Resnais
Alain Resnais (; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included '' Night and Fog'' (1956), an influential documentary about the Nazi concentration camps.Ephraim Katz, ''The International Film Encyclopedia''. (London: Macmillan, 1980.) p. 966–967. Resnais began making feature films in the late 1950s and consolidated his early reputation with ''Hiroshima mon amour'' (1959), ''Last Year at Marienbad'' (1961), and '' Muriel'' (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (''la nouvelle vague''), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers wh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Night And Fog (1956 Film)
''Night and Fog'' (french: Nuit et brouillard) is a 1956 French documentary film, documentary short film. Directed by Alain Resnais, it was made ten years after the liberation of Nazi concentration camps. The title is taken from the ''Nacht und Nebel'' (German language, German for "Night and Fog") program of abductions and disappearances decreed by Nazi Germany. The documentary features the abandoned grounds of Auschwitz and Majdanek established in occupied Poland while describing the lives of prisoners in the camps. ''Night and Fog'' was made in collaboration with scriptwriter Jean Cayrol, a survivor of the Mauthausen-Gusen concentration camp. The music of the soundtrack was composed by Hanns Eisler. Resnais was originally hesitant about making the film and refused the offer to make it until Cayrol was contracted to write the script. The film was shot entirely in the year 1955 and is composed of contemporary shots of the camps plus stock footage. Resnais and Cayrol found the film ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Last Year At Marienbad
''Last Year at Marienbad'' (french: L'Année dernière à Marienbad; released in the United Kingdom as ''Last Year in Marienbad'') is a 1961 French New Wave#Left Bank, Left Bank film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet. Set in a palace in a park that has been converted into a luxury hotel, it stars Delphine Seyrig and Giorgio Albertazzi as a woman and a man who may have met the year before and may have contemplated or started an affair, with Sacha Pitoëff as a second man who may be the woman's husband. The characters are unnamed. Plot In an ornate baroque hotel populated by wealthy individuals and couples who socialize with each other, a man approaches a woman and claims they met the year before at a similar resort (perhaps at Frederiksbad, Karlstadt, Marienbad, or Baden-Salsa) and had a romantic relationship, but she responded to his request to run away together by asking him to wait a year, which time has now elapsed. The woman insists she has nev ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Muriel (film)
''Muriel'' (french: Muriel ou le Temps d'un retour, link=no, literally ''Muriel, or the Time of a Return'') is a 1963 French psychological drama film directed by Alain Resnais, and starring Delphine Seyrig, Jean-Pierre Kérien, Jean-Baptiste Thiérrée, and Nita Klein. Its plot follows a middle-aged widow in Boulogne-sur-Mer and her stepson—recently returned from military service in the Algerian War—who are visited by her ex-lover and his new young girlfriend. It was Resnais's third feature film, following '' Hiroshima mon amour'' (1959) and '' L'Année dernière à Marienbad'' (1961), and in common with those films it explores the challenge of integrating a remembered or imagined past with the life of the present. It also makes oblique reference to the controversial subject of the Algerian War, which had recently been brought to an end. ''Muriel'' was Resnais's second collaboration with Jean Cayrol, who had also written the screenplay of ''Nuit et brouillard'' (''Night an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hiroshima Mon Amour
''Hiroshima mon amour'' (, lit. , ), is a 1959 romantic drama film directed by French director Alain Resnais and written by French author Marguerite Duras. Resnais' first feature-length work, it was a co-production between France and Japan, and documents a series of intensely personal conversations (or one long conversation) over slightly more than a 24-hour period between an unnamed French actress and Japanese architect. The film is notable for Resnais' innovative use of brief flashbacks to suggest flashes of memory, which create a nonlinear storyline. Along with films such as ''Breathless'' (1960) and ''The 400 Blows'' (1959), ''Hiroshima mon amour'' brought international attention to the new movement in French cinema and is widely considered to be one of the most influential films of the French New Wave. In particular, it was a major catalyst for Left Bank Cinema. Plot A series of closeups of the backs and arms of a man and woman embracing, amidst falling ash and then cover ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sabine Azéma
Sabine Azéma (born 20 September 1949) is a French stage and film actress and director. Born in Paris, she graduated from the Paris Conservatory of Dramatic Arts. Career Her film career began in 1975. Azéma appeared in '' A Sunday in the Country'' (1984), for which she won a César Award for Best Actress, and numerous films of Alain Resnais, including ''Life Is a Bed of Roses'' (1983), '' L'Amour à mort'' (1984), '' Mélo'' (which won her a second César Award for Best Actress), ''Smoking/No Smoking'' (1993), ''On connaît la chanson'' (1997), '' Pas sur la bouche'' (2003), and ''Cœurs ''Private Fears in Public Places'' (french: Cœurs ("Hearts"), is a 2006 French comedy-drama film directed by Alain Resnais. It was adapted from Alan Ayckbourn's 2004 play ''Private Fears in Public Places''. The film won several awards, including a ...'' (2006). She has been nominated a further five times. Filmography As actress As director Decorations * Commander of the Order of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine ''Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Van Gogh (1948 Film)
''Van Gogh'' is a 1948 short French documentary film directed by Alain Resnais. It won an Oscar in 1950 for Best Short Subject (Two-Reel). It is a remake A remake is a film, television series, video game, song or similar form of entertainment that is based upon and retells the story of an earlier production in the same medium—e.g., a "new version of an existing film". A remake tells the sa ... of a film made the previous year. Cast * Claude Dauphin as Récitant / Narrator (voice) References External links * 1948 films 1948 documentary films 1948 short films 1940s French-language films 1940s short documentary films Black-and-white documentary films Documentary films about painters French short documentary films French black-and-white films Live Action Short Film Academy Award winners Films directed by Alain Resnais Short film remakes Films about Vincent van Gogh 1940s French films {{short-documentary-film-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guernica (1950 Film)
''Guernica'' is a 1950 French short film directed by Alain Resnais and Robert Hessens. Synopsis After a brief voice-over by Jacques Pruvost describing the bombing of Guernica on 26 April 1937, María Casares recites a poem by Paul Eluard on the subject of that atrocity, accompanied by imagery from numerous paintings, drawings, and sculptures produced by Pablo Picasso between 1920 and 1949, particularly ''Guernica'' (1937). The oppressive musical arrangements in the film were composed by Guy Bernard. Home media The short film is available as a special feature on the DVD edition of '' The Mystery of Picasso'', Henri-Georges Clouzot Henri-Georges Clouzot (; 20 November 1907 – 12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed '' The Wages of Fear'' and '' Les Diaboliques' ...'s 1956 documentary about Picasso. References External links * 1950 films 1950 short films F ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alan Ayckbourn
Sir Alan Ayckbourn (born 12 April 1939) is a prolific British playwright and director. He has written and produced as of 2021, more than eighty full-length plays in Scarborough and London and was, between 1972 and 2009, the artistic director of the Stephen Joseph Theatre in Scarborough, where all but four of his plays have received their first performance. More than 40 have subsequently been produced in the West End, at the Royal National Theatre or by the Royal Shakespeare Company since his first hit '' Relatively Speaking'' opened at the Duke of York's Theatre in 1967. Major successes include '' Absurd Person Singular'' (1975), '' The Norman Conquests'' trilogy (1973), ''Bedroom Farce'' (1975), ''Just Between Ourselves'' (1976), '' A Chorus of Disapproval'' (1984), '' Woman in Mind'' (1985), ''A Small Family Business'' (1987), '' Man of the Moment'' (1988), ''House'' & ''Garden'' (1999) and '' Private Fears in Public Places'' (2004). His plays have won numerous awards, inc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alain Robbe-Grillet
Alain Robbe-Grillet (; 18 August 1922 – 18 February 2008) was a French writer and filmmaker. He was one of the figures most associated with the '' Nouveau Roman'' (new novel) trend of the 1960s, along with Nathalie Sarraute, Michel Butor and Claude Simon. Alain Robbe-Grillet was elected a member of the Académie française on 25 March 2004, succeeding Maurice Rheims at seat No. 32. He was married to Catherine Robbe-Grillet (née Rstakian). Biography Alain Robbe-Grillet was born in Brest ( Finistère, France) to a family of engineers and scientists. He was trained as an agricultural engineer. During the years 1943 and 1944, he participated in compulsory labor in Nuremberg, where he worked as a machinist. The initial few months were seen by Robbe-Grillet as something of a holiday, since, in between the very rudimentary training he was given to operate the machinery, he had free time to go to the theatre and the opera. In 1945, he completed his diploma at the National Ins ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gérard Philipe
Gérard Philipe (born Gérard Albert Philip, 4 December 1922 – 25 November 1959) was a prominent French actor who appeared in 32 films between 1944 and 1959. Active in both theatre and cinema, he was, until his early death, one of the main stars of the post-war period. His image has remained youthful and romantic, which has made him one of the icons of French cinema. Life and career Early life Born Gérard Albert Philip in Cannes in a well-off family, he was of one-quarter Czech ancestry from his maternal grandmother. His father, Marcel Philip (1893–1973), was a barrister and businessman in Cannes; his mother was Maria Elisa "Minou" Philip, née Vilette (1894–1970). On his mother's advice, in 1944 Gérard changed his surname from "Philip" to "Philipe". As a teenager, Philipe took acting lessons before going to Paris to study at the Conservatoire of Dramatic Art. Early Films Philipe made his film debut in '' Les Petites du quai aux fleurs'' (1943), directed by Marc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Braunberger
Pierre Braunberger (29 July 1905, Paris – 16 November 1990, Aubervilliers) was a French producer, executive producer, and actor. Biography Born into a family of physicians, Braunberger at the age of seven was already determined not have the same life as his father, and not to take up medicine as a career. He saw a screening of '' Fantômas'' at the Gaumont Théâtre, the first cinema to open in Paris, and decided to work in the cinema. After the First World War, at the age of 15, he produced and directed his first film: ''Frankfurt'' in Germany. He left for successive adventures in Berlin, London at Brocklis establishments, where he worked. In 1923, he left for New York, where he worked for a few weeks at Fox Film Corporation, and became a director of production along with Ferdinand H. Adam where he also worked on films with Frank Merrill. In the course of his films in Los Angeles, he came to know Irving Thalberg who employed him at Metro-Goldwyn-Mayer as one of his a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |