Reece Clarke
Reece Clarke (born 27 March 1995) is a Scottish ballet dancer. He joined the Royal Ballet in 2013, and was promoted to principal dancer in 2022. Early life and training Clarke is from Airdrie, North Lanarkshire. His father was a steelworker and Clarke's mother worked as a child minder. He is the youngest of four brothers. Clarke began ballet at age three. He initially attended weekly classes at a local dance school that his brothers also attended, before he joined the Royal Ballet School Junior Associates programme, and travelled to London every weekend for training. In 2006, the 11-year-old Clarke entered the Royal Ballet School, where all three of his brothers attended. This marked the first time four boys from the same family attended the school. The school provided a scholarship, while the Airdrie community helped fund his tuition and equipments. Clarke attended the lower school for five years, before moving to the upper school. In his second year at the upper school, he ofte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Steven McRae
Steven McRae (born 19 December 1985) is an Australian ballet dancer and tap dancer. He is a principal dancer with the Royal Ballet, London.Steven McRae website of the Royal Opera House. Early life Steven McRae was raised in the Sydney suburb of Plumpton the son of a drag racer.Steven McRae: Dancing at full throttleby Mark Monahan, 26 April 2011, The Telegraph. He started dancing at age seven, after ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Two Pigeons (ballet)
''Les Deux Pigeons'' is a ballet originally choreographed in two acts by Louis Mérante to music by André Messager. The libretto by Mérante and Henri de Régnier is based on the fable ''The Two Pigeons'' by Jean de La Fontaine. The work was first performed at the Paris Opéra on 18 October 1886.Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 12eme édition, 1886.'' G Charpentier et Cie, Paris, 1887. The premiere cast included Rosita Mauri as Gourouli and Marie Sanlaville as Pépio. Frederick Ashton later created a new ballet to Messager's music under the title ''The Two Pigeons''. Background The score is dedicated to Camille Saint-Saëns, whose influence helped gain Messager the commission for the ballet, following three ballets which the younger composer had written for the Folies Bergère, ''Fleur d’oranger'', ''Vins de France'' and ''Odeurs et Parfums''. ''Les Deux pigeons'' was first performed on the same evening as a performance of ''La Favorite''. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Enigma Variations (ballet)
''Enigma Variations (My Friends Pictured Within)'' is a one-act ballet by Frederick Ashton, to the music of the ''Variations on an Original Theme'' (''Enigma Variations''), Op. 36, by Edward Elgar. The work was first given by the Royal Ballet at the Royal Opera House, Covent Garden, London, on 25 October 1968. It has been revived in every subsequent decade. Background Elgar's variations portray, in his words, "My friends pictured within", celebrating, and in some cases caricaturing, members of his circle. He commented to one of them, Troyte Griffith, years after the premiere that if the variations had been written by a Russian rather than an Englishman they would long ago have been turned into a ballet. It was not until six years after the composer's death that an attempt was made to do so, by the choreographer Frank Staff for Ballet Rambert in 1940.Percival, John. "Ashton and the quality of friendship", ''The Times'', 26 October 1968, p. 9 Staff's ballet focused on the mood of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Monotones (ballet)
''Monotones'' is a one-act ballet in two parts choreographed by Frederick Ashton to music by Erik Satie. ''Monotones II'' was created first as a gala piece for a gala performance in aid of the Royal Ballet Benevolent Fund in 1965. Ashton had long been inspired by the '' Gymnopedies'' by Erik Satie of 1888 and took orchestrations by Claude Debussy and Roland-Manuel as the basis of a '' pas de trois'' for two men and one woman. The premiere was on 24 March 1965 with Vyvyan Lorrayne, Anthony Dowell, and Robert Mead. The piece was a great success – so much so that in 1966 Ashton enlarged the piece so that it would be long enough to be performed in the normal repertory, by the addition of ''Monotones I'', which formed an overture to the earlier work. This piece in many ways forms a mirror image of ''Monotones II''. Based on Satie's '' Gnossiennes'', it is another ''pas de trois'', but in this case for two women and one man; the premiere was given by Antoinette Sibley Dame Ant ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tchaikovsky Pas De Deux
''Tchaikovsky Pas de Deux'' is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of ''Swan Lake'' (Op. 20, 1875–76). With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New York, on 29 March 1960. Robert Irving conducted the New York City Ballet Orchestra. The dancers were Violette Verdy and Conrad Ludlow. Background In 1877, Anna Sobeshchanskaya, ''prima ballerina'' of the Bolshoi Theater in Moscow, made her debut in the dual role of Odette/Odile in ''Swan Lake''. After three performances, she was so dissatisfied with the choreography of Julius Reisinger that she asked for new material for the role of Odile in act 3. With permission from the producers, she traveled from Moscow to Saint Petersburg to ask Marius Petipa, ballet master of the Imperial Theaters, to set a ''pas de deux'' for Odile and Siegfried to r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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London Coliseum
The London Coliseum (also known as the Coliseum Theatre) is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres. Opened on 24 December 1904 as the London Coliseum Theatre of Varieties, it was designed by the theatrical architect Frank Matcham for the impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, described as the "people's palace of entertainment" of its age. At the time of construction, the Coliseum was one of the few theatres in Europe to provide lifts for taking patrons to the upper levels of the house, and was the first theatre in England to have a triple revolve installed on its stage. The theatre has 2,359 seats making it the largest theatre in London. After being used for variety shows, musical comedies, and stage plays for many years, then as a cinema screening films in the Cinerama format between 1963 and 1968, the Sadler's Wells Opera Company moved ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Disasters Emergency Committee
The Disasters Emergency Committee (DEC) is an umbrella group of UK charities which coordinates and launches collective appeals to raise funds to provide emergency aid and rapid relief to people caught up in disasters and humanitarian crises around the world. Since being formed in 1963, the DEC has had strong relationships with major UK broadcasters in particular the BBC and ITV, who provide airtime to broadcast emergency appeals upon its recommendation. It is a member of the global Emergency Appeals Alliance, which reports that since its first television appeal in 1966, the DEC has raised over £1.4 billion. The DEC is a registered charity (charity no: 1062638) with 15 charity members all with associated disaster relief capabilities such as providing clean water, humanitarian aid and medical care. The charity came to increased prominence during the 2022 Russian invasion of Ukraine when people donated to the Ukraine Humanitarian Appeal. Notable DEC appeals The first DEC appea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Concerto (ballet)
''Concerto'' is a one-act ballet in three movements created by Kenneth MacMillan in 1966 for the Deutsche Oper Ballet. The music is Dmitri Shostakovich's Second Piano Concerto (1957). The ballet premiered on 30 November 1966. Production The ballet is plotless and consists of three movements. The first was originated by Didi Carli and Falco Kapuste. The second movement is a ''pas de deux'' originated by Lynn Seymour and Rudolf Holz, and was inspired by Seymour's warm up. MacMillan had said that he "decided to incorporate the idea of the barre work into the choreography." The man acts as a "barre" for the female dancer. The third and final movement was intended for a "playful" lead couple, but the male dancer broke his foot prior to the premiere, so MacMillan turned the pas de deux to a female solo, danced by Silvia Kesselheim. The ballet also includes a corps de ballet, that dances in unison, originally 16 women and 8 men. The original design by Jürgen Rose uses a yellow back ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fumi Kaneko
Fumi Kaneko (金子 扶生, ''Kaneko Fumi'', born ) is a Japanese ballet dancer. She joined the Royal Ballet in London in 2011, and was named a principal dancer in 2021. Early life Kaneko was raised in Osaka. She started ballet at age three, and at 8, she started attending Jinushi Kaoru Ballet School until 11 pm. Her training was mainly in the Russian style. Due to the lack of performance opportunities for young dancers in Japan, she competed in various international competitions, winning first class distinction at Varna International Ballet Competition in 2008, and a silver medal at Moscow International Ballet Competition in 2009. Career Kaneko joined the Jinushi Kaoru Ballet Company in 2010. After she won a silver medal at USA International Ballet Competition in 2010, she joined The Royal Ballet in London in April 2011, even though at the time she did not speak English. She was named first artist in 2012, soloist in 2013 and first soloist in 2018. Lead roles she danc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Natalia Osipova
Natalia Petrovna Osipova (russian: Наталья Петровна Осипова; born 18 May 1986) is a Russian ballerina, currently a principal ballerina with The Royal Ballet in London. Early life and training Born in Moscow, Osipova began formal ballet training at the age of nine at the Mikhail Lavrosky Ballet School. From 1996 to 2004, she studied at the Moscow State Academy of Choreography (The Bolshoi Ballet Academy), under the tutelage of Marina Kotova and Marina Leonova. Career At the age of 18, she joined the Bolshoi Ballet as a member of the corps de ballet. In 2005, she danced the role of Kitri in Alexei Fadeyechev's production of ''Don Quixote'' to critical acclaim and was promoted to soloist in 2006. She was named one of the 25 to Watch by ''Dance Magazine'' in 2007 and became a leading soloist in 2009. In 2010, she became a principal dancer at the Bolshoi Ballet, but resigned in 2011, citing "artistic freedom" as her reason for leaving. After leaving the Bolsh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |