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Regular Tuning
Among guitar tunings#Alternative, alternative guitar tunings, guitar-tunings, regular tunings have equal interval (music), musical intervals between the paired note (music), notes of their successive open string (music), open strings. ''Guitar tuning (music), tunings'' assign pitch (music), pitches to the open string (music), open strings of guitars. Tunings can be described by the particular pitches that are denoted by notes in Western music. By convention, the notes are ordered from lowest to highest. The ''standard tuning'' defines the string pitches as E, A, D, G, B, and E. Between the open-strings of the standard tuning are three perfect fourth, perfect-fourths (E–A, A–D, D–G), then the major third G–B, and the fourth perfect-fourth B–E. In contrast, regular tunings have constant intervals between their successive open-strings: * 3 semitones (minor third): #Minor thirds, Minor-thirds, or ''Diminished'' tuning * 4 semitones (major third): Major- ...
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Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic fr ...
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All-fifths Tuning
Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. The conventional " standard tuning" consists of perfect fourths and a single major third between the ''g'' and ''b'' strings: :E-A-d-g-b-e' All-fifths tuning has the set of open strings :C-G-d-a-e'-b' or G'-D-A-e-b-f', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form : B'-F-c-g-d'-a'. An approximation: new standard tuning All-fifths tuning has been approximated with tunings that avoid the high b' replacing it with a g' in the New Standard Tuning of King&n ...
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Octave
In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' (), ''8va bassa'' (, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing this mark above or below the staff. ...
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Minor Third
In music theory, a minor third is a interval (music), musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval (music)#Number, interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished third, Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip (music), skip melodically. Notable examples of ascending minor thirds include the opening two notes of "Greensleeves" and of "Light My Fire". The minor third may be derived from the Harmonic series (music), harmonic series as the interva ...
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Chords In Major-thirds Tuning C, D, G, Minor, Major, Dominant Seventh
Chord or chords may refer to: Art and music * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord, a chord played on a guitar, which has a particular tuning * The Chords (British band), 1970s British mod revival band * The Chords (American band), 1950s American doo-wop group * The Chord (painting), ''The Chord'' (painting), a c.1715 painting by Antoine Watteau * Andrew Chord, a comic book character who is the former mentor of the New Warriors Mathematics * Chord (geometry), a line segment joining two points on a curve * Chord (graph theory), an edge joining two nonadjacent nodes in a cycle People * Chord Overstreet, American actor and musician * Chords (musician), a Swedish hiphop/reggae artist Programming * Chord (concurrency), a concurrency construct in some object-oriented programming languages * Chord (peer-to-peer), a peer-to-peer protocol and algorithm for distributed hash tables (DHT) Science and technology * Chord (astrono ...
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Tuning ADGBE5 ADGBE0
Tuning can refer to: Common uses * Tuning, the process of tuning a tuned amplifier or other electronic component * Musical tuning, musical systems of tuning, and the act of tuning an instrument or voice ** Guitar tunings ** Piano tuning, adjusting the pitch of pianos using a tuning fork or a frequency counter * Neuronal tuning, the property of brain cells to selectively represent a particular kind of sensory, motor or cognitive information * Radio tuning * Performance tuning - the optimization of systems, especially computer systems, which may include: ** Car tuning, an industry and hobby involving modifying automobile engines to improve their performance *** Engine tuning, the adjustment, modification, or design of internal combustion engines to yield more performance ** Computer hardware tuning ** Database tuning ** Self-tuning, a system capable of optimizing its own internal running parameters Arts, entertainment, and media * "Tuning", a song by Avail from their album ''Dixie'' ...
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New Standard Tuning
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning. The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth ; the two highest strings are a minor third apart (E,G). All-fifths tuning is typically used for mandolins, cellos, violas, and violins. On a guitar, tuning the strings in fifths would mean the first string would be a high B. NST provides a good approximation to all-fifths tuning. Like other regular tunings, NST allows chord fingerings to be shifted from one set of strings to another. NST's C-G range is wider, both lower and higher, than the E-E range of standard tuning in which the strings are tuned to the open notes E2-A2-D3-G3-B3-E4. The greater range allows NST guitars to play repertoire that would be impractical, if not impossible, on a standard-tuned guitar. NST was developed by Robert Fripp, the g ...
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All-fifths Tuning
Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. The conventional " standard tuning" consists of perfect fourths and a single major third between the ''g'' and ''b'' strings: :E-A-d-g-b-e' All-fifths tuning has the set of open strings :C-G-d-a-e'-b' or G'-D-A-e-b-f', which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form : B'-F-c-g-d'-a'. An approximation: new standard tuning All-fifths tuning has been approximated with tunings that avoid the high b' replacing it with a g' in the New Standard Tuning of King&n ...
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Scordatura
Scordatura (; literally, Italian for "discord", or "mistuning") is a Musical tuning, tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual Chord (music), chords or timbre, or to make certain passages easier to play. It is common to Musical notation, notate the finger position as if played in regular tuning, while the actual pitch resulting is altered (scordatura notation). When all the strings are tuned by the same interval up or down, as in the case of the viola in Mozart's ''Sinfonia Concertante for Violin, Viola and Orchestra'', the part is transposed as a whole. Bowed string instruments The invention of scordatura tuning has been attributed to Thomas Baltzar, a prodigious German violinist and composer who is known to have used the technique in around the 1660s, at least a decade before Biber composed his ''Rosary Sonatas'' in which he employed the tuning technique. Of course, German violini ...
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Root Note
In the music theory of harmony, the root is a specific note that names and typifies a given chord. Chords are often spoken about in terms of their root, their quality, and their extensions. When a chord is named without reference to quality, it is assumed to be major—for example, a "C chord" refers to a C major triad, containing the notes C, E, and G. In a given harmonic context, the root of a chord need not be in the bass position, as chords may be inverted while retaining the same name, and therefore the same root. In tertian harmonic theory, wherein chords can be considered stacks of third intervals (e.g. in common practice tonality), the root of a chord is the note on which the subsequent thirds are stacked. For instance, the root of a triad such as E Minor is E, independently of the vertical order in which the three notes (E, G and B) are presented. A triad can be in three possible positions, a "root position" with the root in the bass (i.e., with the root as the lowe ...
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Semitone
A semitone, also called a minor second, half step, or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale (or half of a whole step), visually seen on a keyboard as the distance between two keys that are adjacent to each other. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones). In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. f ...
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