes & Noble, 1992. p. 73. . Especially in earlier medieval periods the term often implied not only a certain status, but also that the ''count'' had specific responsibilities or offices. The etymologically related English term "county" denoted the territories associated with some countships, but not all. The title of ''count'' is typically not used in England or English-speaking countries, and the term ''earl'' is used instead. A female holder of the title is still referred to as a ''countess'', however. Origin of the term The word ''count'' came into English from the French ', itself from Latin '—in its accusative form ''comitem''. It meant "companion" or "attendant", and as a title it indicated that someone was delegated to r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego López II De Haro
Diego López II de Haro called ''the Good'' or ''the Bad'' (c. 1152 – 16 September 1214). Son of Lope Diaz I de Haro, count of Nájera (b. 1126–1170) and of countess Aldonza. He was a first rank magnate in the kingdom of Castile under King Alfonso VIII (1158–1214). He played a decisive role in the rise of the Haro dynasty, as well as in the construction of the nobiliary identity of his group, who was to dominate the Castilian political society during the whole 13th century. A publicity strife around this key figure between his successors and the monarchy, in a moment of deep political troubles, led to the elaboration of his dark image and his golden legend at the end of the 13th century, and the invention of his opposite nicknames.Ghislain Baury, "Diego López 'le bon' et Diego López 'le mauvais' : comment s'est construite la mémoire d'un magnat du règne d'Alphonse VIII de Castille", ''Berceo'', n. 144, 2003, p. 37-92. http://dialnet.unirioja.es/servlet/articulo?codigo=6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
