|
Revolutions (Jean Michel Jarre Album)
''Revolutions'' is the ninth studio album by electronic music, electronic musician and composer Jean-Michel Jarre, first released in September 1988. The album reached number 2 in the UK charts, Jarre's best chart position since ''Oxygène''. The Destination Docklands concert in London coincided with the release of the album. Composition and recording The album was recorded and mixed at Croissy studio. A key feature of the record is the constant presence of the Roland D-50, a digital synthesizer which Jarre called the "anti Yamaha DX7," complimenting its "warm sound." ''Revolutions'' consists predominantly of the synthesizer's presets; despite dismissing the DX7 for permitting a similar reliance, Jarre defended this decision by stating that "If you like the sound of the piano, you don't try to change or twist the sound. You use it. The same goes for a violin or a clarinet. So, if there is a sound that you like in the synth, why should you go 'no, since it's in the instrument, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Jarre
Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the Electronic music, electronic, Ambient music, ambient and New-age music, new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast Laser lighting display, laser displays, large Projector, projections and fireworks. Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers, jazz musicians and the artist Pierre Soulages. His musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales. His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies. ''Oxygène'' was followed in 1978 by ''Equinoxe, Équinoxe'', and in 1979, Jarre p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Africa
South Africa, officially the Republic of South Africa (RSA), is the Southern Africa, southernmost country in Africa. Its Provinces of South Africa, nine provinces are bounded to the south by of coastline that stretches along the Atlantic Ocean, South Atlantic and Indian Ocean; to the north by the neighbouring countries of Namibia, Botswana, and Zimbabwe; to the east and northeast by Mozambique and Eswatini; and it encloses Lesotho. Covering an area of , the country has Demographics of South Africa, a population of over 64 million people. Pretoria is the administrative capital, while Cape Town, as the seat of Parliament of South Africa, Parliament, is the legislative capital, and Bloemfontein is regarded as the judicial capital. The largest, most populous city is Johannesburg, followed by Cape Town and Durban. Cradle of Humankind, Archaeological findings suggest that various hominid species existed in South Africa about 2.5 million years ago, and modern humans inhabited the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding Zoomusicology, zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and String instrument, chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai MPC60
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by the American engineer Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be created using samples of any sound. The MPC had a major influence on the development of electronic and hip-hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad interface was adopt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocoder
A vocoder (, a portmanteau of ''vo''ice and en''coder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music Studios
Electronic Music Studios (EMS) is a synthesizer company formed in Putney, London in 1969 by Peter Zinovieff, Tristram Cary and David Cockerell. It is now based in Ladock, Cornwall. Founders The founding partners had wide experience in both electronics and music. Cockerell, who was EMS' main equipment designer in its early years, was an electronics engineer and computer programmer. In the mid-1960s Zinovieff had formed the electronic music group Unit Delta Plus with Delia Derbyshire and Brian Hodgson of the BBC Radiophonic Workshop. Cary was a noted composer and a pioneer in electronic music—he was one of the first people in the UK to work in the musique concrete field and built one of the country's first electronic music studios; he also worked widely in film and TV, composing scores for numerous Ealing Studios and Hammer Films productions, and he is well known for his work on the BBC's ''Doctor Who'', notably on the classic serial ''The Daleks''. VCS 3 The company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OSC OSCar
The OSCar was a synthesizer manufactured by the Oxford Synthesiser Company from 1983 to 1985. It was ahead of its time in several ways and its later versions were among the few mono-synths of its time to have MIDI. Around 2000 were made. History When synthesizer manufacturer Electronic Dream Plant folded in 1982, Chris Huggett went on to form the Oxford Synthesiser Company. The OSCar synthesizer was launched in 1983. Chris Huggett designed the electronics while independent product designer Anthony Harrison-Griffin was responsible for the unique look and build of the OSCar. Design and features Harrison-Griffin's use of distinctive black rubberized components to protect the controls and main casing became one of the instrument's most distinctive visual features. He even built a dummy 3-pin mains socket into the ends to safely store the plug. While the basic structure of the OSCar is the common subtractive synthesis model, it has many unusual features and design quirks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS Synthi AKS
The EMS Synthi A and the EMS Synthi AKS are portable modular analog synthesisers made by EMS of England. The Synthi A model debuted in May 1971, and then Synthi AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Synthi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. When launched in 1972, the Synthi AKS retailed for around £450. An optional three octave (37 note) monophonic keyboard, the DK1 Dynamic Keyboard, was made available for it. Later on, the DK2 (Dynamic Keyboard 2) was released, allowing independent control of two oscillators, and thus enabling the player to play two notes together. The Synthi instruments were used widely in progressive rock and electronic music. As with the VCS3, a Synthi AKS was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elka Synthex
The Elka Synthex is a polyphonic analog synthesizer produced by Italian music instrument manufacturer Elka from 1981 to 1985. Overview The Synthex was conceived and developed by independent Italian designer Mario Maggi, who then gained the financial backing of the Elka company of Italy, who produced the synthesizer from 1981 to 1985. Elka, a company more noted for its organs, had previously introduced their Rhapsody 490, 610 string machine, the monophonic Solist 505 and the big combo organ/synth X-705. A total of 1,850 units were produced. Today is a highly sought-after instrument which recently reached quotations around 8,000 GBP (US$5414). It was succeeded by the Elka EK-22 (based on the CEM3396 chip which was also featured in e.g. Oberheim's Matrix line of synthesizers) and the Elka EK-44, that utilized their own version of FM synthesis, based on the Yamaha DX7. Features and architecture The Synthex is an 8-voice analog synthesizer with 2 oscillators per note, separate enve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest electronic music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History : 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, '' Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
