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Remodernist Film
Remodernist film developed in the United States and the United Kingdom in the early 21st century with ideas related to those of the international art movement Stuckism and its manifesto, Remodernism. Key figures are Jesse Richards and Peter Rinaldi. Manifesto and philosophy On August 27, 2008, Jesse Richards published a 15-poinRemodernist Film Manifesto calling for a "new spirituality in cinema", use of intuition in filmmaking, as well as describing the remodernist film as being a "stripped down, minimal, lyrical, punk kind of filmmaking". Point 4 is: The Japanese ideas of wabi-sabi (the beauty of imperfection) and mono no aware (the awareness of the transience of things and the bittersweet feelings that accompany their passing), have the ability to show the truth of existence, and should always be considered when making the remodernist film. There are also several polemic statements made in the manifesto that criticize Stanley Kubrick, filmmakers that shoot on digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesse Richards
Jesse Beau Richards (born July 17, 1975) is a painter, filmmaker and photographer from New Haven, Connecticut and was affiliated with the international movement Stuckism. He has been described as "one of the most provocative names in American underground culture,""The Movie Can Be Made Another Way" iNews.bg. Retrieved September 5, 2012. and "the father of remodernist cinema." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mono No Aware
, , and also translated as , or , is a Japanese idiom for the awareness of , or transience of things, and both a transient gentle sadness (or wistfulness) at their passing as well as a longer, deeper gentle sadness about this state being the reality of life. Origins and analysis The idiom comes from Heian period literature, but was picked up and used by 18th century Edo period Japanese cultural scholar Motoori Norinaga in his literary criticism of ''The Tale of Genji,'' and later to other germinal Japanese works including the . It became central to his philosophy of literature; he saw it as the main theme of ''The Tale of Genji''. His articulation was the result of well-established poetic readings of ''The Tale of Genji'' and the concept became central to his own; ''Genji'' was "instrumental" in the term's establishment. According to Norinaga, to "know" is to have a shrewd understanding and consideration of reality and the assortment of occurrences present; to be affected by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amos Poe
Amos Poe is an American New York City-based director and screenwriter, described by ''The New York Times'' as a "pioneering indie filmmaker". Career Amos Poe is one of the first punk filmmakers and his film '' The Blank Generation'' (1976)—co-directed with Ivan Král— is one of the earliest punk films. The film features performances by Richard Hell, Talking Heads, Television, Patti Smith, and Wayne County. ''Rolling Stone'' named it number 6 on its list of 25 Greatest Punk Rock Movies of All Time. He is also associated with the birth of No Wave Cinema due to films such as '' The Foreigner'' (1978), featuring Eric Mitchell, Debbie Harry, Anya Phillips; and '' Subway Riders'' (1981), starring Susan Tyrrell, Robbie Coltrane, and Cookie Mueller. During this time he was also the director of the public-access television cable TV show '' TV Party'' hosted by Glenn O'Brien and Chris Stein. He is part of the Remodernist film movement, which he described as the next devel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Vigo
Jean Vigo (; 26 April 1905 – 5 October 1934) was a French film director who helped establish poetic realism in film in the 1930s. His work influenced French New Wave cinema of the late 1950s and early 1960s. Biography Vigo was born to Emily Cléro and the militant anarchist Miguel Almereyda. Much of Vigo's early life was spent on the run with his parents. His father was imprisoned and probably murdered in Fresnes Prison on 13 August 1917, although the death was officially a suicide. Some speculated that Almereyda's death was hushed up on orders of the Radical politicians Louis Malvy and Joseph Caillaux, who were later punished for wartime treason. The young Vigo was subsequently sent to boarding school under an assumed name, Jean Sales, to conceal his identity. Vigo was married and had a daughter, Luce Vigo, a film critic, in 1931. He died in 1934 of complications from tuberculosis, which he had contracted eight years earlier. Career Vigo is noted for two films that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Antonioni
Michelangelo Antonioni ( ; ; 29 September 1912 – 30 July 2007) was an Italian film director, screenwriter, and editor. He is best known for his "trilogy on modernity and its discontents", ''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962); the English-language film ''Blowup'' (1966); and the multilingual '' The Passenger (1975 film), The Passenger'' (1975). His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking composition (visual arts), visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent world art cinema. Antonioni received numerous awards and nominations throughout his career, being the first and one of two directors, the other being Jafar Panahi, to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Three of his films are on the list of A hundred Italian films to be saved, hundred Italian films to be saved. He rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Rollin
Jean Michel Rollin Roth Le Gentil (3 November 1938 – 15 December 2010) was a French film director, actor, and novelist best known for his work in the fantastique genre. Rollin's career, spanning over fifty years, featured early short films and his achievements with his first four vampire classics '' Le viol du vampire'' (1968), '' La vampire nue'' (1970), '' Le frisson des vampires'' (1970), and '' Requiem pour un vampire'' (1971). Rollin's subsequent notable works include '' La rose de fer'' (1973), '' Lèvres de sang'' (1975), '' Les raisins de la mort'' (1978), '' Fascination'' (1979), and '' La morte vivante'' (1982). His films are noted for their exquisite, if mostly static, cinematography, off-kilter plot progression, poetic dialogue, playful surrealism and recurrent use of well-constructed female lead characters. Outlandish dénouements and abstruse visual symbols were trademarks. Belied by high production values and precise craftsmanship, his films were made with litt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bresson
Robert Bresson (; 25 September 1901 – 18 December 1999) was a French film director. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, Ellipsis (narrative device), ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of Minimalism, minimalist film. Much of his work is known for being tragic in story and nature. Bresson is among the most highly regarded filmmakers of all time. He has the highest number of films (seven) that made the 2012 ''Sight & Sound'' critics' poll of the 250 greatest films ever made. His works ''A Man Escaped'' (1956), ''Pickpocket (film), Pickpocket'' (1959) and ''Au hasard Balthazar'' (1966) were ranked among the top 100, and other films like ''Mouchette'' (1967) and (1983) also received many votes. Jean-Luc Godard once wrote, "He is the French cinema, as Fyodor Dostoevsky, Dostoevsky is the Russian novel and Mozart is German music." Personal life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Ozu
was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are family and marriage, and especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953) and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, Fukagawa district of Tokyo City, Tokyo, the second son of merchant Torano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Tarkovsky
Andrei Arsenyevich Tarkovsky (, ; 4 April 1932 – 29 December 1986) was a Soviet film director and screenwriter of Russian origin. He is widely considered one of the greatest directors in cinema history. Works by Andrei Tarkovsky, His films explore spiritual and metaphysics, metaphysical themes and are known for their Slow cinema, slow pacing and long takes, dreamlike visual imagery and preoccupation with nature and memory. Tarkovsky studied film at the All-Union State Institute of Cinematography under filmmaker Mikhail Romm and subsequently directed his first five features in the Soviet Union: ''Ivan's Childhood'' (1962), ''Andrei Rublev (film), Andrei Rublev'' (1966), ''Solaris (1972 film), Solaris'' (1972), ''Mirror (1975 film), Mirror'' (1975), and ''Stalker (1979 film), Stalker'' (1979). After years of creative conflict with State Committee for Cinematography, state film authorities, he left the country in 1979 and made his final two films—''Nostalghia'' (1983) and ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Cruelty
The Theatre of Cruelty (, also ) is a form of theatre conceptualised by Antonin Artaud. Artaud, who was briefly a member of the surrealist movement, outlined his theories in a series of essays and letters, which were collected as '' The Theatre and Its Double''. The Theatre of Cruelty can be seen as a break from traditional Western theatre and a means by which artists assault the senses of the audience. Artaud's works have been highly influential on artists including Jean Genet, Jerzy Grotowski, Peter Brook, and Romeo Castellucci. History and influences Antonin Artaud was well known as an actor, playwright, and essayist who worked in both theatre and cinema. He was briefly a member of the surrealist movement in Paris from 1924 to 1926, before his "radical independence and his uncontrollable personality, perpetually in revolt, brought about his excommunication by André Breton." Led by André Breton, the surrealist movement argued that the unconscious mind is a source of artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonin Artaud
Antoine Maria Joseph Paul Artaud (; ; 4September 18964March 1948), better known as Antonin Artaud, was a French artist who worked across a variety of media. He is best known for his writings, as well as his work in the theatre and cinema. Widely recognized as a major figure of the European avant-garde, he had a particularly strong influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican and Balinese practices. Early life Antonin was born in Marseille, to Euphrasie Nalpas and Antoine-Roi Artaud. His parents were first cousins: his grandmothers were sisters from Smyrna (modern day İzmir, Turkey). His paternal grandmother, Catherine Chilé, was raised in Marseille, where she married Marius Artaud, a Frenchman. His maternal grandmother, Mariette Chilé, grew up in Smy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionist
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. Paris became a gathering place for a group of Expressionist artists, many of Jewish origin, dubbed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
