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Remoldus Eynhoudt
Remoldus Eynhoudt and Remoldus Eynhouedt (1613 – 1680) was a Flemish printmaker who is mainly known for his reproductions after works by Antwerp masters.Remoldus Eynhoudt in the Life Eynhoudt was born in Antwerp and became a pupil of the painter , who was also the master of Rubens and |
Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,Statistics Belgium; ''Loop van de bevolking per gemeente'' (Excel file) Population of all municipalities in Belgium, . Retrieved 1 November 2017. it is the most populous municipality in Belgium, and with a metropolitan population of around 1,200,000 people, it is the second-largest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habsburg Netherlands
Habsburg Netherlands was the Renaissance period fiefs in the Low Countries held by the Holy Roman Empire's House of Habsburg. The rule began in 1482, when the last Valois-Burgundy ruler of the Netherlands, Mary, wife of Maximilian I of Austria, died. Their grandson, Emperor Charles V, was born in the Habsburg Netherlands and made Brussels one of his capitals. Becoming known as the Seventeen Provinces in 1549, they were held by the Spanish branch of the Habsburgs from 1556, known as the Spanish Netherlands from that time on. In 1581, in the midst of the Dutch Revolt, the Seven United Provinces seceded from the rest of this territory to form the Dutch Republic. The remaining Spanish Southern Netherlands became the Austrian Netherlands in 1714, after Austrian acquisition under the Treaty of Rastatt. De facto Habsburg rule ended with the annexation by the revolutionary French First Republic in 1795. Austria, however, did not relinquish its claim over the province until 179 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printmaker
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands Institute For Art History
The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times. All of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, and make art research available, most notably in the field of Dutch Masters. Via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca. 150,000 are auction catalogs. There are ca. 3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the standard record format includes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Van Noort
Adam van Noort (1561/62 – 1641) was a Flemish painter and draughtsman and one of the teachers of Peter Paul Rubens, and the only teacher of Jacob Jordaens. Adam van Noort was mainly known for his history paintings but he also created some portraits.Carl Van de Velde. "Noort, van." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 March 2017 He was a designer for engravings for the Collaert family of printmakers and publishers. Life Adam van Noort was born and died in Antwerp. He was the son of Lambert van Noort from Amersfoort and Katelijne van Broeckhuysen from Zwolle. His parents had established themselves in Antwerp where Lambert became a member of the local Guild of Saint Luke in 1549. His father was active primarily as a designer of stained-glass windows and engravings, an architect and, to a lesser extent, a painter. The family lived in poverty.''Adam van Noort'' in: Frans Jozef Peter Van den Branden, ''Geschiedenis der Antwerpsche schilders ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Jordaens
Jacob (Jacques) Jordaens (19 May 1593 – 18 October 1678) was a Flemish people, Flemish painter, Drawing, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painting, Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations.d'Hulst, pp. 23 In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.d'Hulst, pp. 24–25. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.d'Hulst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild Of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Teniers The Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output.Teniers the Younger, David at the National Gallery of Art He was an innovator in a wide range of genres such as , , |
Theatrum Pictorium
''Theatrum Pictorium'', or ''Theatre of Painting'', is a short-hand name of a book published in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a catalog of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers made a list of the painters in the collection as part of the forward to his 1673 catalog: File:Theatrum Pictorium gri 33125 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis Schut
Cornelis Schut (13 May 1597 – 29 April 1655) was a Flemish painter, draughtsman, engraver and tapestry designer who specialized in religious and mythological scenes. Presumed to have trained under Rubens, he treated Counter-Reformation subjects in a High-Baroque style. After a stay in Italy, he worked mainly in Antwerp where he was one of the leading history painters in the first half of the 17th century.Hans Vlieghe, ''Cornells Schut in Italy'' in Hoogsteder & Hoogsteder, 11 May 2010 Life [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
